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Darkness in human nature
Darkness in human nature
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Exploring the Dark Side of Human Nature in The Killers
Hemingway's "The Killers" illustrates that unexplained violence is an integrated part of society. To acknowledge the cruelties of life is to come to terms with horrifying events that can not be denied. A person may lack the maturity to cope with everyday life if they do not realize that evil can exist in any given society.
The story is told in the objective point-of-view. "Hemingway's approach to his story is different; he approaches it as a journalist approaches a news story, from a focal point somewhere outside of his characters" (Jaffe, 209). The author tells the story only as an observer. He does not tell the reader what the characters are thinking, nor does he give the reader any insight to his personal feelings.
As the story progresses, the reader learns that "The Killers" intend to live up to the label Hemingway appropriately gave them. "The Killers," however, are not the main focus of the story. The title is symbolic only of the evil that the story revolves around, but the main focus of the story is Nick's discovery and disbelief of the true evil that lurks in everyday life. Nick struggles with the knowledge that he can not change Ole's fate as he states, '"Don't you want to go and see the police?...Isn't there something I could do?...Maybe it was just a bluff...Couldn't you get out of town?...Couldn't you fix it in some way?'" (Hemingway, 251). He is not mentally prepared to accept the darker side of human nature.
"It is a story of discovery, in which the anonymity of the observer serves to compel the reader's attention to the bare facts as they add up, one by one, to a pattern of demonstrated yet...
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...rld, they will be over-burdened with the unfairness of everyday life.
Works Cited
Benson, Jackson J. Hemingway...The Writer's Art of Self-Defense. Minneapolis: University of Minnesota Press, 1969.
Brooks, Cleanth and Robert Penn Warren. Understanding Fiction. 3rd ed. New Jersey: Prentice-Hall, Inc., 1979.
Hemingway, Ernest. "The Killers." Great Tales of Terror and the Supernatural. New York: The Modern Library, 1972.
Jaffe, Adrian H. and Virgil Scott. Studies in the Short Story. 5th ed. New York: The Dryden Press, 1956.
Moseley, Edwin M. Pseudonyms of Christ in the Modern Novel. New York: University of Pittsburgh Press, 1962.
Walcutt, Charles C. Man's Changing Mask. Minneapolis: University of Minnesota Press, 1966.
West, Ray B. Jr. The Short Story in America. 2nd ed. New York: Books for Libraries Press, 1968.
William Harwood Peden (1964). The American Short Story. Boston: Houghton Mifflin. p. 70. OCLC 270220.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Charters, A. (2011). The Story and Its Writer: An Introduction to Short Fiction (8th ed.). Boston: Bedfor/St. Martin's.
Brands, H. W.. American Stories: A History of the United States. 2nd ed. Boston: Pearson Education, 2012. Print.
Rpt. in Short Story Criticism. Ed. Joseph Palmisano. Vol.
(Sept. 1976): 35-39. Rpt. in Short Story Criticism. Ed. Carol T. Gaffke. Vol. 26. Detroit:
16) Gribben, Mark. "Sweeney Todd: The Demon Barber of Fleet Street." Crime Library. , Presents facts and myths about Fleet Street's most famous serial killer.
It is definite that King Hamlet's death was a premeditated plot, however it is not certain whether or not Queen Gertrude is an accomplice or not. The assumption that Gertrude does not know about her husband's murder can be heavily supported by factual details and just as well, the other side of the fence can be supported too. Although Gertrude...
women were often be raped. They had to work up to 16 hours in a day
Although she may have been partially responsible for Claudius’ monstrous act of fratricide and although her marriage to Claudius may have been indirectly responsible for making a “monster” of Hamlet, Gertrude is never seen in the play inducing anyone to do anything at all monstrous. . . . When one closely examines Gertrude’s actual speech and actions in an attempt to understand the character, one finds little that hints at hypocrisy, suppression, or uncontrolled passion and their implied complexity. . . . She speaks plainly, directly and chastely when she does speak [. . .]. (81-82)
Charters, Ann. The Story and Its Writer: An Introduction to Short Fiction. Boston: Bedford Books of St. Martin’s Press, 1995.
Lying to appease Hamlet in the above lines. No where else in the play is Gertrude
It is tempting to condemn Gertrude as evil, but it is probably more sensible to consider her as weak and inconstant. Hamlet's heartfelt line "Frailty, thy name is woman" sums up his view of her actions early in the play. Like many of Shakespeare's women characters, she is "sketched in" rather than drawn in detail. We know that she has a deep affection for her son, which is commented on by Claudius in Act 4 "The Queen, his mother, lives almost by his looks." and we may assume that she has not gone to Claudius's bed unwillingly, although there is a lack of evidence that she returns the King's obsession with her.
Gertrude does everything she can to protect Hamlet. In act II scene ii, Gertrude and Claudius bring Hamlet’s friends Rosencrantz and Guildenstern to Denmark so they could keep an eye on Hamlet in his madness. Claudius uses them to make sure Hamlet does not do anything to take away Claudius’ power. However, Gertrude wants them to keep an eye on Hamlet for his own good: “Good gentlemen, he hath much talked of you, And sure I am two men there is not living To who he more adheres. If it will please you To show us so much gentry and good will As to expend your time with us awhile For the supply and profit of our hope” (Shakespeare 139). This shows Gertrude wants to make sure Hamlet is in a good mental state and hopes that Guildenstern and Rosencrantz can help Hamlet.