Why Do We Tell Stories?
Why do we tell stories? What can stories change? A story is an account of past events in someone's life or in the evolution of something. Stories we tell can often take a toll on someone’s life, because it is a way of keeping memoires alive that might have faded once before. After telling stories it may be worth remembering, although sometimes stories we tell are exaggerated, or only what we remember, we tell stories because it is apart of life. If it was not for storytelling, what would even exist in history? The bible is the oldest story told to man. The Bible is also the oldest story to ever be told. Stories we tell do largely overlap however, creating a common core. Similar to when we hear stories that are passed
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down in our families. Sarah Polly’s, Tim O`Brien, and Darnton tell stories in a similar to the way the Bible has changed many times, all with a common core. Sarah Polley’s story was created through a documentary, The Stories We Tell. Sarah Polley decided to share to the world about her family’s past by making a documentary which involved people that were constantly involved in Diane Polley`s life. The film depicts the relationships between Michael and Diane Polley, including the revelation that the filmmaker was the product of an extramarital affair between her mother and a friend, Harry also. By Diane Polley dying a couple of years after Sarah Polley was born, there was a lot of controversy going on about who was father of Sarah Polley. It includes interviews with Polley's siblings from her mother's two marriages, interviews with other relatives and family friends, Michael Polley's narration of his memoir. With the stories they tell, Polley discovers that she may not be the biological child of the man who raised her. Polley called this movie Stories We Tell because she wants the world to know that every family is not as perfect as people expect them to be and some families experience the same controversies as her family did. By making a film about her life and not having her mothers side to tell, “that’s really the only person who could provide the essence, about the essentials of what took place” (Gulkin). The stories that everyone told her, both true and made up, revealed the truth about her mother, her family's history and eventually, her biological father. Although not every story was true, each story included history. If these stories had not been told, Polley would not have questioned her family history, nor would she have found her biological father. Although Sarah Polley told stories in many different ways, in the book The Things They Carried Tim O`Brien told a a collection of short stories, about a platoon of American soldiers in the Vietnam War. In this novel Tim O`Brien depicts himself as a Vietnam veteran that is recounting his experiences during the war, as well as being a writer during the was who is examining the mechanics behind writing stories about the war. The use of real names and inclusion of himself as the protagonist within the book creates a style that meshes and blurs the fiction and non-fiction. Tim O`Brien states in the book “by telling stories, you objectify your own experience. You separate it from yourself. You pin down the certain truths” (158). Tim O`Brien means he does not look at stories he tells as being a therapy to his life, he depicts his stories on how they are apart of his past, and who he is now as a direct result on telling these stories. The book's style helps distinguish O'Brien’s literary approach from other authors. The Things They Carried is an accurate depiction of the Vietnam War by using stories of soldiers and creating new stories based off of their rhetorical accounts of their experiences. Unlike Tim O`Brien, Darton used stories to create entertaining fairy tales.
In Robert Darnton`s article the “Peasants Tell Tales”, he shows that every fairy tale depicts the true struggles of the everyday French peasant life. Darnton showed that life was difficult for the peasants, like in the tale “Les Trois Fileuses”, but most of the tales told turns into a program for survival, not a fantasy of escape. The almost unbelievable truth of Darton’s time created stories that told history as we never knew and we could never know without his interpretation of peasant’s tales. In Darton’s Peasant Tales, he describes the truth in accounts that are folk like and untrue due to the way the story is told. During the eighteenth-century in France, peasant families could not survive under the Old Regime unless everyone worked together simultaneously. The folktale told shows that child labor life was hard, harsh and all the children did was work. Stories about “Les Toris Fileuses” told the truth about child laboring in the eighteenth century. He tells history that lives on forever. Folktales show how rough and harsh the societies were but, there are remnants of this survivalist show mentality in modern France, it also lets readers know that the culture is still in existence. Unlike the French folktales, Darnton felt as the American folktales tend to always have a happy ending, but the stories they tell simply are not as realistic like the French tales. In the American society people
produce tales that generated unrealistic ideas and happy endings. Compared to French tales, they provide more graphic details which could can been seen as disturbing or false like. Without Darton’s tales that people are so eager to read, he wouldn’t have been able to keep history alive and understandable. Darton took the experiences of people who lived in that time and created a fictional character; Mother Goose. Fiction and non-fiction can all come together to tell a complete tale off of the historic truth with enlightenment of a corrupt time. Whether you are telling a story to entertain, discover or create, stories to keep history alive, behind every story, there is a truth or a myth that derived from a truth. A story can provide you with the truth, like Sarah Polley’s film, create a way to maintain history in entertaining like Darton’s tales, or inform the world about a time in history that is often misinterpreted like Tim O’Brien’s. We tell stories for different reasons, some similar to others. Some people tell stories to understand people differently or we tell stories on how or why we feel a certain type of way on some days. It’s a way of finding common ground and sharing different experiences with someone. Stories people tell are always considered an oral restoration of events and memories that will die otherwise.
The point of stories it to tell a tale and inflict certain emotions onto the reader. Tim O’Brien uses this in his novel The Things They Carried. These stories were fictional but true, regaling his experiences of war. In the last chapter he writes that stories have the ability to save people. He does not mean “save” in a biblical sense, but as if a person saved the progress on a game they have been playing.
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
1. Growing up we all heard stories. Different types of stories, some so realistic, we cling onto them farther into our lives. Stories let us see and even feel the world in different prespectives, and this is becuase of the writter or story teller. We learn, survive and entertain our selves using past experiences, which are in present shared as stories. This is why Roger Rosenblatt said, "We are a narrative species."
As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
The ancient ritual of storytelling is a form of communication that dates back as far as civilization and human language can go. Timeless works of literature such as Beowulf and The Iliad were originally told orally and passed down for generations. Storytelling has played an important role in the development of society due to the emphasis on language, the preservation of history, and the acknowledgment of morals.
Fairy tales are one of the longest lasting forms of literature. Though now they bring to mind classic movies engendered by Disney, many of these stories were first passed on in an oral manner, meant to convey a message, moral, or lesson. Alison Lurie’s “What Fairy Tales Tell Us” covers a broad range of classic tales, discussing how under the guise of an entertaining story comes life lessons we would all do well to follow. To begin this paper, some of the tales Lurie examines in her article will be looked at and critically examined beyond what she discusses. This will then move the text towards its remaining sections, which will take Lurie’s ideas and have them applied to folk and fairy tales that have not yet been contemplated; for the purpose
Fairy tales portray wonderful, elaborate, and colorful worlds as well as chilling, frightening, dark worlds in which ugly beasts are transformed into princes and evil persons are turned to stones and good persons back to flesh (Guroian). Fairytales have long been a part of our world and have taken several forms ranging from simple bedtime stories to intricate plays, musicals, and movies. However, these seemingly simple stories are about much more than pixie dust and poisoned apples. One could compare fairytales to the new Chef Boyardee; Chef Boyardee hides vegetables in its ravioli while fairytales hide society’s morals and many life lessons in these outwardly simple children stories. Because of this fairytales have long been instruments used to instruct children on the morals of their culture. They use stories to teach children that the rude and cruel do not succeed in life in the long run. They teach children that they should strive to be kind, caring, and giving like the longsuffering protagonists of the fairytale stories. Also, they teach that good does ultimately defeat evil. Fairy tales are not just simple bedtime stories; they have long been introducing cultural moral values into young children.
During the 19th century, Grimm’s fairytales were strongly disapproved of due to harsh, gruesome details and plots. One American educator from 1885 stated, “The folktales mirror all too loyally the entire medieval worldview and culture with all its stark prejudice, its crudeness and barbarities.” As childre...
Fantasy writer Philip Pullman says, “After nourishment, shelter and companionship, stories are the thing we need most in the world.” Stories have been central to how human history has been shaped and remembered. On a grand scale, stories have been a way to pass down culture and remember history. On a smaller scales, they have been used to spend an entertaining evening or- often in many cultures, put a child to bed. While the power of a stories is one that has gone generally unnoticed, William Cronon urgently calls us to pay attention to stories. As Cronon argues in “A Place for Stories”, the manner in which a story is told influences what futures generations will both learn and recall on their own.
We are shaped by stories because we learn through “mythistory” which is history mixed with mythological stories to help learn about our past and ourselves since the beginning of the storytelling times (125). Therefore, storytelling has been a part of human society since the beginning of time. Humans are creatures of habit and that means they will continue to tell and live through stories because that is what they know. Gottschall eloquently states this idea throughout the novel by reiterating that humans learn from the stories told by the ancestors. Furthermore, that is why we continue to tell stories because the more we can relate to the topic at the hand the more willing a person is to continue to work towards the goal or dream. Additionally, it one can relate to the topic several others can at the same time, because whether it be reading, music, or film people everywhere are watching therefore they are connecting (137). Human instinct is to connect to on other; that attribute comes from years of stories telling children about how they are only as strong as the group they are with. Our lives are shaped by stories because our lives are about being connected to one other around the world because if one is not connect then one is not important to the world they think. Therefore, as previously mentioned stories are a
The tale of Sleeping Beauty is influenced by oral folklore and various written versions. Today fairytales are told as a domain for the entertainment and teachings of children. In traditional storytelling, peasants transmitted folklore orally around campfires to audiences of mixed ages. However, during the 17th century, peasant tales, such as Sleeping Beauty, were altered by writers like Charles Perrault’s, to appeal to the courts of aristocracy. Thus the characters of Sleeping Beauty adorned a courtly air to appeal to the crown, such as Louis XIV of France. Throughout history, various cultural influences transformed the tale of Sleeping Beauty through the manipulation of various social forces to achieve better entertainment purposes and reflect Christian beliefs and customs. In addition, the moral of the tale conveys a message that women remain passive in hope to marry her true lov...
Rohrick, Lutz. Introduction. Fairytales and Society: Illusion, Allusion and Paradigm. Ed. R.B. Bottingheimer. Philadelphia: University of Pennsylvania Press, 1986. 1-9.
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.
Why do folk’s tales exist? To preach a moral to people? Or is it to simply entertain? Like the Disney animated classic Sleeping beauty and its predecessors did. This story of the sleeping beauty horrified children throughout the ages yet as time went by it became more sanitized and cleaned up. But ironically the more it became kid friendly the more popular it became. As society changed the morals and ideals that the folk tales were trying to explain changed as well, as a result the story changed. What changed the story but kept true to its lore at the same time can be attributed to combination of social, economic and historical factors.