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Sonnet 138 critical analysis
Sonnet 138 critical analysis
Analysis of the sonnet 141
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Explication of a Sonnet Sonnet 144 In explication of sonnet 144 I would like to take a drastic change from what seems to be the common view of many in regards to who it is written about and the story behind it. I would like to state first of all that the straight facts about the sonnets are so few and that theories and debates are many. Doubt is cast over nearly every aspect of these sonnets. Arguments from when they were written, whom they were written to, why they were written, and even in many cases the question of who wrote them. The common thought of whom they were written to and why they were written has evolved as of late to reach a view of Shakespeare's sexual love affair with a young man and a mysterious mistress. While the contrast of the two persons is nothing new, the idea of the sexual love affair between Shakespeare and the young man rather than a love associated with mere friendship, has evolved to become the mainstream ideal. Sonnet 144 is often held as the most evidentiary sonnet for upholding the view of this love-triangle. I would like to offer what has been my interpretation of this sonnet based on my life's lens, as we should all have when reading poetry, and based on the historical known evidence of Shakespeare's life. As a young boy Shakespeare most likely would have attended the Stratford Grammar School, which was established by the church in the thirteenth century (Greenblatt 43). The School was, in Shakespeare's day, under the care of the governing body of Stratford-upon Avon and it was likely that because of Shakespeare's father's elected position he would have been educated there. During Shakespeare's years at the school he would have been taught by possibly three headmasters who durin... ... middle of paper ... ... nature and that he could possible lose the fight to hold on to what it right and fair as he gives in to the bad angel as it "fires out my good one"(line 14). While this is only one sonnet and others may still reveal the possibility of a sexual love triangle between Shakespeare, the young man, and the "Dark Lady", I believe most are not gender specific and those that are, like sonnet 95, suggest a mere mentors warning out of care for a young friend. Works Cited Greenblatt, Stephen. The Norton Shakespeare: Based on the Oxford Edition. New York and London: W.W. Norton & Company, 1997. Holy Bible: King James Version. Wheaton: Tyndale, 1996. Mabillard, Amanda. "Shakespeare of Stratford." Shakespeare Online. 2000. http://www.shakespeare-online.com
Bevington, David, ed. The Complete Works of Shakespeare. 4th ed. New York: Longman-Addison Wesley Longman, 1997.
Shakespeare, William. The Norton Shakespeare. Ed Stephen Greenblatt, et al. New York: W. W. Norton & Company, 1997.
Stephen Greenblatt et al. The Norton Shakespeare Company. New York: W.W. Norton & Company, Inc., 1997.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
To understand these two sonnets completely, one must first have a little background information concerning the sequence of the Sonnets and William Shakespeare's life. Shakespeare's series of Sonnets can be divided, "into two sections, the first (numbers 1-126) being written to or about a young man, and most of those in the second (numbers 127-154) being written to or about a dark woman" (Wilson 17-8). Because of the autobiographical nature of Shakespeare's Sonnets, these two characters are people from Shakespeare's actual life. The young man is Shakespeare's patron and Shakespeare has a "humble and selfless adoration [that] he feels for his young friend" (Wilson 32). The dark woman is Shakespeare's lover, a woman that infatuates him. These two people provide an emotional contrast for each other and Shakespeare's views on love. When these two meet, they have an affair, "behavior that, as the Poet [Shakespeare] is really deeply in love with the woman, causes him such distress, at times agony, as to introduce a note of tragedy into the series [of sonnets], . . ." (Wilson 33). The affair between the young man and the dark woman is the catalyst for Shakespeare's au...
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Shakespeare's Sonnet 138 is one of his sonnets about the Dark Lady. Dark both in appearance, and in her actions, she is once again the subject of the sonnet. The speaker is the lover of the Dark Lady. Whether the speaker is married to her or not is not completely clear. Based on lines regarding age “...she knows my days are past the best” (6), it seems that they have been together for a long time, but not necessarily married. The sonnet doesn't sound like the speaker is talking to anyone, but rather musing to himself. When reading aloud, the sonnet sounds like it could a soliloquy, simply the speakers saying his thoughts out loud to himself.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
This sonnet rhymed abab cdcd efef gg form. Most of his sonnets were written in the 1590s at the height of the vogue, but they were not published until 1609. The first 126 are addressed to a young man; the remainder (with the exception of the last two, which are conventional sonnets on Cupid) are addressed to an unknown "Dark Lady." Whether or not Shakespeare laid bare his heart in his sonnets, as many critics have contended, they are his most personal poems.
William Shakespeare's sonnets deal with two very distinct individuals: the blond young man and the mysterious dark-haired woman. The young man is the focus of the earlier numbered sonnets while the latter ones deal primarily with the dark-haired woman. The character of the young man and a seductive mistress are brought together under passionate circumstances in Shakespeare's "Sonnet 42." The sexual prowess of the mistress entangles both Shakespeare and the young man in her web of flesh. This triangular sonnet brings out Shakespeare's affection for both individuals. His narcissistic ideal of delusional love for the young man is shown through diction and imagery, metrical variation and voice, contained in three quatrains and one couplet.
Shakespeare’s sonnets include love, the danger of lust and love, difference between real beauty and clichéd beauty, the significance of time, life and death and other natural symbols such as, star, weather and so on. Among the sonnets, I found two sonnets are more interesting that show Shakespeare’s love for his addressee. The first sonnet is about the handsome young man, where William Shakespeare elucidated about his boundless love for him and that is sonnet 116. The poem explains about the lovers who have come to each other freely and entered into a relationship based on trust and understanding. The first four lines reveal the poet’s love towards his lover that is constant and strong and will not change if there any alternation comes. Next four lines explain about his love which is not breakable or shaken by the storm and that love can guide others as an example of true love but that extent of love cannot be measured or calculated. The remaining lines of the third quatrain refer the natural love which can’t be affected by anything throughout the time (it can also mean to death). In the last couplet, if