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Revenge as a theme in literature
Revenge as a theme in literature
Revenge as a theme in literature
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Jealousy: The Root of All Evil There are many character traits that play a part in defining our personality and reputation. Some of these traits are more desirable than others. For example, being studious, sweet, wise, and dependable are all positive traits many wish to possess. By contrast, being snobbish, stubborn, hateful and cold-hearted are considered undesirable traits. It is important to note that often times those who possess a number of undesirable traits are not well-liked people. In movies and plays it is often times the antagonist or evil villain who possess such traits. In the tragedy King Lear, Edmund, Goneril and Regan are all jealous people. This trait is what ultimately leads to their downfall and the death of a majority …show more content…
For some, jealousy can cause them to strive towards gaining the traits, physical attributes, or material items another person has. This can be a positive thing; a person’s jealousy can push them to become the best of versions of themselves they can. Unfortunately, often times jealousy fuels a persons hatred of others, and causes them to act in negative ways they normally would not. The causes of jealousy vary, but are normally rooted in a persons own insecurities. Unfortunately, for the jealous characters in King Lear their jealousy does not make them become better people, but rather destroys themselves and those around …show more content…
There is often times the character who wants to be popular, or the jealous ex girlfriend who wants revenge. Although these characters are often times displayed as women, in King Lear, the reader learns how universally detrimental the character trait of jealousy can be. King Lear is a tragedy that is fueled by deception, ignorance, and jealousy. Gloucester and King Lear are tricked into thinking their good children are not trustworthy. Goneril and Edmund spend their time lying and scheming to help alleviate their severe jealousy. Meanwhile, good characters like Edgar, Gloucester, and Cordelia are left trying to pick up the broken pieces left behind. Unfortunately, jealousy which is considered to be “the root of all evil” prevails and leads to the death of nearly the entire cast except for Edgar and
Within playwright William Shakespeare’s fantastic work The Merchant of Venice, the character Iago cries out, “O, beware, my lord, of jealousy; it is the green ey’d monster” (Enotes). Jealousy is justly called a beast, and it is a hideous creature that is illuminated in William Golding’s novel The Lord of the Flies, and by Woman Warrior, the memoir of Maxine Hong Kingston. Through the use of the literary elements of plots, characters, symbols, and additional plots, both pieces illustrate how, by torturing people and driving them to rash decisions, jealousy is the most destructive emotion.
Michael Vu Mrs. Soukup – Block 1 AP English Literature & Composition April 11th, 2014 2005, Form B AP Literature Essay for King Lear William Shakespeare devised Edmund as an ambitious character that seeks power over others within his tragedy King Lear. Tainted by his illegitimacy, Edmund must rise to power through his own capabilities and intellect rather than inheritance. However, his drive for power leads him toward corruption as he commits treachery to both his father and brother. Shakespeare demonstrates the problem society has with those who seek power as a means of retribution. Edmund believes in the idea of natural law as a way to attain power; in fact, the Nature to which Edmund is appealing is human nature, where desire is the driving force behind all action.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Lear’s character is constantly and dramatically changing throughout the play both by growing as a character but also through many downfalls. Lear becomes emotionally stronger and gains much more rationale near the end of the play, but only after a great downfall in each of these sectors. This was a result of the self-entitlement that Lear had placed on himself. King Lear’s vanity and excessive sense of entitlement was his tragic flaw throughout the play. He was a King, and needed to be served on time. Furthermore, when he is referred to as “my lady’s father,” this also hurts his ego for he is a King and that is what he wishes to be addressed
The theme of dishonesty is demonstrated from the start of ‘King Lear’ during the ‘love trial’ when Cordelia dislikes her sister’s “ponderous” words which suggest how dishonest both Goneril and Regan really are. The adjective “ponderous” determines that her love for Lear cannot be measured with words. Cordelia refuses to take part in the contest and Lear comments by saying: “so young and so untender”. The word “untender” suggests that Lear hopes for something that makes him feel valued as a king and father, however this works against him as ultimately both his other daughters better themselves by flattering themselves into trying to get the Kingdom. Arguably in this instance, flattery is a form of dishonesty and although Lear asks for it, their words begin the downward spiral of the tragedy....
It tainted his familial bonds and gave him a sense of determination to escape society’s value of him. The notion of bastardy drives this aspect of the plot and is the single most important idea when looking into the phenomenon of cruelty between Edmund and Gloucester in King Lear. Edmund’s story is tragic because there is no resolution for his biggest grievance apart from a larger paradigm shift, marking a change in society’s value of the bastard. It is safe to say that Edmund and Gloucester’s relationship was plagued by powers greater than themselves. Shakespeare elevates their relationship to start a dialogue about family and societal values—creating a deeply layered and tragic
In the beginning of the play, King Lear’s vanity, which is arguably one of his fatal flaws (hamartia, as defined by Aristotle) is the character trait that leads to his faulty perception. King Lear wants so badly to hear professions of love that he is unable to differentiate between honesty and dishonesty. However, it is not always clear whether King Lear has “lost this perception” or is “unwisely ignoring it” (Bradley). Even in the beginning of the play, it becomes evident that King Lear’s ability to perceive is significantly impaired. When he calls upon his daughters to profess their love in order to receive a share of his kingdom, he is pleased by Goneril’s flowery flattery, although it is clearly hyperbolic: “Sir, I love you more than word can wield the matter/Dearer than eyesight, space and liberty” (I.i. 60-62). As A.C. Bradley states, “The rashness of his division of the kingdom troubles us [the readers]” and his “motive is mainly selfish” (Bradley). King Lear’s infatuation with himself leaves him satisfied with the false professions of love an...
The tragedy King Lear by William Shakespeare ought to be seen as a lesson on what not to do as a parent. By picking favorites, King Lear and the Earl of Gloucester leave a lasting impact on their children 's psyche, ultimately leading to them committing horrible crimes. The rash judgments, violent reactions, and blindness of both Lear and Gloucester lead to both their and their children 's demise. As a result, all of the father-child relationships in the play begin to collapse.
The tragic hero of Shakespeare's King Lear is brought down, like all tragic heroes, by one fatal flaw, in this case pride, as well as pride's sister, folly. It is the King's egotistical demand for total love and, what's more, protestations of such from the daughter who loves him most, that set the stage for his downfall, as well as calling to the minds of the Elizabethan audience of Shakespeare's day the above-cited biblical edict. This daughter, Cordelia, can be seen as the humble lamb mentioned earlier, and her love and filial devotion go not only beyond that of her sisters (which is nil) but beyond words, thus enraging the proud king whose subsequent petulant rebukes extend to a bit of ironic Freudian projection: "Let pride, which she calls plainness, marry her" (I.i.125). Here, Shakespeare is emphasizing Lear's pride by having him indulge in the common tendency of despising in others (and in this case wrongly) what one is most guilty of oneself. Lear's rash pride ...
The Web. 4 Dec. 2009.. Nordlund, Marcus "Theorising Early Modern Jealousy: A Biocultural Perspective" Shakespeare's Othello. Studia Neophilologica: A Journal of Germanic and Romance Languages and Literature 74.2 (2002): 146-160. MLA International Bibliography.
In Shakespeare's “King Lear”, the tragic hero is brought down, like all tragic heroes, by one fatal flaw; in this case it is pride, as well as foolishness. It is the King's arrogant demand for absolute love and, what's more, protestations of such from the daughter who truly loves him the most, that sets the stage for his downfall. Cordelia, can be seen as Lear’s one true love, and her love and loyalty go not only beyond that of her sisters but beyond words, thus enraging the proud King Lear whose response is: "Let pride, which she calls plainness, marry her". Here, Lear's pride is emphasized as he indulges in the common trend of despising in others what one is most embarrassed of oneself.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
King Lear, the protagonist of the play, is a truly tragic figure. He is driven by greed and arrogance and is known for his stubbornness and imperious temper, he often acts upon emotions and whims. He values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn’t want to fulfill a king’s obligations of governing for the good of his subjects.
As Shakespeare presents to us a tragic pattern of parental and filial love, in which a prosperous man is devested of power and finally recognises his "folly", empathy is induced in the audience. In "King Lear", it is noted from the beginning of the play that both Lear and Gloucester suffer from self-approbation and will consequently find revelation by enduring "the rack of this tough world". While Lear mistakenly entrusts the shallow professions of love from his "thankless" daughters - Goneril and Regan - instead of the selfless words of Cordelia, Gloucester shadows a similar ignorance by initially entrusting love in the evil Edmund, rather than Edgar, whom we consider to be a "truly" loyal "noble gentlemen".