Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The psychological and physiological effects of guilt
Essay on guilt
The power of literary analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The psychological and physiological effects of guilt
Guilt. It seems in life, guilt is just an unending loop. Once we get into that loop, we’re only trying to get out of it- but we can’t. So, we try to live with it. In the same way, one’s guilty conscience is unending. And so, when it becomes a hint too tormenting, too unbearable to withstand, we succumb to the same act; we ‘try to make amends to ease that guilty conscience’ (Scholarcommons.sc.edu, 2011). After all, in the end, is it not true that the attempt to atone is all that counts? An interesting thought. One thing’s for sure though; Ian McEwan’s Atonement is not a book easily put down without countless nights spent pondering on the subtleties of language – how they envelop and gift you a profound reflection on such complex aspects of the
human experience. In my case, it was on the nature of guilt. And none other than Briony’s character – that stuck-up personality we know all-too-well – was needed to change my original view completely. At first, all I had for her was hate. With Briony’s guilt ‘overpowered by her acute determination to defend her accusation’ and as a result, Robbie being used as a ‘sacrificial lamb’, McEwan challenged what is perceived by the naked eye as a thirteen-year-old’s innocence (Scholarcommons.sc.edu, 2011). Soon learning that she “abandoned herself to a life of strictures” (p.276) – to forget what she realised she had caused – and blatantly admitted that it was mentally, a ‘pathetic source of comfort’ (p.342), it was drawn to my attention that Briony too was simply one who desired to ease her guilty conscience. She felt bad, but she couldn’t atone. How could she, when both Robbie and Cecilia died before she could confront them? It just comes to show that in life, circumstances aren’t always giving – you must work around what is given.
Everybody alive has experienced the feeling of guilt, or at least will at some point. Usually, this feeling is quite healthy for our consciousness, helping us distinguish between what is right and wrong by our own moral principles and values. However, guilt holds quite a power to really disturb the mind. This theme of the relationship between guilt and sanity is common throughout literature, and patterns to how this is expressed through texts are very evident. Four texts which I will discuss this theme through is Macbeth by William Shakespeare, Frankenstein by Mary Shelley, The Tell-Tale Heart by Edgar Allan Poe, and The Animals’ version of Don’t Let Me Be Misunderstood.
Shame and guilt are often used interchangeably as they are often perceived to be the same or eerily similar. Yet shame is more associated with feelings of poor personal character and guilt is associated with what a person’s character does. Studies have shown that shame rather than guilt is a significant risk factor for the onset and maintenance of mental health difficulties and it has been further theorized that guilt is actually an adaptive response in which movement from shame to guilt represents a stage of mental health recovery (Dyer, et al., 2017). Though shame over particular events in the moment are not uncommon due to humanities imperfect nature, the problem resides in lack of shame resolution. May (2007) exemplifies this in that the
“Grudges are for those who insist that they are owed something; forgiveness, however, is for those who are substantial enough to move on.” In Criss Jami’s quote, he explains that people who hold grudges, believe that what happened is unfair versus people who move on do deserve forgiveness. A similar theme is implied in Harper Lee’s novel, To Kill a Mockingbird, which is set in the imaginary county of Maycomb, Alabama during the Great Depression. The main protagonist in this novel is a young girl, by the name of Jean Louise Finch, better known as Scout Finch. Scout has to learn to accept the fact that a man named Bob Ewell desires revenge on Atticus because Atticus supposedly ruins Bob Ewell’s credibility at a trial where a black man, Tom Robinson,
Gandhi once said, “The weak can never forgive. Forgiveness is the attribute of the strong.” Forgiveness is a fundamental concept in To Kill a Mockingbird. When one forgives and shows compassion for another he or she takes the risk that they will be wounded again. Yet, many of Harper Lee’s characters manage compassion for those who are clearly undeserving. These characters attest that while, forgiving is not forgetting, forgiveness can lead to tolerance. Harper Lee’s To Kill a Mockingbird shows that forgiveness can be liberating, rectifying, and nurturing.
When one does wrong, the common reaction is to hide it and pretend as if nothing happened. Because of the human conscience it is difficult to completely forget about a wrongdoing. Through our conscience guilt is built up and eventually that guilt shatters enough barriers and in turn causes the doer to admit his/her wrong.
Guilt is a strong emotion that affects many people around the world. It can either lead people into a deep and dark abyss that can slowly deteriorate people or it can inspire them to achieve redemption. Guilt and redemption are two interrelated subjects that can show the development of the character throughout a novel. The Scarlet Letter, by Nathaniel Hawthorne, and The Kite Runner, by Khaled Hosseini, are two literary works that convey the connections between guilt and redemption and show the development of the character by using theme and symbolism that are present in the novels.
The coming of age novel, Atonement by Ian McEwan, discusses guilt, forgiveness, and the complicated nature of love through the struggles of growing up. The novel begins in England during World War II, where 13-year-old Briony Tallis is part of a family with dysfunctional dynamics. Her older sister, Cecilia, experiences true love with the family’s gardener, who is the son of their housekeeper, but their relationship is riddled with many obstacles. Most troubling is that Briony naively imagines their intimacy as something more aggressive towards her sister. Her innocence and shielded view of the world causes an unfortunate series of events that tears the family apart and alters the course of the rest of Briony’s life. In Atonement, McEwan demonstrates the maturation of love and how prosperous, yet destructive love can be between lovers and family alike.
Irony is something that seems to directly contradict a precedent set before it, and is seen everywhere in the world, often having dismal consequences, but it also serves to point out that there is something wrong with the current state of affairs. Briony Tallis, a character from Ian McEwan’s Atonement, is also a victim of this type of irony, as her undeveloped system of justice results in a great injustice; however, this injustice serves to improve her understanding of justice as she realizes her wrongdoings and attempts to atone for them meanwhile her life is used by McEwan to send parables to his audience that prove to enrich his novel. The exposition of Briony as a smart, but naive little girl influences her poor judgement, and helps relay
Ian McEwan illustrates a profound theme that builds details throughout the novel Atonement, the use of guilt and the quest for atonement are used with in the novel to convey the central dynamic aspect in the novel. McEwan constructs the emotion of guilt that is explored through the main character, Briony Tallis. The transition of child and entering the adult world, focus on the behavior and motivation of the young narrator Briony. Briony writes passages that entail her attempt to wash away her guilt as well find forgiveness for her sins. In which Briony ruined the lives and the happiness of her sister, Cecilia, and her lover Robbie. The reality of the events, attempts to achieve forgiveness for her actions. She is unable to understand the consequences of the actions as a child but grows to develop the understanding of the consequence with age. McEwan exemplifies an emotional novel that alters reality as he amplifies the creative acts of literature. In this essay I will be arguing that, the power of guilt prevents people from moving on from obstacles that hold them in the past.
Alongside a plot that deals with a series of unhappy events, Ian McEwan’s Atonement explores the concept of reality in the fragile equilibrium of human existence. McEwan’s mastery of narration helps to shape his reader’s comprehension that reality is subjective. McEwan’s employment of shifting focalization and presentation of a single event approached from several character perspectives and use of both third and first person narration all contribute to this conclusion.
One particular human emotion can cripple humans mentally and physically. It can cause people to do things they do not want to do. It can lead them to twist the truth and lie not only to themselves, but people around them as well. It is something that they cannot hide. It is more like a disease, however, it is better known as guilt. Along with guilt, comes dishonesty, shamefulness, peculiar behavior, and even suicidal thoughts. Guilt is a recurring theme in both Robertson Davies’ Fifth Business and William Shakespeare’s Hamlet. Every individual will experience guilt sometime in their life, but it is how they cope and handle it that defines who they are. Humans must face the feeling of guilt, accept
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
“But what was guilt these days,” Robbie asks at one point. “It was cheap. Everyone was guilty, and no one.” There is no disguise about the main theme of Atonement, it can be seen in the title. This novel looks at what creates the context for guilt and how one atones for it. Connections between the beginning and the ending of Atonement contribute to the theme by providing
If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals”. Kafka, Franz. A. The Trial. Trans.
Ian McEwan’s novel Atonement depicts a story told from the perspectives of three of the main characters: Briony Tallis, Robbie Turner, and Cecelia Tallis. Briony is the ultimate focus of the novel because her mission is atonement. She almost single handedly convicted Robbie for the rape of her cousin, Lola Quincey. She is seeking atonement for this horrible crime she committed against Robbie. However, Briony is never able to achieve atonement. Regardless of the efforts Briony makes, she cannot truly achieve atonement. Through Briony’s inability to achieve atonement, McEwan illustrates that atonement can only be sought after, never achieved.