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Patriarchy in Things Fall Apart
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Okonkwo lived in constant terror. In Chinua Achebe’s novel Things Fall Apart, the tough, stalwart Okonkwo has the fear of failure and weakness dominate his life. Though he may not be completely aware of it, he lives in fear of failure and weakness which leads to his destruction. Okonkwo lives in a society where masculinity is seen as something extremely important. He feels like he has to prove his masculinity and assert his dominance at every point in order to not be challenged by anyone. Femininity is considered weak whereas the men in the Umuofia who bear the most masculine traits are deemed as powerful and strong. His father Unoka is regarded as a weakling and feminine. Unoka never went to war which, as a man, he was expected to do. Because he never went to war or any type of battle, he is deemed a weakling. Okonkwo, on the …show more content…
He overcompensates by killing as many people as he can during the wars. Okonkwo also makes sure that his son Nwoye never strays onto a path of weakness by mercilessly beating him, among other things. Remembering the shame he’d felt when someone called his father “agbala,” or a woman, Okonkwo pushes himself and his son to adopt machismo habits and ideologies. However, this only makes Nwoye veer off the path of manliness, causing him to do more things his father deems as feminine or “weak.” Later when Ikemefuna joins the family, Okonkwo finds his masculinity being rattled: “Okonkwo himself became very fond of the boy... [he] never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of
From birth Okonkwo had wanted his son, Nwoye, to be a great warrior like him. His son instead rebelled and wanted to be nothing like Okonkwo. Okonkwo would not change so that his son would idolize him, as he had wanted since his son's birth. He chose not to acknowledge his son's existence instead. This would weigh heavily on anyone's conscience, yet Okonkwo does not let his relationship with his son affect him in the least bit.
As a child Okonkwo was neglected by his father and even later in his life did not speak with him - until of course his father was on his deathbed - this made his made him very angry. Okonkwo always saw his father Unoka as lazy. Okonkwo worked hard to remove any trace of laziness from his personality. He is an extremely persistent man and a hard worker. He is given seed yams and even when heavy rainfall causes the yams to rot he does not give up and he continues to try. He shows emotion inwardly and is extremely temperamental. As shown by the following quote Okonkwo still favors boys over girls and men over women. This is because they do the “masculine” tasks. “...If Ezinma had been a boy I would have been happier. She has the right spirit”(Achebe, 66); Okonkwo kept saying that he wished Ezinma was a “boy” and that she “has the right spirit”, which shows that he likes her but will not show these emotions, this and many other choices Okonkwo makes are due cultural influences.
Within the Obi tribe, Okonkwo is an important man, who has risen from nothing to a man of great wealth and social status. Okonkwo is obsessed with masculinity, and he has a very narrow view of “manliness”. Okonkwo's relationship with his dead father is the root of his violent and ambitious conduct. He wants to rise above his father's legacy of laziness, which he views as weak and therefore feminine. This drive and fierce pride made him a great man, but they are also the source of all of his faults.
Okonkwo associates many of his tribal influences with masculinity. Right away in the book, Achebe affiliates strength with manliness. “As a young man of eighteen he had brought honor to his village by throwing Amalizine the Cat” (3). He is honored because he had enough strength and agility to overthrow the cat. Okonkwo feels to be successful and manly, one also must show no emotion. He thinks emotion is for the weak and for woman, and he does not want to be either of those. “Okonkwo never showed any emotion openly, unless it be the emotion of anger. To show affection was a sign of weakness,-the only thing worth demonstrating was strength” (28). Okonkwo treats Ikemefuna with this idea. He becomes very fond of the child, but never outwardly shows his affection. If he showed his affection he was afraid he would be looked down upon in his tribe. Although his father enjoyed little things like music and dancing, Okonkwo had no desire to share his father’s enjoyment. He desired power and wealth. He wants to construct and maintain a big house for his many wives and even more children. “Okonkwo was clearly cut out for great things. He was still young but he had won fame as the greatest wrestler in the nine villages. He was a wealthy farmer and had two barns full of ...
Okonkwo crumbled under the newly developed society of the white man in Umofia. He could no longer act on his fury, vehemence or impetuousness, because acting in those non-compliant ways got him no further advancement and was frowned upon. Okonkwo lost his mental composure and everything in his life went to pieces because of it. His lack of sensitivity and understanding of those different from him handicapped his entire life. Okonkwo’s strength was further proven to have many fallacies because he was not strong in the important aspects of having composure and not acting on impulse. He could no longer control the people around him, nor his own life so he became misfortune of a classic tragedy.
Okonkwo’s first and most distinctive flaw is his fear of failure. Many people would agree that this flaw is driven by the fear of becoming his father, but Okonkwo takes this fear too far. Okonkwo’s father, Unoka, was known for being a very lazy and carefree man. He also had notoriety of being “…poor and his wife and children had barely enough to eat.” (Achebe 5). A big tradition in Umuofia is having a father who is supposed to teach his children right and wrong. In Okonkwo’s case, these lessons had to be self-taught. Okonkwo had to commit to his own understandings of what defined a “good man” and to him that was the exact opposite of his father. Because of his fear to be seen as weak, Okonkwo even murders a child that calls him father. Ikemefuna was sent to live with Okonkwo because someone was murdered in a nearby village. An example of Okonkwo’s ill-hearted actions are shown in the following quote: “As the man drew up and raised his machete, Okonkwo looked away. He heard the blow. He heard Ikemefuna cry, ‘My father, they have killed me!’ as he ran towards him. Dazed with fear, Okonkwo drew his machete and cut him down. He was afraid of being thought weak.” (Achebe 61). The fact that he kills Ikemefuna shows that his reputation is more important than the life of a child. Okonkwo’s fear permits him to receive more respect from his tribe, but only because it inclines him to do better than anyone else.
Okonkwo’s fear leads him to treat members of his family harshly, in particular his son, Nwoye. Okonkwo often wonders how he, a man of great strength and work ethic, could have had a son who was “degenerate and effeminate” (133). Okonkwo thought that, "No matter how prosperous a man was, if he was unable to rule his women and his children (and especially his women) he was not really a man" (45).
Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness (p.
Okonkwo is known throughout Umuofia to be extremely masculine. He rarely shows signs of fear or weakness. This is because Oknokwo promised himself he would be the complete opposite of his father Unoka. Unoka had passed away ten years prior to when the story takes place but he has always been remembered as a weak, lazy, poor man who could barely provide for his family. He was always in debt and didn't care to work, he would play his flute all day everyday if he was able to. "People laughed at him because he was a loafer, and they swore never to lend him any more money because he never paid back" (5). Unoka was the laugh of the town and Okonkwo would never allow himself be that.
For example, Nwoye suppresses the fact that he would rather listen to his mother’s stories than Okonkwo’s because he needs to uphold society’s expectation that males would prefer to listen to something more “masculine”. In fact, Igbo society is so gendered that even the crops that are grown are associated with being male or female. Okonkwo is a character who is ruled by fear, which stems from his desire to be perceived as masculine. This need to be perceived as masculine leads Okonkwo to do what he wants regardless of how his actions will affect the clan. At times, Okonkwo goes directly against the will of others, which for him, proved to be consequential.
In the novel Things Fall Apart, Okonkwo is portrayed as a respected and determined individual whose fatal flaw eventually works against him. Throughout the novel the readers are shown that Okonkwo has many of these Characteristics because he is obsessed with the idea of becoming just like his father. This becomes his flaw in the novel that puts him into exile and makes it hard for him to adjust to the changes that were made with in his village.
Okonkwo grew up from poverty to wealthy enough to support three wives, and many children. He was well respected by his clansmen from his village. Although, Okonkwo has many great aspects in his life, his tragic flaw is the fear of becoming like his father. While everyone was working on their farm, Unoka did nothing but drink, dance, and just plainly pray to the gods.
Okonkwo, the main character of the book, was born the son of Unoka, who was a loafer. Unoka was too lazy to go out and plant crops on new, fertile land, and preferred to stay at home playing his flute, drinking palm wine, and making merry with the neighbors. Because of this, his father never had enough money, and his family went hungry. He borrowed much money in order to maintain this lifestyle. Okonkwo perceived this as an imbalance toward the female side in his father's character: staying at home and not using one's strength to provide for the family is what the women do. In reaction, Okonkwo completely rejected his father, and therefore the feminine side of himself. He became a star wrestler and warrior in his tribe and began providing for his family at a very young age, while at the same time starting new farms and beginning to amass wealth. He is very successful, and soon becomes one of the leaders of his tribe and has many wives and children. His big ambition is to become one of the powerful elders of the tribe, for what could be more manly than that?
Okonkwo’s fear of unmanliness is kindled by his father, who was a lazy, unaccomplished man. Okonkwo strives to have a high status from a young age and eventually achieves it. He has a large family, many yams and is well known throughout the village for his valor. He raises his family by his mentality of manliness and is ...
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s