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Exploring the Ways in Which Shakespeare Presents Leontes and His
Descents into Jealousy
Camillo and Archidamus, two loyal and committed courtiers, introduce
the character of Leontes to us in the opening scene. . He is presented
as a loving father to his son Mamillius, a gracious host and most of
all a kind and dedicated friend to Polixenes. “There rooted betwixt
them then such an affection that cannot choose but branch now”,
Camillo says to emphasize the very strong foundation of their
friendship. The language Camillo adapts conjures an image of a tree as
a symbol of closeness and continuity. This portrays their friendship
in a much more natural light. This view is contrary to the character
we meet in the latter part of the play, which Shakespeare might have
been hinting with use of the word, “seemed”.
On meeting, Leontes for the first time, he seems to meet up to the
expectation set to the readers by the courtiers, as he is evidently a
man of a good nature. This in my opinion is very important, as
Shakespeare finds it necessary to establish his character in a good
light before the incident where his mind begins to get “poisoned”.
Leontes’ kindness and love for his friend, Polixenes is made evident
by the use of the word “brother”. Also though, Leontes does not
declare love in the same way Hermione does, he still makes evident his
affection and fondness of his wife. “Hermione, my dearest”
In contrary to the portrayal of Leontes as seen earlier, he is totally
presented in a different way the next time we meet his character.
Shakespeare subtly indicates a change in his state of mind by the use
of questions, which have double meanings. “Is he won yet?” This might
mean whether or not Hermione has won over Polixenes’ intentions to
stay in Sicilia or more likely, whether or not she has had sexual
intercourse with him. The sudden descent of jealousy in the mind of
Leontes is finally confirmed by the aside comment. “Too hot, too hot!
To mingle friendship far is mingling blood”.
In the Shakespearean play, Romeo & Juliet, aggression is represented in different ways by the different characters in the play. Tybalt, Romeo, Benvolio, and the others all have their own way of dealing with hate and anger. Some do nothing but hate while others can’t stand to see even the smallest of quarrels take place.
Laertes holds the most important role as a foil to Hamlet. He represents the rage that boils within Hamlet and the revenge which he seeks. In many ways Laertes mirrors Hamlet's character. Their anger is precipitated through the same source, the untimely death of their fathers. Other similarities between the two men include the love that they both felt for Ophelia, and the heartfelt sorrow which they displayed upon her tragic death. The differences between Hamlet and Laertes become obvious as the two characters are played off of each other. Both men are the dutiful sons of their father's. However Leartes is portrayed as the well-breed son, while Hamlet's character is played down to that of a more peculiar type commoner who possesses few royal qualities. Although both men are students, Leartes prefers to indulges in a Parisian type lifestyle, whereas Hamlet chooses to study in the more subdued atmosphere of Whittenburg. There is also a difference in the way that both men react to the death of their fathers. Upon learning of his father's death, Laertes immediately allows his grievances to be known and chooses to go strait to the arena for his revenge. Hamlet chooses a more peculiar approach...
“O, beware, my lord, of jealousy;It is the green-eyed monster which doth mock.The meat it feeds on; that cuckold lives in bliss. Who, certain of his fate, loves not his wronger; But, O, what damned minutes tells he o'er. Who dotes, yet doubts, suspects, yet strongly loves” (3.3.163-168). In Shakespeare’s Othello, jealousy is the common theme that becomes Othello’s undoing. Through text in the play, the audience can notice Othello slowly begin to become crazed through his speech.
Throughout Othello the Moor of Venice we experience a rather uplifting story that seems to somehow come crashing down on not only the characters in the story but the reader also. Author William Shakespeare does a tremendous job at connecting us with the characters in the play. Othello, the protagonist in the play, falls slowly into the pit of destruction where jealousy takes control. He along with many other characters in the play are manipulated by Iago and slowly taken down from a peaceful, love filled, and triumphant place in their lives to one that is dark and revengeful. Many are led to their deaths because of the terrible deeds done by Iago, some of which include Othello himself who commits suicide only after murdering his new wife over nothing but the mindset of jealousy and hate. Shakespeare explores a vast amount of literary content here some of which delve into Jealousy. Jealousy alongside intense deceitful manipulation can introduce a person to another sinister side of themselves they never knew to existed. Iago 's ultimate goal in the play is not yet clearly laid out; there is much to
What is the most disastrous human emotion? William Shakespeare's Othello makes it clear that the answer to this question is jealousy. After all, it is jealousy that drives Iago to concoct the plan, which ruins the lives of several innocent people including Othello, Desdemona, Emilia, and Roderigo. This play poses a distinct character foil between Shakespeare's vilest villain, Iago, and the honest, but easily mislead Othello. This tragedy is mostly based upon Iago's suggestion of an affair between Othello's wife, Desdemona, and the lieutenant Cassio. As a loving, trusting husband, Othello at first does not want to believe the insinuations, but his feelings are distorted by the cunning Iago into believing his base slander. Othello's soliloquy in Act III depicts this transformation of his character from an understanding, straightforward man to an angry, suspicious, and jealous husband.
middle of paper ... ..., suggests that Shakespeare’s exploration of the theme of love is to bring us closer to the nature of the reconciliation harmony which it embodies. This is because everyone is peacefully engaging with each other and enjoying the play, since the conflict has been resolved. Not only this, but different social classes emerge together. This is paralleled with, the relationship between Titaina and Oberon. Shakespeare explores the theme of love by the tensions built up to create comic resolutions, therefore helping to diffuse possibly unpleasant impact of themes.
“Think on thy sins” (5.2.43) he says, “They are loves I bear to you” (5.2.44) I respond. “Ay, and for that thou diest” (5.2.45). There is no pleading with my lord, his once amorous filled eyes are now brimming with anger, and anguish. This whole conversation has turned my mind into mush. How can he think that I would ever love Cassio? Is it not plain that he, Othello, is my lord and the only object of my affection? Does it not matter? I think it doesn’t. Othello’s whole body is shaking (5.2.50) and his eyes are rolling (5.2.41), these signs do not bode well for my life. Worse yet, he has already had Cassio killed. “Oh, banish me, my lord, kill me not!” (5.2.88) I beg, “Down, Strumpet,” he is undeterred (5.2.89). “It is too late” (5.2.95). I am not sure if I thought that, or if Othello said it. Either way, it is too late. His strong, calloused fingers are clutching my throat, violently squeezing until all of the air leaves my lungs. Spots- I see spots. Brightly colored yellow, red and blue spots. The spots grow and take shape. Images and scenes from my life are passing before my eyes, and then it hits me. “O, falsely, falsely murdered!” I cry (5.2.126). Emilia is here, “… Sweet Desdemona, O sweet mistress, speak!” she begs (5.2.131). I must tell her, “A guiltless death I die” (5.2.132). “O, who hath done this deed?” Emilia inquires (5.2.133). She has to know the truth, “Nobody, I myself. Farewell. Commend me to my kind lord. O, farewell” (5.2.134-135).
Kashayla Snipes Dr. Nancy Blair English Composition 1102 February 25, 2014. Othello: A Tragedy of Jealosuy. “Jealousy is troublesome to others, but a torment to themselves.”
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
The idea of altering perception is a fundamental one in “The Winter’s Tale”, and art is seen as the way to make this alteration occur. While it is clear to the reader from the very beginning that Hermione is in fact innocent, Shakespeare introduces the reader to Leontes’s persistence to clearly show the beginnings of the conflict brewing. Despite Hermione’s clear innocence, Leontes has been written as a character so belligerent to ever see what is universally accepted as true in nature. The result is a conflict clear to the reader—a conflict of nature on its own merit, a question of truth, versus art, where perception is inherently flawed. Shakespeare creates a truly paranoid, conflicted character in Leontes, which works to make his objectivity, his desire to make truths out of falsities, even more apparent. Leontes speaks to the audience passionately upon his discovery, but his passion sounds so melodramatic, especially when we as readers a...
In this essay I intend to explore the ways that William Shakespeare has presented the relationships between the main characters within his play “The Tempest”. I shall investigate Ferdinand and Miranda’s relationship, the father/daughter bond between Miranda and Prospero and Caliban’s lust after Miranda.
The psychological feeling of jealousy is defined as “a complex emotion marked by insecurity and the fear of losing something important. It is highlighted by feelings of abandonment and anger” (Alleydog.com). In the play Othello by William Shakespeare, jealousy acts as a catalyst for the tragic events that take place. Iago’s plan for Othello’s demise is motivated by jealousy, as Iago is enraged by not being chosen as Othello’s lieutenant, and due to his suspicion that his wife was having an affair with Othello. Roderigo also displays jealousy and envy towards Othello, which results in him providing money and assistance to Iago in exchange for helping Roderigo win over Desdemona. However, the greatest display
William Shakespeare’s classic tragedy, Othello, mesmerizes the audience with the presence of jealousy, confusion, and sacrifice. Throughout this work, there is a perpetual battle between good and evil, which ultimately results in great destruction and despair. Many characters display strong roles as this horrific play unravels. However, the most prevalent characters who display the true depiction of a villain a victim and a venerable are Iago, Desdemona, and Emilia. For the duration of the work viewers see; Iago’s destructive lying and the deceitful ways he uses to try to make it to the top, Desdemona's fruitless battle to destroy false accusations put on her , and Emilia's ability to eventually lay down her life for the truth.
“It is the green-eyed monster which doth mock / The meat if feeds on. That cuckold lives in bliss / Who, certain of his fate, loves not his wronger; But O, what damned minutes tells he o’er / Who dotes, yet doubts; suspects, yet strongly loves!” (Shakespeare, III. III) The play Othello by William Shakespeare is a tragedy that tells the story of a strong general, Othello who finds his marriage to be ruined by Iago, a jealous soldier. Othello is an honorable and experienced commander of the Venetian army. Throughout the play, Othello is manipulated by Iago, who makes him believe that his wife, Desdemona, is having an affair with Cassio, Othello’s lieutenant.
“O, beware, my lord of jealousy; It is the green - eyed monster, which doth mock the meat it feeds on.” - Iago (Shakespeare, Othello, 165-167).