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What is emilia in othello speech about
Marriage in shakespeare's time
Emilia characterization in othello
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The presentation of moral courage leads Emilia’s Speech and Felix’s actions to challenge the social and religious morality of their time. For instance, Emilia’s Speech establishes her cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that without the contraction displayed, it highlights Emilia willingly not to ‘marry.’ Therefore, her courage to challenge the social and religious morality of her time establishes that she disobeys with the main principle that “Wives submit/to husbands/the Lord” knowing that marriage is an obligation and her refusal demonstrates that she has “sense like the men.” This is evident as compared to the “Fair” Desdemona who does ‘displease’ men it establishes that she has respect and …show more content…
This is evident when Iago suspects himself a cuckold as “twixt my sheets” demonstrates Emilia’s supposedly unfaithfulness as she slept with Othello establishing that death is her ultimate consequence. Conversely, in Frankenstein, Felix’s actions leads him to further challenge social/religious morality as his courage to help Safie’s dad escape form the death penalty results in his family ‘thrown/into a noisome dungeon .’ According to Levine magazine , it states that Shelley wrote Frankenstein as a ‘world without God’ , which is evident when we see Felix not even questioning his morals, he just quickly helps Safie’s dad because he is in love, Christianity preaches “love is the fulfilment of the law” . Establishing that their love is condemned rather than prohibited and that his family do not blame him for his actions which reinforces a world that is changing and not strictly religious or ultimately judgemental on actions. Shelley’s lexical choice of the verb ‘thrown’ indicates how quickly the Delancey’s authority has …show more content…
For instance, when Othello refers to his crew as ‘men of royal siege’ it establishes that he takes pride in his work and that he balances being a lover towards Desdemona and a solider to his men. This is further emphasized when the audience learns about Othello’s background where he has done “three several quests” and how Brabantio is contradictive as he acknowledges Othello’s tale of war in North Africa as bravery and a ‘tale’ that would win his ‘daughter too.’ However, his siliquouy at the end of the play establishes the damage that he has done to Desdemona and everyone surrounding her, the metaphorical reference to the Indian who threw his ‘pearl’ away. Establishes that Shakespeare has used a delicate and rich object to refer to Desdemona, and the past tense of ‘threw’ demonstrates that it is too late to make amends. Therefore, by Othello understanding that he must regain his authority as his “occupation gone” demonstrates that his actions do not necessarily challenge his morality in that time as he learns from his mistakes with death. Whereas, in Frankenstein what morality does the creature have? no matter whatever he does his appearance would always overrule his personality. For instance, as he helps the young girl drowning in the
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
The presentation of moral issues in Othello focuses on Emilia’s courage to challenge the social and religious morality of their time in Act 4, Scene 3. For instance, Emilia’s Speech establishes cynicism towards men as Shakespeare’s lexical choice of ‘would not’ demonstrates that with the contraction displayed, Emilia is willing not to ‘marry.’ Therefore, her courage presents a moral issue in the play because challenging the social and religious morality of her time establishes that she disobeys the main principle that “Wives submit…to husbands and the Lord.” She knows that marriage is an obligation and her refusal demonstrates she has “Sense like the men....
The societies found in the two texts, while different, share a number of similarities that can be compared by using examples from The Yellow Wallpaper and Othello. In both texts, women were expected to be silent, obedient, and subservient. While the men in court did show surprise to Othello slapping Desdemona, when Desdemona excused herself they merely commented that she was “truly (an) obedient lady” (iv.i.278-279) as if that was what was important and she was not just publicly abused by her husband. Emilia’s willingness to compromise herself by stealing the handkerchief and to lie for Iago’s cause points to the woman’s role in supporting her husband, a role which was not necessarily reciprocated. In The Yellow Wallpaper, Jane was a patient of the rest cure who became increasingly aware throughout the story that she had to keep her thoughts to herself or else continue being treated as a prisoner in the name of her health. In both tales,
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
Emilia in Othello confronts gender roles when she exploits the method introduced by Christine de Pizan in The Book of the City of Ladies. Christine’s realization of women’s oppression in her journey with the Ladies allows her to view life with a new perspective. Likewise, Emilia demonstrates the same ideals from The Book of the City of Ladies with her opinionated mindset and deviation from the women’s social norms of the time. Furthermore, Emilia develops in a similar progression as Christine, especially in the deconstruction of the men’s manipulation. Even though they go against gender stereotypes, complete equality is one battle avoided by Christine and Emilia. In Shakespeare’s Othello, Emilia defies gender norms when she employs a speculative mindset introduced by the character Christine in The Book of the City of Ladies.
His soon-to-be-lieutenant, Iago, whispers in his ear about his wife, Desdemona, and the unforgivable crime of adultery, throwing Othello’s orderly world to the winds of fate. Still, if the starting point and destination of Othello’s initial journey were to be compared to Othello’s psychological journey throughout the play (and, more importantly, the development of his relationship with the villain, Iago), they are found to be startlingly similar. Whether Shakespeare intended the parallel or not, and there isn’t really any sure way to tell, the coincidence is great. Venice, where the story starts, is a place of order, rich and wonderful. Likewise, Othello’s relationship with Iago is shown by the third scene of Act One to be, on the surface, based on honesty, respect, and admiration.
First, in order to defend Desdemona's chastity, Emilia challenges the societal norm of silence. Recall the incident when Othello calls Desdemona a "whore" for cheating. In response, Emilia protests loudly against Othello and attempts to disprove his belief that Desdemona is not chaste: "A halter pardon him [Othello]! And hell gnaw his bones! / Why should he call her [Desdemona] whore? (4.2. 143,144). Instead of Emilia conforming to the attribute of Renaissance women as silent, she condemns Othello for his false accusations against her mistress, Desdemona. Later in the play, after finding Desdemona killed, Emilia challenges silence again: "As ignorant as dirt! Thou hast done a deed-... / The Moor hath killed my mistress!" (5.2. 171,174). Although Othello tells Emilia that it would be "best" for her to remain silent, she ignores his request and ridicules him for killing "sweet" Desdemona (5.2. 169).
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Desdemona and Emilia are the center of attention; they are two women in the world of man and their power. Emilia plays a larger role in then in Cinthio’s tale; she gives her husband the handkerchief and feminist view. Ensign wife is submissive and knew her husband plan but didn’t do anything about it. She even let Ensign use their child as a tool to achieve his plan to get the handkerchief. Cinthio seems to repressive woman role by her no correcting her husband ways. Emilia is loyal both to Desdemona and her husband. Emilia feminism is in reply to Desdemona if wife cheat on their husband. “Yes, a dozen: and as many to th’vantage as would…it is their husbands’ faults” (IV.III.83-85) and so Emilia understand that woman have the same desire as men but also how Iago treats her in an abusive. Shakespeare also gives the prosetute a name that the captain was with; Bianca is given more identity then just a prosetute almost she introduce the handkerchief to Othello, Cassio and Iago. Bianca wanted something more than just the mistress to Cassio but she pressure by society to not fall Cassio. The woman in the Victorian age where seen as property of their husband, and submissive. The gender role of a female let us know the difference in social values and statues of woman during the Victorian
Emilia, while lying next to her best friend on her deathbed, began to suppress her passive nature and attempts persecute the murderer. Nonetheless, the only woman who stood up for herself got killed in the end by her own husband. Othello and Iago’s wives were thought to be disloyal to their husband, while only one of them was correct in this accusation, Desdemona and Emilia were both murdered by the people they pledged their allegiance to. But, Emilia was the only woman who denounced the authority men had over women and compares the qualities of both men and women. She is fully aware of the gender
Beginning with the lowest rank of women, Emilia and Desdemona, Iago insults them with misogynistic and commanding comments to reveal the stark dichotomy of power between men and women in Shakespearian times. Targeting pathos, Iago uses controlling and degrading remarks to put Emilia down and to gain spousal dominance. In two scenes where Emilia expresses her true feelings, Iago snaps at her by first stating, “You are a fool, go to”, and then later orders, “Go to, charm your tongue” (4.2. 147, 5.2. 182). By telling Emilia that she is a “fool”, not only does Iago abruptly insult her, but he does so publicly, thereby reinforcing male superiority over women in their society (4.2. 147). This type of rhetoric serves Iago strategically as Iago’s public
The Tragedy of Othello, written by William Shakespeare, is a play about a Moor of Venice and his downfall by deception and love. The themes of two-facedness, narcissism, and honor are all prominent in this play; the theme overarching these, however, is loyalty. Similar to a satirist, Shakespeare shows that the true nature of a person’s loyalty is not always as it appears. Othello’s loyalty to his own honor exposes his false loyalty to his wife. Iago, the antagonist, is deceptive in portraying himself as honest and committed to those he supposedly loves, but at the same time he plans their downfall. Honor, narcissism, and deception are each concepts Shakespeare uses to convey the ambiguity of loyalty in people.
The Shakespearean classic work Othello enchants the readers mind through the tragic love story of the witty and cunning soldier Othello and the charming and powerful Desdemona. The continuous reinforcement of their tragedy is molded by the gender roles present in the play, particularly those of Bianca, Desdemona, and Emilia. Although the men are important within the outcome of the play, mainly Iago and Othello, the women take a more subtle, yet effective approach in manipulating the work through their personalities. Bianca is a woman of self-esteem and sexual power while Desdemona is the keeper of Othello’s heart and handkerchief, never once denouncing him, even her death. Emilia subtly represents that women are just as powerful, if not more,
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
Throughout the play, the sweet and old-fashioned Desdemona shows to be a satisfying wife and a great friend, and she also denotes unquestionable ignorance to her surroundings. On the other hand, the open minded and slightly cynical Emilia supplies a huge contrast to her mistresses’ persona; a feminist way ahead of her time. Despite coming from different social backgrounds and having different personalities, both women find the same faith by dying at the hands of their own husbands. But still, even when they do share a handful of similarities, it is their perception of life that makes them react in different ways. However, Desdemona is the one that is least aware of what is happening due to her undoubtedly naiveness.