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Genealogy Of Morality
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Exegesis and Critique of Nietzsche’s Conception of Guilt In The Second Essay of On the Genealogy of Morality
In the Second Essay of On the Genealogy of Morals (titled ““Guilt,” “Bad Conscience,” and the Like”), Nietzsche formulates an interesting conception of the origin and function of guilt feelings and “bad conscience.” Nietzsche’s discussion of this topic is rather sophisticated and includes sub-arguments for the ancient equivalence of the concepts of debt and guilt and the existence of an instinctive joy in cruelty in human beings, as well as a hypothesis concerning the origin of civilization, a critique of Christianity, and a comparison of Christianity to ancient Greek religion. In this essay, I will attempt to distill these arguments to their essential points.
Near the beginning of the Second Essay ““Guilt,” “Bad Conscience,” and the Like” of On the Genealogy of Morals Nietzsche asserts that forgetting is absolutely necessary for “all the nobler functions and functionaries” (2.1) and even the present to be possible. Furthermore, according to Nietzsche, memory, which inhibits the above functions, is not merely an inability to forget, but an active will not to forget (2.2).
Primeval man acquired the faculty of memory, according to Nietzsche, in response to his sudden enslavement at the hands of a master race (2.17). These masters set as their task the imposition of a few general rules of civilized existence (otherwise known as the morality of mores) upon their subjects, who had been “slaves of momentary affect and desire” (2.3) before their enslavement. This project, according to Nietzsche, necessitated the searing of these basic rules into the minds of the populace by means of immensely cruel acts and resulted in t...
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...no way implies that Nietzsche is presenting the ideas of the Genealogy in bad faith; he certainly believes that they have some truth to them-but perhaps not to the extent that they are definitive. Thus, it is possible that Nietzsche, in writing his polemic, has other goals than the mere straightforward elucidation of a philosophical system. If this view is adopted, many of Nietzsche’s radical notions and unsupported assertions become easier to stomach. Of course, such a softening of the impact of Nietzsche’s claims may destroy the fundamental mind-opening project that lies at the heart of the book, since the shock of encountering such views is clearly essential to that project.
Works Cited:
Nietzsche, Friedrich On the Genealogy of Morals contained in: Nietzsche Basic Writings Of Nietzsche translated and edited Walter Kaufman. New York: The Modern Library, 1992.
Joshua Foer’s “The End of Remembering” and Kathryn Schulz’s “Evidence” are two essays that have more in common than one might think. Although on two totally different topics, they revolve around the central point of the complexities of the human mind. However, there are some key elements both writers have contemplated on in differing ways. A vital difference between Foer’s essay and Schulz’s essay is the overall thesis. Foer uses a comical tone throughout his essay to get readers to realize just how dependent society has become on external means rather than ourselves.
In conclusion, it is through these contradictions between history and memory that we learn not to completely rely on either form of representation, due to the vexing nature of the relationship and the deliberate selection and emphasis. It is then an understanding that through a combination of history and memory we can begin to comprehend representation. ‘The Fiftieth Gate’ demonstrates Baker’s conclusive realisation that both history and memory have reliability and usefulness. ‘Schindler’s List’ reveals how the context of a medium impacts on the selection and emphasis of details. ‘The Send-Off’ then explains how the contradiction between memory and history can show differing perspectives and motives.
Sammy begins the story by describing the three girls in bathing suits who have walked into the A & P grocery store. The girl who catches his attention is a chunky girl in a plaid green two-piece swimsuit. As Sammy continues to observe the girls, his interest seems to focus only on the girl who leads the other two into the store. Sammy refers to the girl he likes as "Queenie",someone showing poise and leadership, while the other girls seem to just tag along like a herd of sheep. Being distracted by the unusual event, he forgets what he's doing, as his customer, an elderly lady with heavy red make-up on her lips and cheeks, gets frustrated and starts to correct Sammy's inattentive service. The story elaborates on how Sammy is very observant, and we begin to understand his perspectives on events he appreciates versus those he doesn't. Sammy further describes the girls, saying to himself "You never know for sure how girls' minds work (do you really think it's a mind in there or just a little buzz like a bee in a glass jar?) you get the idea she had talked the other two into coming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight."(16). Sammy believes that the other two girls are willing to tag along with "Queenie" because she talked them into going, pointing out they just like anything and everything that "Queenie" likes for the sake of being cool, and once the interest in somethin...
On Evil, Guilt, and Power by Friedrich Nietzsche is one mind blowing story!! I have to say every sentence within the story has multiple meanings. I am extremely excited and terrified to analyze this story. First, because I like to go in depth in the meaning of the sentence and as I stated in my previous journal; I like to look at the back story, character mind set, and different points of view. In this story my opinions are endless. (I am going to have to walk away from this story multiple times before I go insane.) When reading the story in truth is not like a story; but more like the rambling of a politician, religious leader, or anyone trying to be an authority figure. I came across a few meanings for “master morality” and “slave morality”.
Everybody alive has experienced the feeling of guilt, or at least will at some point. Usually, this feeling is quite healthy for our consciousness, helping us distinguish between what is right and wrong by our own moral principles and values. However, guilt holds quite a power to really disturb the mind. This theme of the relationship between guilt and sanity is common throughout literature, and patterns to how this is expressed through texts are very evident. Four texts which I will discuss this theme through is Macbeth by William Shakespeare, Frankenstein by Mary Shelley, The Tell-Tale Heart by Edgar Allan Poe, and The Animals’ version of Don’t Let Me Be Misunderstood.
When we talked about Nietzsche in class we discussed how a lot about the second essay, which is about Guilt and Punishment. Here are two quick overviews of what Nietzsche describes punishment and guilt as. Guilt is being accountable and responsible for the action you have done. You have guilt because you could have done something in the right direction instead. Nietzsche says that if free will is attached to accountability and responsibility then it cannot be connect with guilt. It is based off a debt that you have acquired and needs to be paid back. Punishment is dependent on the offender’s decision to act the way that they do. The reason this person deserves a punishment is because they have the ability to act differently off the start, they chose to act in the wrong and they have to take the punishment they get. Nietzsche says that if someone is not acting freely (accident, insanity, etc.) then they are seen as being exempt from punishment.
While critical of the attitude found in the ressentiment of slave morality, Nietzsche’s includes it as an important factor contributing to the bad conscience of man. Even though Nietzsche dislikes the negative results of bad conscience – man’s suppression of his instincts, hate for himself, and stagnation of his will -- Nietzsche does value it for the promise it holds. Nietzsche foresees a time coming when man conquers his inner battle and regains his “instinct of freedom.” In anticipation of that day’s eventual arrival, Nietzsche views the development of bad conscience as a necessary step in man’s transformation into the “sovereign individual.”
We have grown weary of man. Nietzsche wants something better, to believe in human ability once again. Nietzsche’s weariness is based almost entirely in the culmination of ressentiment, the dissolution of Nietzsche’s concept of morality and the prevailing priestly morality. Nietzsche wants to move beyond simple concepts of good and evil, abandon the assessment of individuals through ressentiment, and restore men to their former wonderful ability.
September 10, 2009. Cambridge Critical Guide to Nietzsche’s On the Genealogy of Morality, Simon May, ed., 2010. Available at SSRN: http://ssrn.com/abstract=1473095>. Nietzsche, Friedrich.
In the works of genealogy of morality, Nietzsche traces out the origins of the concepts of guilt and bad conscience, which will be the main focal point, and explaining its role in Nietzsche’s project against morality. It will be argued that guilt and bad conscience goes against Nietzsche’s role against morality because it can conflict with the moral co... ... middle of paper ... ... ason this situation would go against morality is because the person would be punished for their actions, because it goes against society’s moral code.
Starting from the beginning, John Updike shows us Sammy’s simple life in a small town and a future that is not very promising , with a job in the only supermarket from region in a quiet day when is “nothing much to do except lean on the register and wait for the girls to show up again. The whole store was like a pinball machine” (Updike 19), that is not offering many opportunities instead of him going to college as many of his fellow friends did.
In the film Eternal Sunshine of the Spotless Mind stresses the importance of memory and how memories shape a person’s identity. Stories such as “In Search of Lost Time” by Proust and a report by the President’s Council on Bioethics called “Beyond Therapy” support the claims made in Eternal Sunshine of the Spotless Mind.
Friedrich Nietzsche, The Will to Power, trans. Walter Kaufmann and R. J. Hollingdale, ed. Walter Kaufmann (New York: Random House, 1967).
Sammy is just the normal average teenage boy that works at his town’s local A&P store. From the beginning of the story we are able to see that Sammy is very opinionated, sarcastic, and has a keen observational sense with lends insight into the deeper meaning of the story. While Sammy contently describes everything around him, we are able to get a feel for how he sees the world and how he thinks about things. Most of the story Sammy is found describing three girls that enter his store. Immediately we can see Sammy’s intense fascinations about these random three girls, thinking he’s just being a regular teenage boy. Sammy, however, goes beyond the surface details to glean insights about the people he observes. One of the girls he studies a little more intently, becoming fascinated by her. He points out how, “ She was the Queen,” (Updike 19), and how she naturally seemed to lead and catch anyone’s attention in an instant. What got him the most was the dangling bathing suit straps. Obviously this intrigued Sammy in a very sensual way, but they are also clues that he uses to construct an image of her inner life. Once he hears all of the girls speak, his imagination begins to spark about the girls, as he is...
There are 299 mammal species in South Africa, of which two are critically endangered, 11 are endangered, 15 are vulnerable, and 13 are near-threatened. Two of the species listed for South Africa are considered to be extinct.The flora and fauna of South Africa are becoming endangered fast due to different causes such as habitat loss and habitat fragmentation. Following are some of South Africa’s endangered species.