Sexism and Gender Discrimination Tan explains the connections of four Chinese women that moved to San Francisco,after horrendous tragedies that occurred in their life and formed the Joy Luck Club for hope in The Joy Luck Club.The stories of Jing-Mei, Ying-Ying, An-Mei, and Lindo are told by memories of when they were younger girls.Their stories continue from their American-Chinese daughters. The relationships between them and their daughters, June, Lena, Rose, and Waverly, are demonstrated with the memories that were shared between the pair. She explores how gendered expectations affect each woman through sexism and gender discrimination. During An-Mei Hsu’s childhood, one of the mothers, she left with her mom to go live with a man, who practically forced her to be a …show more content…
She was forced to actually marry him at 16, but when she lived with them, she was used as a servant to them . “But even if I had known I was getting such a bad husband, I had no choice, now or later. That was how backward families in the country were…. So, Taiyuanese mothers continued to choose their daughters-in-law, ones who would raise proper sons, care for the old people, and faithfully sweep the family burial grounds long after the old ladies had gone to their graves” (Tan 51). When Lindo was a child, she was raised in a place where mothers would choose their sons’ wives, so that they were obedient to their family’s name and would aid for their son’s every want and need. It is limiting for women to be married off to a family in order to please the family since they have an higher status than her. This highlights how powerless women were in China compared to men since the man's family had a say for who he is to marry. Because of their life status, women were not expected to be great because of all the great
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
Amy Tan 's novel, The Joy Luck Club, explores the relationships and experiences of four Chinese mothers with that of their four Chinese-American daughters. The differences in the upbringing of those women born around the 1920’s in China, and their daughters born in California in the 80’s, is undeniable. The relationships between the two are difficult due to lack of understanding and the considerable amount of barriers that exist between them.
Tan likes to show Lindo through indirect characterization. Lindo would always try to make things right. She would be polite to her new mother in law and when she was with her mother in law she would hold out a treat and say “ For you, Mother” (53). Even though Huang Taitai was not her real mother, Lindo would act as though she was, but before Lindo did this she would turn to her mother and ask for forgivness. This shows that she is a caring girl and she will always try to behave and be nice to every one. Tan also shows us how brave Lindo is. When it came time for the family to leave for shanghai, it was said that “the whole family except for Lindo would leave” (53). Lindo didn’t say a word. When the day finnaly came, no one said goodbye. All that was said was, “do not disgrace us”
Firstly, the relationship expectations in Chinese customs and traditions were strongly held onto. The daughters of the Chinese family were considered as a shame for the family. The sons of the family were given more honour than the daughters. In addition, some daughters were even discriminated. “If you want a place in this world ... do not be born as a girl child” (Choy 27). The girls from the Chinese family were considered useless. They were always looked down upon in a family; they felt as if the girls cannot provide a family with wealth. Chinese society is throwing away its little girls at an astounding rate. For every 100 girls registered at birth, there are 118 little boys in other words, nearly one seventh of Chinese girl babies are going missing (Baldwin 40). The parents from Chinese family had a preference for boys as they thought; boys could work and provide the family income. Due to Chinese culture preference to having boys, girls often did not have the right to live. In the Chinese ethnicity, the family always obeyed the elder’s decision. When the family was trying to adapt to the new country and they were tryin...
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
The Joy Luck Club by Amy Tan consists of characters who encounter antagonistic forces in the story. For instance, Lena St. Clair, the daughter of a Chinese mother, and an American father, experiences issues regarding racial discrimination, danger in new environment, and family issues throughout her story. Firstly, Lena comes to face with racial discrimination. During her story, “The Voice from the Wall,” she mentions a drunk Chinese man who runs into her and her mother, Ying-Ying St. Clair, on the street.
In Amy Tan short story, The Joy Luck Club, she reveals personal challenges that hint the reader of gender roles in that specific society. Men and women each have specific standards and expectations in the society. The men are often viewed as the one who work all day to support their families financially. While the women, are often viewed as housewives that have to provide the basic and sentimental care to their families. The author shares that "The man who was my husband brought me and our two babies to Keweilin because he thought we would be safe" (Tan 74). Goes back throughout generation and even stories and fairy tales reveal the difference between a man and a woman. Times do change and so should people 's ideas as well. Although, people
The Joy Luck Club is an emotional tale about four women who saw life as they had seen it back in China. Because the Chinese were very stereotypic, women were treated as second class citizens and were often abused. Through sad and painful experiences, these four women had tried to raise their daughters to live the American dream by giving them love and support, such things which were not available to them when they were young. These women revealed their individual accounts in narrative form as they relived it in their memories. These flashbacks transport us to the minds of these women and we see the events occur through their eyes. There were many conflicts and misunderstandings between the two generations due to their differences in upbringing and childhood. In the end, however, these conflicts would bring mother and daughter together to form a bond that would last forever.
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
The Joy Luck Club, is a film that shows a powerful portrayal of four Chinese women and the lives of their children in America. The film presents the conflicting cultures between the United States and China, and how men treat women throughout their lives. People living in the United States usually take for granted their roles as a male or female. The culture of each country shapes the treatment one receives based on the sex of the individual. Gender roles shape this movie and allows people, specifically the United States, to see how gender are so crutcial in othe countries.
Is it fair to judge someone by their sex? In traditional Chinese culture, many judgments were made about a person just by observing their sex. The woman was looked upon as an inferior being. They had little or no status in society, and little was expected from them. They were discriminated against when they tried to stand up for themselves. Chinese culture was customarily male dominated. The male was expected to do most of the work, and the woman was expected to stay at home with their mouth shut. This custom leaves an unwelcome feeling in a woman's heart. They feel like no one cares, and it makes it much harder to live with an optimistic view on life. In the novel, The Joy Luck Club, by Amy Tan, reviews the lives of three Chinese women, Ann-Mei Hsu, Lindo Jong, and Ying Ying St. Clair. These women grow up in traditional Chinese homes, where there is sexism. They deal with serious problems that corrupt their lives. Through perseverance and the passing of time their lives return to normal. Ann-Mei, Lindo, and Ying Ying are subjugated by males because of their sex, and Chinese tradition. Ann-Mei was oppressed in many ways. Her mother was invited to spend time at the home of a wealthy merchant named Wu Tsing. At night he would come into Ann-Mei's mother's room and rape her. Despite emotionally scaring Ann-Mei this demonstrates the lack of respect for a women in China. Ann-Mei's mother is forced into concubinage because of her lack of power as a women. She becomes the third wife. As a third wife she maintains very little status in the home of Wu Tsing. Ann-Mei's family disowns her mother because by becoming a third wife she has brought shame to her family. "When I was a young girl in China, my grandmother told me my mother was a ghost". Ann-Mei is told to forget about her mother and move on in her life. The fact that Ann-Mei is told to forget her mother because she has become something she could not control, is preposterous. She was raped and forced into concubinage. The lack of appreciation for a female causes this feeling of shame for the Mei family. Since rape and polygamy is accepted in China, it makes it appear that what Ann-Mei's mother has done is wrong, and what Wu Tsing did was right and normal.
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...
Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised.