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The novel unearths the falsity of society, showing how phony it truly is, by using the principal of Pencey Prep, Mr. Haas. He is a perfect embodiment of Salinger’s idea of what it means to be insincere because Salinger displays society’s willingness to go against common morals to fit into societal norms. Just as Holden calls everyone a phony, in reality he sees society as phony. Holden says, “One of the biggest reasons I left Elkton Hills was because I was surrounded by phonies. That's all. They were coming in the goddam window. For instance, they had this headmaster, Mr. Haas, that was the phoniest bastard I ever met in my life” (Insert Page). Salinger specifies that the headmaster would target the “fat and ugly” parents, greet them in a very bogus and superficial manner, and …show more content…
then continue to greet the parents, who in his opinion are attractive, and have hour-long conversations with them. Additionally, we can infer that by Holden describing Mr. Haas with the phrases “goddamn” and “bastard”, this emphatically suggests Salinger’s negative view of society being untrue to itself. Furthermore, Salinger exemplifies society’s phoniness through Holden’s interactions with adults, in this case Mr. Haas. At the same time, Salinger is building on the unfortunate matter of society’s corruptness through Holden’s interactions with Sunny, the prostitute.
Holden’s understanding of sexual interactions corrupts his mind and innocence, depicting society’s corruptness and effect on people. By Holden hiring and then rejecting Sunny because of his fear of potentially corrupting his innocence, Salinger shows the pressure society unintentionally places on people through sexual experiences. Holden says, “It was a funny thing to say. It sounded like a real kid. You'd think a prostitute and all would say "Like hell you are" or "Cut the crap" instead of "Like fun you are"(Insert Page). Holden’s realization of this illustrates his ability to find the innocence in anyone, even a corrupting prostitute like Sunny. Holden assumes that Sunny also uses vigorous language as he does. Therefore, Holden’s inability to comprehend Sunny and by making assumptions about what her vocabulary would be based on her profession, shows how sexual involvement can corrupt people, leading them to make false accusations. Overall, corruption is powerful and can be manipulative and harmful, as it was in Holden’s interaction with
Sunny. In addition, Salinger unveils the sad fact of how time and time again, society edges people to insanity through Holden’s relationship with Sally Hayes. Holden’s interactions with Sally progressively propels him to insanity, even though it is a situation with mutual loving. Holden thought in response to what Sally said, "Stop screaming at me, please," she said. Which was crap, because I wasn't even screaming at her"(Insert Page). Salinger’s use of ‘crap’ portrays Holden’s craziness to the best possible extent because through his use of vulgar language, he illustrates how Sally’s normality is causing hysteria in his own life. By Sally fitting into societal norms provokes Holden into having a fit when all that Sally has is a simple request. Through this writing Salinger displays society’s expectations and how people who do not think they fit the expectations are often on the brink of insanity. Therefore, Sally’s reaction to Holden’s ‘screaming’ makes him feel like he does not belong in society and is an outsider. All in all, through Holden’s relationship with Sally it is exemplified that no matter the conditions, society’s will to make all people want to conform to society, often accomplishes nothing but insanity.
In his fight with Stradlater, Holden’s character is shown as a defender of innocence. He defends the memory of his brother through the report he writes for Stradlater. Because of Stradlater’s criticism on his brother’s death, Holden destroys the essay and says “All right, give it back to me, then,’ I said. I went over and pulled it right out of his goddamn hand. Then I tore it up.” Holden is tormented by the memory of his brother throughout the novel, and in this fight he defends his brothers memory by protecting the baseball glove. Later in this scene Holden is upset with Stradlater’s relationship with Jane. Holden explains, “If you knew Stradlater, you 'd have been worried, too. I 'd double-dated with the bastard a couple of times, and I know what I 'm talking about. He was unscrupulous.” Holden tries to defend Jane’s innocence and the reader is able to see Holden’s ethical code to protect the innocence and memory of others. In Holden’s confrontation with Maurice, Holden displays his detestation of the evil phony. “All of a sudden I started to cry. I 'd give anything if I hadn 't, but I did. 'No, you 're no crooks, ' I said. 'You 're just steeling five ' 'Shut up, ' old Maurice said and gave me a shove.” The scene between Maurice and Holden over the prostitute Sunny shows his emotions when it comes to fake people. In this scene he
Salinger characterizes Holden as constantly making impulsive decisions when presented with challenges. One example of a situation where Holden makes the wrong decision in an attempt to take the easy way out is when he encounters Sunny, the prostitute. When Holden enters his hotel, and is approached by a pimp named Maurice who asks him if he would like to buy a prostitute for the night, he responds with the brief statement, “Okay” (119). Holden’s one word response explicitly demonstrates his attempt to escape the challenging situation quickly. His lack of words also demonstrates hesitation, because if he were to be fully committed into to purchasing the prostitute, he would ask for more information. After Holden tells Maurice he will buy
All of these things that Holden experiences are used by Salinger to show that in real life, while corruption may seem to be rare, it is actually commonplace and can hurt people. That is why if one experiences corruption in their life, such as underage drinking, people acting differently around someone than they normally act, or someone corrupting children, then they must attempt to stop the corrupt actions before they hurt someone. If society as a whole realizes the evils of corruption, and endeavors to prevent it, the world will become a better place.
Through the majority of the book, Holden repeatedly speaks about having “the time”; yet, however, he states that when he gets close to doing it, he stops because the girl hinders him. Holden has not proceeded with his desire to have “the time,” even when he hires a prostitute. When Holden first sees the prostitute, Sunny, he loses the urgency and desire to finally have sex. “I took her dress over to the closet and hung it up for her. It was funny. It made me feel sort of sad when I hung it up. I thought of her going in a store and buying it, and nobody in the store knowing she was a prostitute just thought she was a regular girl when she bought it. It made me feel sad as hell—I don’t know why exactly” (95-96). Holden imagines others thinking that Sunny is your average woman shopping, not knowing what kind of woman she truly is. From the contents of Holden’s mind, this section is an example of Holden him searching for a tiny trace of innocence left within Sunny. “ ‘Me? Twenty-two.’ ‘Like fun you are.’ I...
Sunny embodies what Holden desperately wants and fears – physical affection. Prior to meeting Maurice, Holden is feeling “depressed and all” (Salinger 116) and “sort of lousy” (116). His negative feelings beforehand initiate him to make a decision he otherwise would not have made –agreeing to hire a prostitute - but acknowledges that “it was too late now” (119) to invalidate what, arguably, he commits to purely on impulse. He feels “a little nervous” (120) because sex is a novelty for him – he’s had “quite a few opportunities” (120) to engage in intercourse, yet hasn’t gotten around t...
In life there comes a time when everyone thinks that they are surrounded by phoniness. This often happens during the teen years when the person is trying to find a sense of direction. Holden Caulfield, a 16-year-old teen-ager is trying to find his sense of direction in J.D. Salinger's, "The Catcher In The Rye." Holden has recently been expelled from Pency Prep for failing four out of his five classes. He decides to start his Christmas recess early and head out to New York. While in New York Holden faces new experiences, tough times and a world of "phony." Holden is surrounded by phoniness because that is the word he uses to identify everything in the world that he rejects.
Second, another example of Holden’s perversion is when he hires a prostitute named Sunny from the elevator man at his hotel. Although some may say that calling a stranger in the middle of the night, like Holden did with Faith, is normal, but hiring a prostitute when one is sixteen years old is far from average. After the prostitute, Sunny, arrived in Holden’s room and had stripped off her dress Holden lied to her saying that he had an injured “clavichord” so that he could back out of doing the deed, instead of admitting that he didn’t want to; this caused vexation from both Sunny and the elevator man (Sunny’s pimp), Maurice, and resulted in Holden getting beat up by Maurice because he didn’t pay the full price.
Upon introduction, Holden Caulfield gives the impression of being a textbook teenage boy. He argues that Pencey Prep, the all-boys academy at which he studied, is no greater than any other school and is “full of crooks.”(Salinger, 7) His harsh language only further argues that he is situated in an all-male environment and has no apparent filter for when swearing is inappropriate. Despite all of the indications that Holden is typical, it soon becomes evident that Holden’s personality does not conform to the teenage stereotype. Although he appears to have some friends, namely, his roommate, Stradlater, and ‘Ackley kid’, it is clear that he does not integrate well with his peer group. Holden’s inability to read social cues leaves him in the dust when all of his “friends” have matured enough to recognize his need for improvement. He is constantly making jokes out of everything without any thought as to how h...
Holden does not view life as a fair game, explaining, “Game, my ass. Some game. If you get on the side where all the hot-shots are, then it’s a game, all right- I’ll admit that. But if you get on the other side, where there aren’t any hot shots, then what’s a game about it?”(8). He clearly identifies with the side without the “hot-shots”, and because of this, feels victimized, as if the world is betting against him. Holden refuses to accept a society in which people are not born onto an equal playing field. An opportunity for Holden to break out of his shell of isolation appears through both emotional and physical relationships, yet he struggles to accept their unpredictable nature. “Sex is something I really don’t understand too hot. You never know where the hell you are”(63). Relationships and sex are ever changing, and also require an openness Holden appears reluctant to give. He darts from one person to the next, constantly on a search for companionship, love, and a mentor, yet at the last second, Holden seems to throw his opportunities away, such as when he insults Sally at the conclusion of their date, or his repeated talks of calling Jane, and always finding an excuse to abort his plan. In Holden’s case, his alienation is his own form of self-protection. This painful isolation allows him to
Almost everyone Holden encounters, such as his teachers, classmates, friends, and members of his New York community, is a “phony,” behaving in accordance with artificial conventions that he is trying to rebel against. (Aubry) This new wave of teenage rebellion conceived a brand new youth culture that is different than anything before, and Holden is caught up in the middle of it. “The Catcher in the Rye has served as a resonant expression of alienation for several generations of adolescent readers and adults who have considered themselves at odds with the norms and institutions of American society.” (Aubry) Holden finds himself at odds with these norms as struggles to conform to the expectations of conservative parents and a strict conformist society, and that is where his feelings of rebellion stem
He was always going down the corridor, after he’d had a shower, snapping his soggy old wet towel at people’s asses. That’s exactly the kind of guy he was...He’s a very sensitive boy. He’s really never been a terribly good mixer with other boys… Sensitive. That killed me. Morrow was about as sensitive as a goddamn toilet seat.” (Salinger, 54). By using words such as “crumby” and “bastard”, readers get an insight as to how Holden feels about his classmate, Ernest Morrow. It is evident Holden finds him to be a phony person because he is implying that Ernest Morrow is “fake” or unauthentic and even obnoxious. However, he later goes on to brag about Ernest Morrow, contradicting how he actually feels about his classmate. It states, “And the reason he was elected, the simple and obvious reason, was because Ernie wouldn’t let us nominate him. Because he’s so darn shy and modest and all...Then I started reading this timetable I had in my pocket. Just to stop lying. Once I get started, I can go on for hours if I feel like
Instead of admitting that he gets so distracted easily with these things, he pretends not to care about the addictive distractions his classmates speak about. This leads to Holden looking at his school life as if he is of a higher status than everyone else and that everyone should be exactly like him. The constant thought of superiority over his classmates leads him to the alienation of his classmates, because he feels that there is no one else in his world who can see through the “phonies”. It is because of his lack of real relationships that he concludes the phonies are what alienate him from society, not his personal
Holden’s definition of the word “phony” a person who’s fake, a moron, ordinary, or superficial. Although he thinks most people are phony, especially adults, he never considers himself one. Holden wants to prevent the loss of innocence for children. If someone were to be exposed to adulthood, then Holden automatically will view them as phony. Because of this, he tries to seclude himself from the phonies around him, when being an adult is inevitable. In The Catcher in The Rye by J.D. Salinger, Salinger uses Holden’s repetition of the word “phony” as an excuse to isolate himself from the world and an emblem of everyone being posers in Holden’s perspective.
Holden’s resistance to mature and desire to keep others from maturing, constantly leaves him feeling isolated and disoriented. These recurring feelings as well as his superego give rise to impulsive actions and rage, working as a defense mechanism against threats to his psyche. An example of a moment in which Holden endures a feeling of depression due to the loss of one’s innocence being his thought of, “The salesman probably just thought she was a regular girl when she bought it. It made me feel sad as hell—I don't know why, exactly” (Salinger 96). Holden describes Sunny as adolescent, so that thought as well as the idea of her profession leaves him with that recurring feeling of depression and helplessness. This thought leads to no further sexual advance towards her although his anger and frustration towards the situation is soon present after encountering Maurice. Holden’s repeating problem with his own feelings of sorrow towards the lack of innocence directly result in hasty actions as well as his continuous
Holden attacks various weaknesses in the 50's society. He criticizes nearly everything that he observes, and refuses to pull punches. Often Holden uses his brilliant talent of observation to discover the true motives behind the people he calls "phony." Through his observations the reader can interpret Salinger's view of the 1950's culture. Holden's perceptions of paranoia, conformity, and the consumer culture convey Salinger's views.