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Aeneid underworld vs odyssey
Similarities in the underworld in Aeneid and Odyssey
Aeneid underworld vs odyssey
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The concept of heaven, hell, and afterlife varies from culture to culture throughout centuries. The Odyssey a poem by homer was created in 8th century B.C, the epic poem is enriched with Greek mythology and Greek culture which uses the underworld as a representation of afterlife. While the Aeneid by Virgil uses the Underworld as representation of heaven and hell, the epic poem uses Roman cultural beliefs to create their own spin on Greek mythology. As Christianity and culture evolved, a separation of heaven and hell became our current representation of the afterlife. While each spiritual afterlife has vast differences, many of the concepts shared between the three underworlds are how each hell is a predecessor for the other.
Greek mythology
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Nonetheless, Virgil constructs a complex underworld where people were judged on their actions rather than suffering consequences one did not deserve. Comparable to the Odyssey the underworld in Aeneid spirits that have died from war, the loss of a loved one, murders, and people that have died in peace are not trapped in one place. Many of the elements described by Virgil are similar to what we believe what after life is to be. For example, purgatory in our current time people believe purgatory is to be a place where souls are unprepared to be placed in heaven or hell. This is portrayed by the souls that are unable to cross the river to the gates of the underworld because; they have yet to receive a proper burial. The fear of an improper burial is alluded in the Odyssey when a member of crew requesting a proper burial after his death. As Aeneid journeys further into the underworld the separation of heaven and hell is apparent in which a particular soul is placed after judgment. Aeneas is reunited with his mother who died from heart break she is placed in the fields of mourning where she and others continue to mourn the loss of loved on which contrast to Odysseus’s mother is wandering the underworld morning the loss of her son. The field of war heroes is where men who fought with bravery are set to live in peace for eternity. The field of gladness and blessed groves is modern Christianity’s equivalence to heaven; souls have passed on have the ability to live in peace and happiness for
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
This theme of death giving meaning to life is prevalent throughout the Odyssey. Hell is death, heaven is now, in life, in the field of time and action.
The Trojan War veterans of The Odyssey succeeded in defeating their enemies on the battlefield. The end of combat did not mean relief from burdens for them. War is cruel, but in it these men see a glory they cannot find outside. Achilleus’ death in war is treated with ceremony and respect. Agamemnon, having survived that same war, dies a pitiful death and Klytaimestra “was so hard that her hands would not/ press shut [his] eyes and mouth though [he] was going to Hades” (XI, 425-426). Dying at home meant being denied even simple acts of dignity. Reflecting back on it Hades, Agamemnon characterizes the veteran’s struggles when he asks, “What pleasure was there for me when I had wound up the fighting?” (XXIV, 95).
... All of these differences between the two authors contributed to the different visions of the underworld in The Odyssey and Dante’s Inferno. There is no doubt that the two different descriptions of the underworld share many traits, nevertheless, the differences outweigh the similarities. Hell primarily focuses on punishing sinners; the House of Death does not. In fact, Odysseus meets many more people who are not being punished, than those who are.
While many people today seem to be scared to die, and make great strides to avoid an early death, this is not a new human concern. In fact, Dr. Peter J. Brand did some extensive research on how people in Ancient Mesopotamia viewed death and the afterlife. He believes death was extremely scary to people of this region. In his article titled: Dying: Death and the Afterlife, Brand states, “Like all human cultures, the people of Ancient Egypt and Mesopotamia were greatly troubled by death.” (Brand pg. 1) Apparently, it death was even more dreadful in the minds of the Mesopotamians. “Mesopotamian views of death were more pessimistic, resulting in less elaborate preparations for death.” (Brand pg.1) On the contrary, it seems that there would have been a lot of preparation involved, since the journey to the underworld alone was a perilous feat. This tells us that there was nothing glorified about death, and nothing exciting about traveling to the underworld. However, it reveals that there was a lot of confusion surrounding death, and confusion how to deal with it. Dr. Brand goes on to talk about how the underworld was a ...
The Underworld is a place where most souls of the dead live. “The Odyssey”and “Enkidu 's Dream” are two stories that describe how the underworld would be like when one encounters it. The Odyssey describes the underworld as a place filled with unhappiness and misery and that punishment will be served in the underworld to the wrongdoers . While, Enkidu 's Dream describes the underworld ad a very dark, unpleasant and scary place to be in, where no one looks forward to pass away due to it. Accepting fate and having fate plays a major role in both stories. Odysseus in The Odyssey accepted his fate, while Enkidu in “Enkidu 's Dream”had fate, but did not accept it. The Odyssey and “Enkidu 's Dream” have a similar concept on what a person can experience in an afterlife taken place in the underworld as a dreadful and awful setting
There are multiple views on death and the afterlife and each view is different depending on the religion or belief that someone practices. Some religions believe in a heaven but not a hell, some believe in both and others do not believe in either. The religions that are practiced today were created by our ancient ancestors who had the ability to think beyond themselves. Practicing a religion and having an idea of death and an afterlife back in ancient times laid a foundation on how religion is seen and practiced today. Mesopotamians, Egyptians and Hindu’s created the concept of death and life after death through what they believed and practiced in ancient times.
Furthermore, the information each hero receives from the spirits of the Underworld helps show the difference in beliefs between the Greeks and Romans. The Greeks believed that everyone ended up in the same place regardless of the life they lived as shown when "brides and unwed youths and old men and girls and great armies of battle dead and men of war" (11.43-46) came floating out of the trench all at once. There is no order involved, whereas in the Aeneid, each of the spirits Aeneas encounters is ...
In the note to Canto V regarding Francesca and Paulo, the Hollanders exclaim that “Sympathy for the damned, in the Inferno, is nearly always and nearly certainly the sign of a wavering moral disposition” (112). Indeed, many of the touching, emotional, or indignation rousing tales told by the souls in Hell can evoke pity, but in the telling of the tales, it is always possible to derive the reasons for the damned souls’ placement in Hell. However, there is a knee-jerk reaction to separate Virgil and, arguably, some of the other souls in limbo from this group of the damned, though, with careful perusal of the text, the thoughtful reader can discern the machinations behind their damnation.
When it is argued that Aeneas was just “handed” everything by the gods, the fact that not all of the gods were in support of him is often overlooked. Although many gods steer Aeneas toward his destiny, Virgil adds complexity to his character by introducing gods who wish not to see Aeneas succeed along with a slew of obstacles. He does this in order to spark the reader’s interest in his hero's successes, which may not necessarily be set in stone. The dangers that Aeneas and his crew face are real, even if it is know that he will survive them. There is in fact a humanistic aspect of Aeneas that is revealed by creating physical and emotional strife, which he must endure by himself. It is these human aspects of Aeneas: his leadership, his emotional strengths, and his heroism that make him a crucial and interesting character in the Aeneid.
To view the links that are instilled between mortals, immortals, and fate in The Iliad, it is worthwhile to examine each on its own to observe how they connect. The characteristics of the three are inherently unique in relation to each other, though in some areas there is overlap. Man is defined as a mortal, someone who can die from old age and disease. Products from mortal and immortal procreation, such as the hero Achilles, fall into a sort of category all their own, but Achilles himself suggests that he would die from old age if he were to return home (9:502-505). In this weakness of the flesh they differ from the immortal gods, who cannot die from natural causes. Nevertheless, the gods share the imperfections of man: disloyalty, deceit, anger, and even lust. They see themselves as above man, and yet their actions are often as selfi...
To the early Greeks, death was dark and mysterious. Early myth about the underworld and life after death is very vague, and it is likely that the Greeks just did not understand death or the underworld. In Homer’s myths the underworld, Erebus, was the child of Chaos along with Night. The early Greeks, according to Hamilton, believed that
... the passionately swooning eulogies with which his audiences were more familiar. Having completed all the levels of Purgatory, Virgil explains, one's will and desires are synonymous with God's (Alighieri 297). Here we see a comparison to earthly couples who are often (possibly more so in times past) described as having one will.
The first book of The Aeneid by Virgil takes place in a world ruled by supreme beings. All aspects of nature and life are controlled by gods and goddesses. For example, Venus is the goddess of sex and love; Aeolus is the god of wind; Neptune is the god of the sea. They hold so much power. However, their power is not always used for the good. For instance Juno, the queen of the gods, was extremely angry about the Trojans coming into Carthage, a city that “Juno loved it, they say, beyond all other lands in the world…” (Virgil, lines 17-18) She always had a deep-rooted hatred for the Trojans. She is recalling the time when she fought with them in a previous war, stating that “The goddess never forgot the old campaign that she had waged at Troy
One way in which death can be viewed comes across the Catholic religion. The Catholic believers look life after death in a prospective of three different worlds, such as Hell, Purgatory, and Paradise according to the deeds committed during life. If a person during his or her lifetime committed any sins, this person’s next world will be the Hell. The traditional view in which people refer to hell can be found in the book written by Dante Alighieri, “La Divina Commedia”. The book states that the formation of Hell was given by the crash of Lucifer (the angel that wanted to be better than God) from the sky onto the earth. Crashing on the Earth in Jerusalem, his head formed an upside down cone inside the Earth. This is where is located the Hell. In the Hell, people pay for their sins with different penitences (12-13). For instance, a person that committed homicide will freeze in a lake frozen by the breath of Satan (XXXIV canto). If a person during his or her life commits any sins but asks for forgiveness, then he or she will go to the Purgatory. The purgatory is represented by an island with a mountain (23). One source states that “Purgatory is very similar to Hell; the main difference is that one will eventually be released from torture. The souls that go in the Purgatory are tortured with fire. These souls remain in purgatory until they become sufficiently purified to enter heaven”(2). For example, if a soul in the purgatory asks for forgiveness and pays the punition with some tests, the soul will be released and moved immediately to Heaven (2).