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How does shakespeare present relationships between fathers and their children essay in romeo and juliet
Role of the nurse in romeo and juliet
Complexities of Shakespeare’s representations of gender, and how he challenges simple and straightforward understandings of masculinity and feminity
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What does it mean to be masculine, and is there an actual definition of masculinity? Depending on the time period, the answer changes to both of these questions. The denotation of masculinity is having traits traditionally attributed to men. But what are these traits? In Shakespeare’s tragedy, Romeo and Juliet, Shakespeare shows many kinds of men that vary on the spectrum of masculinity. Due to societal pressure, men craved to be the perfect balance of both chivalrous as well as courageous and strong. Being considered ‘effeminate’ was diminishing to one’s sense of self-image. Shakespeare makes it so no man in Romeo and Juliet displays ‘perfect’ qualities. Although Shakespeare shows varying extremes of flawed man, represented by Romeo and Tybalt, …show more content…
he also implies through Friar Lawrence and the Nurse’s advice to Romeo what a “proper man” should be. Both Romeo and Tybalt show two varying extremes on the spectrum of masculinity, but neither proves to be an ideal man.
At the Capulet’s masquerade ball, Tybalt spies an uninvited guest: Romeo. Tybalt became enraged and says, “This, by his voice, should be a Montague.— /Fetch me my rapier, boy./What dares the slave/Come hither covered with an antic face/To fleer and scorn at our solemnity?/Now, by the stock and honor of my kin,/To strike him dead, I hold it not a sin” (I. v. 61- 67). Tybalt’s eagerness to fight shows a toxic side of masculinity. In order to protect his reputation as ‘tough guy’, he’s unreasonably aggressive. Tybalt doesn’t think about the consequences of his actions, and Mercutio’s nickname for him, the “Prince of Cats”, fits with his inclination to pounce on anyone who gets on his nerves. He is the personification of hate. These traits eventually lead to his death, portraying that Shakespeare believed these qualities were unbearable. After Tybalt’s death, the Friar tells Romeo of his exile from Verona, and Romeo goes into a state of panic and depression. He believes that Juliet hates him because he killed Tybalt and pleads to Friar Lawrence, “O, tell me, friar, tell me,/In what vile part of this anatomy/Doth my name lodge? tell me, that I may sack/The hateful mansion” (III. iii. 115 - 117). After his exile from Verona, Romeo threatens to kill himself because he’s afraid Juliet won’t love him anymore. His irrational behaviour shows the reader who Romeo is: …show more content…
emotional, passionate, and somewhat rash in his decisions. Romeo’s characterization as the stark opposite of Tybalt leads the reader to conclude that Romeo is the personification of love. Though Romeo eventually becomes self aware of his own masculinity and kills Tybalt, Shakespeare insinuates that Romeo’s emotions led to his eventual death. It may have been his fate, but his lack of mental strength pushed him to end his life. Both Tybalt and Romeo, though complete opposites, represent the flaws of man and hyper masculinity. Through Friar Lawrence’s and the Nurse’s advice to Romeo they state the qualities that make a proper man, especially for that time.
The Nurse goes to find Romeo before he had to leave for Mantua. She came to tell him to comfort Juliet, but she finds him in a state of disarray. She says, “O woeful sympathy!/Piteous predicament!/.../Stand up, stand up. Stand an you be a man./For Juliet's sake, for her sake, rise and stand” (III. iii. 96-97). When seeing Romeo’s state, the Nurse compares him to Juliet in his demeanor. Not only does that reduce Romeo’s self esteem and make him feel effeminate, but the reader also sees how the Nurse characterizes a good man. For the Nurse, a good man takes initiative and will go to Juliet to make her feel safe. Hence, if he can’t make Juliet happy, then he is not a proper man. The Friar agrees with her and tries to make Romeo behave like a proper man once again. He reprimands, “Thy noble shape is but a form of wax,/Digressing from the valour of a man/...Thy wit, that ornament to shape and love,/Misshapen in the conduct of them both,/” (III. iii. 136 - 141) In addition to the Nurse’s comments, Friar Laurence is also insinuating what Shakespeare thought a ‘proper man’ should be like. He states that a proper man has qualities such as courage, intelligence, and charm. However, due to Romeo’s rash demeanor, he’s losing those qualities. The Friar states that Romeo is “but a form of wax”, implying that Romeo is but a statue without any of the honor of
a real man. The language highlights that what makes a man isn’t solely his traits - it’s how he carries himself and presents himself with honor. Since Romeo is so impaired with bad news, he’s lost his honor, his mind, and his courage, all in the course of an hour. Ultimately, Shakespeare doesn’t give the reader the perfect male figure, so he tries to shows those qualities through the words of other characters. Shakespeare’s use of Friar Lawrence and the Nurse in order to convey ‘proper masculinity’ gives the reader a sense of gender roles at that time. In the 16th century, the ideal man had to be charming and take care of his wife while also being brave and willing to fight others off. Shakespeare suggests that being too masculine is toxic, but being too emotional reduces one’s self - status. Even now, societal expectations for men haven’t changed much. However, in today’s day and age, more and more men are stepping out of societal norms and embracing their true selves. As Vincent D’Onofrio said, “The definition of true masculinity...is being able to lay in your own skin comfortably”.
Romeo senses tensions are high with Tybalt, so he states, “I do protest I never injured thee but love thee better than thou canst devise.” (Lines 65-66 Act Three, Scene One). Romeo is trying to diffuse the situation because he realizes that Tybalt is his love's cousin. Mercutio is surprised by Romeo’s behavior, so he decides to fight Tybalt himself. Mercutio’s decision to fight Tybalt leads to his own death. Romeo is angered by the death of Mercutio and states, “Now, Tybalt, take the “villain" back again/ That late thou gavest me; for Mercutio’s soul.” (Lines 123-124 of Act Three, Scene One). Romeo is indicating that Tybalt is the villain now, because he slayed Mercutio. Romeo forgets about his attempt to befriend the Capulets and slays Tybalt. Romeo, murderer of Tybalt, solely focuses on Juliet and states “Ha, banishment? Be merciful, say “death"/For exile hath more terror in his look.” (Lines 12-13 of Act Three, Scene Three). Romeo does not care about Tybalt’s life, but only cares for the way it affects his relationship with Juliet. Romeo’s mother dies out of grief because of his banishment. Romeo’s recklessness in loving Juliet has led to the death of three
Evidently, Tybalt respects Lord Capulet and the family name. When he goes to inform the Montague’s intrusion, Lord Capulet dismisses the enemy’s presence, ordering Tybalt to “be patient, take no note of him” (I.v.71). Despite Lord Capulet’s calm approach towards the appearance of Romeo, Tybalts mind is clouded with hatred and only views Romeo as a threat. Tybalt’s angered reaction at the sight of Romeo, as well as his impulsive decision to warn Lord Capulet in hopes of getting rid of the enemy, is due to the ongoing feud between the Montague’s and Capulet’s and not because of any harm directly caused by Romeo. Lastly, at his initial reaction to deny the announcement of Juliets death, Romeo dismisses Balthasar and seeks an apothecary who he hopes will supply him the poison that will grant his wish to be with Juliet forever.
The hot-blooded and furious Tybalt had a grudge against Romeo, which inevitably led to a series of misfortunes, and in the end, the two protagonists died. He had held that grudge, since the day he confronted Romeo at the Capulet’s party, where Tybalt was dishonoured in front of a whole debauchery.
When asked by Benvolio to make peace in the streets, Tybalt bluntly responds,” talk of peace, I hate the word. As I hate hell all Montagues.” This is the attitude of Tybalt throughout the play. He believes he is doing all for the best and uses violence as his tool. He gets angry at the ball with Romeo being there, “villain as a guest,” and believes it best to defend his family’s honor by later taking revenge. When Tybalt finds Romeo, he thinks it best to fight him and when he ends up killing Mercutio he believes he has done his duty by causing Romeo the same hurt he has brought Tybalt, “the injuries that thou hast done me.”
In William Shakespeare’s play, The Tragedy of Romeo and Juliet, Tybalt is from the house of Capulet and cousin to Juliet. Tybalt is young, macho, aggressive, impatient, high-tempered, cocky, and a skilled swordsman. Based on the humors, Tybalt could be considered choleric. He is introduced as an antagonist in the play because he causes a fair share of conflict. Tybalts’s death can be narrowed down to three reasons, his immaturity, Romeo, and his pride and honor.
This aggression is shown when Tybalt insults Romeo (3.1.55-69), calling him “thou art a villain” (3.1.56), and “boy” (3.1.61). In the context of this scene, boy is an insult. Once Romeo shows that he will not fight back (3.1.57-60), Tybalt’s ego takes control. This incident embodies cockiness as Tybalt continually berates Romeo and his friends with insults. He has no real reason to escalate this conflict as he knows that the Prince hates fighting. Despite this, Tybalt shows how cocky and abrasive he is, and perpetrates the tragedy by killing Mercutio and getting killed, himself. Since Tybalt literally beckons Romeo to draw (3.1.62), he further exemplifies cockiness. This results in a tragedy as Tybalt slays Mercutio and is slain by Romeo in turn. Furthermore, Tybalt shows aggression in his aside with Lord Capulet at the party. Tybalt says many threatening things about Romeo, calling him: “a slave” (1.5.52), his “foe” (1.5.59), and a “villain” (1.5.63). In this part of the story, Tybalt shows aggression, by wanting to kill Romeo. This is made evident by him asking his servant to grab his sword (1.5.52-4). Once again, Tybalt shows unnecessary aggression by insulting and threatening Romeo. This moves the plot towards tragedy by establishing a rivalry between Romeo and Tybalt. Later on, this rivalry results in the death of Tybalt and Mercutio. In summation, Tybalt’s aggression and cockiness results in the deaths of himself and Mercutio, making this story a
Many characters want Romeo to pay for what he has done, whereas Juliet is heartbroken because she might never be able to see Romeo again. The destructive forces of love are shown through Romeo’s love towards Mercutio, as it presents chaos when Romeo is banished, leaving all characters in despair. In addition, Tybalt’s destructive love of family honour brings out chaos and worry throughout the Capulet household. Tybalt displays a destructive love of family honour, as he shows a hatred towards all Montague. When Tybalt first lays eyes on Benvolio at the beginning of the play, he begins to scold him, beginning a fight between the two of them.
Characters Embodying Features of the Antithesis of the Renaissance Concept of the Masculine Ideal in Shakespeare's Two Gentlemen of Verona
As already shown, both Romeo and Juliet are horrified to discover that they were family enemies. Despite of this, they both choose to devote their love for eachother. Given this point, it is unrequited love that brings Romeo and Juliet together. But this also means that they would have to get over the fact that their families hate each other. This eventually leads them to forgiving the rival family for all the hateful acts that have occurred against one another. This is not the only forgiveness that is experienced in this play. Tybalt is a Montague with a fiery attitude. After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly this leads to the death of Mercutio. Romeo is angry and in need of revenge, which creates an intense fight between Tybalt and Romeo. Romeo wins this battle, killing Tybalt. He leaves in a hurry, only to discover that he would be banished from Verona. The death of Tybalt is absolutely devastating to Juliet. Her cousin was murdered by her husband. But she did not hesitate to forgive Romeo, she did so right away. She knew that Romeo had a reason for this incident and decides to
Appelbaum, Robert. “’Standing to the Wall’: The Pressures of Masculinity in Romeo and Juliet.” Shakespeare Quarterly 48.3 (1997): 251-72. JSTOR. Web. 27 Oct. 2013.
The Elizabethan era gender roles were much different than they are today. Women were regarded as the weaker sex, and men were always dominant. These “rules” are shown prominently throughout Romeo and Juliet, and paved way for obstacles they went through in their relationship. The gender conventions for women and men were prodigiously stereotypical and unreasonable, as they made men out to be the superior gender. Women should not have been perceived as inferior to men, and these unwritten rules for masculinity and femininity were shown throughout the play. Romeo acted very feminine which contradicted his gender conventions while Juliet did not abide by rules and disobeyed her parents. Romeo and Juliet had many ways in which they followed and
Another episode of fate, or rather dramatic irony, happens when Romeo somehow misses getting a letter from Tybalt Capulet, his enemy, challenging him to a duel. Romeo, unknowing of the tragic letter sent to him, but not gotten, goes to tell his friends of his beautiful bride, but, in return, comes face-to-face with none other than Tybalt, his loathed enemy, the kin to his new bride, Juliet. As soon as Romeo shows up, though, he is greeted by Tybalt’s insults, calling him a villain, but instead of stepping up to Tybalt’s challenge, though, Romeo backs down, saying, “Tybalt, the reason that I have to love thee doth much excuse the appertaining rage to such a greeting. Villain I am none. Therefore farewell. I see thou knowest not me.” After harsh words are spoken, families are disgraced, and names are scorned, Romeo finally just backs away. Mercutio, though, cannot let his man be put to disgrace, so he decides to defend Romeo’s name.
Shakespeare shows throughout the play how the characters continue to forgive the ones they love, even in the harsh circumstances. Angered by the death of his good friend Mercutio, Romeo slays Tybalt. “This gentleman, the Prince’s near ally, /My friend, hath got this mortal hurt In my behalf-my reputation stained /With Tybalt’s slander-Tybalt, that an hour /Hath been my cousin.”(3, 1, 104-108). Juliet could have been very angry with Romeo since Tybalt was her cousin but she was more heartbroken over Romeo’s exile. Shakespeare displays that Juliet’s love for Romeo overpowered the hate she had for him killing Tybalt. In addition, Shakespeare displayed that love conquers hate through the relationship between Juliet and her father, Lord Capulet. Near the end of the play Capulet told Juliet that she had ...
Tybalt was a adversary of Romeo and had the drift to kill him. His spleen of the situation is Romeo trying to love his coz Juliet. He approached Romeo and Mercutio looking for a fight. Tybalt and Mercutio ended up fighting and Tybalt killed Mercutio, because Tybalt did this, he deserved the death penalty for his transgression. Romeo then took revenge and killed him (3.1.70). This is a legal issue because Tybalt was going to be treated to the death penalty anyway so Romeo killing him was just like giving him the death penalty. This death is a lot different than the others because his was a legal issue and he deserved to die, the other deaths in the play like Romeo, Juliet and Mercutio decided to die for a family member that they love.
What truly defines someone as a man? There are many answers to the question. Unfortunately, society has warped the true concept of manhood and replaced it with many stereotypes that every man is expected to follow. As a result, the idea of manhood is nothing more than a collection of stereotypes. This warped concept was no different during the Jacobean era. The manly hero in many pieces of literature mostly shared the same traits, and was always revered for it. However, Shakespearean plays were an exception. This is especially true in the tragedy Macbeth, by William Shakespeare. The concept of Manhood is explored in Macbeth, but more importantly, its validity is explored and questioned. In Macbeth, Shakespeare challenges the stereotypical concepts of manhood through the use characterization and contrast between the characters throughout the play.