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Literary Devices In Macbeth
Language and imagery in macbeth 123
Literary Devices In Macbeth
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In Scene 1, Act 7 of William Shakespeare’s play Macbeth, the use of hyperbole and simile reveals Macbeth’s devotion towards killing Duncan to convey the theme that ambition leads to greed. First, Shakespeare uses hyperboles to show Macbeth’s determination towards the assassination of Duncan. Shakespeare uses hyperbole when expressing Macbeth's excitement to murder the king by saying, “Upon this bank and shoal of time, We’d jump the life to come” (6-7). Blinded from his greed to achieve his ambition, Macbeth is declaring that his life’s ultimatum is killing Duncan and obtaining the throne of king. Macbeth considers his life to be invaluable to the position of becoming king and is slowly descending into a greedy tyrant. When Shakespeare writes, …show more content…
“Jump the life to come,” we connote the word “jump” to eagerness and impatience since jumping is an act of instant reaction and excitement. Therefore, Macbeth is foolishly happy to “jump” at his own life if it means that his ambition will be fulfilled. In addition, Shakespeare utilizes similes such as, “Will plead like angels, trumpet-tongued” and, “Pity, like a naked newborn babe” (Mac. 1.7.
18 - 21), when Macbeth tries to justify the assignation of Duncan. Macbeth is stating that Duncan’s death will be impactful to all, therefore, it would not be considered a crime if he feels grief. The effect of comparing his grief to “pleading angels,” and “new born babes” conveys innocence within the characters ambitions. He is comparing the consequences of his ambition with innocent symbols such as a “newborn babe," and “plead[ing] angels” to communicate the blamelessness of his deed. Macbeth is so deeply blinded by his ambitions, he is using inexplicit reasoning to justify his ambition, hence, his views are being influenced by his eager desire for personal advancement. During Shakespearean times, religion was widely accepted as the natural belief of man, and symbols such as “angles” or “new born babes” were regarded as holy and pure creations of God himself. Since “angels,” are “plead[ing},” and “newborn babes,” are “pity[ing],” along with Macbeth grieving for Duncan’s murder, Shakespeare communicates a forced feeling of innocence for Macbeth due to Macbeth’s avid justification for Duncan’s assassination. Therefore, his ambition is blinding him of the emotional impact on Duncan’s family and is replacing it with a reason that justifies his desire and quenches the thirst of his
greed. In conclusion, the use of hyperboles and similes in the play, ultimately convey the theme that ambition leads to greed.
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
This anger exposes how Macbeth will do anything to maintain his power. Macbeth continues to think about how he wont have anyone to pass his crown onto while thinking about Banquo’s sons he states, “ Only for them; and mine eternal jewel/ Given to the common enemy of man,/ To make them kings” (3.2.67-69). Macbeth uses a metaphor to compare his soul to a jewel. Jewels are seen as one of the purest things in the world he says that he gave his away to evil, meaning that he gave his purity away by killing and only for Banquo’s sons. As he begins to regret killing Duncan he also shows anger towards Banquo and his sons as he fears that they can derail his power. The last line of the soliloquy is “Rather than so, come fate into the list,/ and champion me to th’utterance” (3.2.70-71). The quote foreshadows the future the words “champion” and “th’utterance” put together means fighting till death. Through saying this Macbeth is explaining that he will fight for his power until he dies. Macbeth also personifies fate by saying it will come into the list. This could mean that Macbeth wants to alter his fate and change what the witches told him. This quote shows how Macbeth desperately wants power and will fight till death to keep it. The use of foreshadowing and metaphors showing Macbeth's anger helps show Macbeth's dedication to his power, and his resentfulness towards someone he once called a
Macbeth is the story of how an ordinary war hero becomes king and later goes chaotic with power. The story starts off in Scotland when Macbeth and Banquo meet some witches who predict their futures, telling Macbeth that he will be Thane of Cawdor, and the king of Scotland. Ross; one of the king’s lords, delivers the news that Macbeth has become the new Thane of Cawdor. Macbeth now believes that he will become king. To achieve this, Macbeth invites King Duncan over for a dinner.
Arrogance and gullibility are two terrible traits to have. The best example of it in human form is Macbeth, from Shakespeare's play Macbeth. It´s a horrible tragedy about a power hungry, arrogant man who is easily gullible and let what other characters say about him get to him. Inside the play Macbeth is completely to blame for his downfall at the hands of Macduff.
Before the murder of King Duncan, Macbeth was a brave, noble warrior. “For brave Macbeth well he deserves that name… Till he unseamed him from the nave to th’ chop and fixed his head upon our battlements” (Act I, Scene 2, lines 2). He was one of the last people anyone would expect to kill King Duncan. Shakespeare chooses a noble character such as Macbeth, to emphasize how greed and power can alter a person’s good morals. In Act one we start to see Macbeth’s desire for more power rise. “Stars, hide your fires; Let no light see my black and deep desires. The eye wink at the hond yet let that be which the eye fears, when it is done to see” (Act I, Scene 4, lines 52- 55). His desire for power is at war with his good morals. He wants to become king but does not want to kill Duncan.
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
Ambition and desire are double-edged notions present in all who crave success and power. While ambition is most often associated with unfavorable greed and overwhelming need, people who express this desire are simultaneously praised for being goal-oriented and steadfast in achieving their goals. In the play Macbeth, by William Shakespeare, this duality of ambition is explored through the character of Lady Macbeth. In the play, Lady Macbeth’s husband, Macbeth, is prophesied to be king, and in order to expedite his path to the throne and their combined rise to power, Lady Macbeth plots to murder the current King Duncan. Throughout her Act I soliloquy, Lady Macbeth reveals not only her malevolent and scheming nature, but also profound determination
Shakespeare depicts the corruptive power of ambition to the audience as the protagonist, Macbeth is led by his unchecked ambition despite acknowledging it. Macbeth's private ambitions are made clear to the audience through his asides and soliloquies. Macbeth who was initially faithful to Duncan and was aware of his ambition, couldn't control it and thus, made him become a murderous tyrant, obsessed with power and full of fear and insecurities. From the beginning of the play, Macbeth had ambitions. This was shown once the witches told Banquo and him the prophecies. Macbeth is left confused but it sparked his ambition. Banquo ponders aloud, 'the instruments of darkness tell us truths, (to) win us with honest trifles,' to then 'betrays in deepest consequence.' Banquo tries to metaphorically explain to Macbeth that the witches only told them some truth so that they could make Macbeth believe them. Unknowingly, Banquo foreshadows Macbeth's decision to betray Duncan and kill him. After this, Macbeth's corruptive ambition and thirst for power thrives. However, prior to Duncan's death, Macbeth was aware of his ambition but his morals didn't fit them. Thus, his initial decision to not kill King Duncan. He had clearly stated that he 'have no spur to prick the sides of my intent,' but it is 'only vaulting ambition, which overleaps itself and falls on the other.' Macbeth metaphorically
To begin, Macbeth experiences an internal downfall due to his ambition where he battle between his desires and moralistic values. Initially, the idea of attaining power over Scotland by killing King Duncan sparks a sense of fear and paranoia in Macbeth, however, his conscience struggles to take over his ambition: "that we but teach/ Bloody instructions, which being taught, return/ To plague the inventor. [...] I have no spur/ To prick the sides of my intent, but only/ Valuing ambition, which o'erleaps itself/ And falls on th' other-" (1.7.8-28). At this moment, Macbeth contemplates on killing King Duncan as he visualizes the long term consequences of committing the crime. The reader can grasp his moral judgement as he understands that by proceeding with the murder, he is only causing his own demise and punishing himself. With that b...
Macbeth by William Shakespeare is a play about an honest and brave Scottish general named Macbeth who receives a prophecy from a trio of witches that he will be made Thane of Cawdor and one day King of Scotland. As the first prophecy comes true, Macbeth becomes consumed by ambition and greed leading him to murder King Duncan and taking over the throne. Afterwards he is filled with regretted and guilt yet continues on killing as a means to protect himself, losing sight of the honourable man he once was. Throughout the play Shakespeare uses many stylistic features and language techniques such as imagery, paradoxes and soliloquies to engage his readers, both those of his time and today, as well as highlighting important issues.
Literary Devices used in Macbeth Imagine how dull a Shakespearean play would be without the ingenious literary devices and techniques that contribute so much to the fulfillment of its reader or viewer. Macbeth, by William Shakespeare, is a tragedy that combines fact and legend to tell the story of an eleventh century king. Shakespeare uses numerous types of literary techniques to make this tragic play more appealing. Three literary devices that Shakespeare uses to make Macbeth more interesting and effective are irony, symbolism, and imagery. One technique that Shakespeare uses is ironic.
In the play Macbeth, Macbeth's ambition was to become king. But the only that he saw fit to become king was to kill Duncan. Duncan and Macbeth were cousins, and Duncan was a kind person to Macbeth. But Macbeth was blinded by his ambition. Macbeth said, "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself and falls on the other," (Act I Scene VII). By this quote, Macbeth meant that the only reason he sees to kill Duncan was because he wanted to become king. He didn't think about the future consequences or repercussions. At first Macbeth was loyal, but his ambition overcame his morals a kind-heartedness and made him evil.
Macbeth, whom initially was a very reasonable and moral man, could not hold off the lure of ambition. This idea is stated in the following passage: "One of the most significant reasons for the enduring critical interest in Macbeth's character is that he represents humankind's universal propensity to temptation and sin. Macbeth's excessive ambition motivates him to murder Duncan, and once the evil act is accomplished, he sets into motion a series of sinister events that ultimately lead to his downfall." (Scott; 236). Macbeth is told by three witches, in a seemingly random and isolated area, that he will become Thank of Cawdor and eventually king. Only before his ambition overpowers his reasoning does he question their motives. One place this questioning takes place is in the following passage:
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
Ambition is an underlying theme throughout Macbeth, it is the tragic flaw in human kind, bound to lead to disaster. In Act 1 scene 7 this is one of the most interesting scenes of the play. This is the last time as we see Macbeth a freeman, he can still make the decision whether he wants to be good or evil. The choices that are preventing Macbeth are committing the murder, fear of the consequences on this earth, variety of feelings of kinship, loyalty, and hospitality he admires Duncan’s goodness as he is not the most moral character but hes power is what urges him on that are motives of good A soliloquy, which is found in Act 1, scene 7, in the lines 1-28, Macbeth debates whether he should kill Duncan. The imagery that is in this speech can be dark and moody for most people. Some examples we hear of imagery are “bloody instructions,” “deep damnation,” and a “poisoned chalice”—and suggests that Macbeth is aware of how the murder would open the door to a dark and sinful world. When the soliloquy ends, Macbeth goes to resolve to not kill Duncan but this only...