Examples Of Monstrosity In Frankenstein

482 Words1 Page
bulb-icon

Recommended: Monstrosity in the novel Frankenstein

The word monstrosity is ambiguous; Although in Frankenstein it is seen more as

a sequence of actions we take that leads to evil and doom. The book Frankenstein by or

the Modern Prometheus by Mary Shelley shows explores the monstrosity of the

characters such as victor Frankenstein. It shows the progression of his

monstrous actions in what he did or did not do. Mary Shelley argues that monstrosity

is not inherent but rather the outcome from our actions and decisions.

The plot ends with one of its major characters Victor Frankenstein

becoming a monster full of anger and hatred. However the beginning of the book

narrates how they both got allured into their own darkness. This is important because

the narration of the story does not begin at …show more content…

Victor Frankenstein had a good childhood and attended a prestigious

university. Even from childhood he was drawn to dark / strange science "Ah! Cornelius
Chike Ani
1556193
Bhuva Narayan
ENGL 102
26/03/2018.
Ani, 2

Agrippa! My dear Victor, your time upon this; it is sad trash.". Victors allure into

darkness began when he decide to go against the ethics of science and create a

creature just like him to all worship him. Once Frankenstein had built the creature and

gave it life as soon as it opened its eyes Victor saw a reflection of himself in the creature

and hated ; He hated the imperfections of the creature and what he had done with

science just so he could please himself “the beauty of the dream vanished, and

breathless horror and disgust filled my heart”. Victor became paranoid with his own

creation and that made himself centered, he put his hatred for the ‘daemon’ first before

the safety of his family. His obsession with the demise of his creation made him

Show More
Related

  • Examples Of Barbarity In Frankenstein

    833 Words  | 2 Pages

    In the novel ‘Frankenstein’ the creature is presented through many narrative voices, it is through Victor's narrative that we see the Creature as a 'wretch', 'daemon' and a 'fiend'. Mary Shelley chooses to present the creature as a ‘fiend’ due to circumstance beyond the creature’s control

    Read More

  • Frankenstein Out of Class Essay

    712 Words  | 2 Pages

    As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...

    Read More

  • The Theme Of Monstrosity In Mary Shelley's Frankenstein

    1878 Words  | 4 Pages

    When we are created into this world it’s not by the choice of our own. However, we are created most times out of love from our creator. Like a baby just newly born into this world needs to feel its mothers touch, scent, and security. The bonding makes you feel a connection to your maker of the world and without it a person may feel lost, abandoned, and unloved. From the beginning we hope to build our self-esteem through the love of our creator. Sadly, most people are not loved or accepted by their creator. This leads to a person lashing out in a number of ways that society views unconventional due to the lack of understanding that person suffers through abandonment alone. In the novel Frankenstein, Mary Shelley illustrates the theme of monstrosity

    Read More

  • Victor Frankenstein’s Isolation

    976 Words  | 2 Pages

    An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.

    Read More

  • Frankenstein: An Analysis Of Irony In Mary Shelley's Frankenstein

    939 Words  | 2 Pages

    He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than

    Read More

  • The True Monster in Frankenstein

    1764 Words  | 4 Pages

    What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.

    Read More

  • Who Is the Real Monster in Frankenstein?

    1708 Words  | 4 Pages

    Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.

    Read More

  • External Conflict In Frankenstein

    1127 Words  | 3 Pages

    When Victor goes to college and his interest in science and nature grows, his curiosity to find the secret of immortality causes him to want to create a creature and bring it to life. Victor starts to create his unnatural work hoping that it will bring success in the future, “I prepared myself for a multitude of reverses; my operations might be incessantly baffled, and at last my work be imperfect, yet when I considered the improvement which every day takes place in science and mechanics, I was encouraged to hope my present attempts would at least lay the foundations of future success.” (43). Victor states his concerns about what he plans to do but dismisses them based on the importance he places on his work. For that reason, he starts to meddle with nature to create something no one can do but God. Finally, when Victor completes his creation, the monster, he realizes that he has made a serious mistake by interfering with nature, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (47). He thinks he has achieved this beautiful dream of creating a life, but now that he has, all he can see is an ugly monster. Trying to take on divine creation fails and instead of beauty, all Victor can create is something horrifying. Therefore, disrupting with nature is a trait that proves Victor is the true monster because it is a limit that no human should overstep. Eventually, it will come to a miserable

    Read More

  • Essay On Frankenstein Tragedy

    783 Words  | 2 Pages

    Victor plays the role of God and creates his “Adam” but unlike the Adam from the bible, the creature is not designed in a perfect image or guarded by the care of his creator. The creature compares himself to Satan when he says “I considered Satan as the fitter emblem of my condition; …like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (228). The creature was forsaken his first days of living and learned about the society of humans through observation and reading. God introduced Adam to the world with everything provided and guided him his early days of life. He saw Adams loneliness and granted him a mate. The creature asks Frankenstein for a companion as a last chance to become happy and good hearted. Victor destroys his hope and brings more tragedy among him by doing so. God creates all things good, Victor took his Job as a creator and his creation became malignant because unlike God he was ashamed of his creation. From that point on the creatures’ heart becomes cold and makes sure to destroy his creator. When Victor dies the creature repents for the damage that he has done and would live with continuing pain till his death. “…My agony was still superior to thine; for the bitter sting of remorse will not cease to rankle in my wounds until death shall close them forever” (380).

    Read More

  • Monstrosity in Frankenstein

    1001 Words  | 3 Pages

    The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.

    Read More

  • The Monstrous In Frankenstein

    1362 Words  | 3 Pages

    Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.

    Read More

  • Victor Frankenstein’s Obsession in Mary Shelley’s Frankenstein

    1453 Words  | 3 Pages

    From the onset of Victor’s youth, his earliest memories are those of “Curiosity, earnest research to learn the hidden laws of nature, gladness akin to rapture, as they were unfolded to me, are among the earliest sensations I can remember” (ch. 4) This is the first example of obsession that we see in the novel. This drive to learn the ‘hidden’ laws of nature is the original driving force that sets the plot in motion. Without this, Victor would have never embarked on his unholy quest to overcome mortality, thus leading to his creation of his monster.

    Read More

  • Compare And Contrast Victor Frankenstein And The Creature

    1200 Words  | 3 Pages

    If someone were to ask people who Frankenstein is they would probably describe a tall, hideous monster with bolts sticking out of its neck. But long before movies reinvented their version of the monster, there was a novel by Mary Shelley entitled Frankenstein. In her novel, the monster is shown as child-like and uneducated. But what really makes someone a monster? Who is the true monster of Mary Shelley’s novel? Victor and the Creature present similarities and differences in their action and character throughout the novel.

    Read More

  • A Monstrosity in Frankenstein by Mary Shelley

    808 Words  | 2 Pages

    In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.

    Read More

  • Essay On Monstrosity In The Picture Of Dorian Gray

    1198 Words  | 3 Pages

    Monstrosity is not just defined by disfigurement, but also by the actions and obsessions of man. Most, if not all, tales of monsters often came about as exaggerations of sins and immoral actions. Others see men who become too obsessed with the idea of overstepping their own humanity and playing God as monsters in society. Frankenstein and The Picture of Dorian Gray reflect this idea. While the painting and the creation mirror the monstrous nature and the sin Gray and Frankenstein enact throughout the course of each novel, both Dorian Gray and Victor Frankenstein are the true monsters.

    Read More

More about Examples Of Monstrosity In Frankenstein

Open Document