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Fascism definition
Benito mussolini what is fascism
Benito mussolini what is fascism
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Fascism is the political philosophy, movement, or regime that exalts nation and often race above the individual and that stands for a centralized autocratic government headed by a dictatorial leader, severe economic and social regimentation, and forcible suppression of opposition. The claim that Metropolis is a fascist movie is an interesting one just looking at the surface of the film one would not see it but digging deeper and looking at the definition of fascism I can understand how Siegfried Kracauer could see connections between Metropolis and Nazi propaganda I believe it is working towards fascism. Some would say it is working against fascism based on a few factors such as the use of technology as a jail for the workers and if they stop doing their job based on anything including exhaustion consequences occur that is deadly. An example of such is the explosion in the beginning that killed many workers then you see how the workers feel in the dream sequence they are just being fed to the machine which is technology and society. Looking deeply into the film we see how the workers rise up but don’t have …show more content…
Without the heart we see where everything was leading to destruction and the two arties where no longer willing to work together they tried but both where to proud to give in until someone talked them through the situation. You see both the worker and the father go to shake hand but pull away because of the lack of trust available but the mediator the son talks them through it and the world is back to the way it
...the narrator and all people a way of finding meaning in their pains and joys. The two brothers again can live in brotherhood and harmony.
The poem demonstrates the discord that exists when people do not treat others humanely. When we discriminate based on culture or wealth, the ending is a tragic one. The author is able to combine diction, which makes violence occur in the readers mind after every stanza, with a view into both worlds in the society to demonstrate the flaws within the form of government. The author not only brings the tragedy to life, she makes it personal. The poem causes the reader to empathize with the workers and realize that they were slain for no reason other than a cultural difference and an inability to leave.
The 1927 film Metropolis co-written and directed by Fritz Lang, director of M and Dr. Mabuse, It was the most expensive silent film ever created costing 5,100,000 Reichmarks which would equal to $21,420,000 in 1927. Its innovative cinematography and the use of technology to create another world unlike anything that had been contributed to the world of film at the time. . In the first part of my essay I will summarize Fritz’s Metropolis and his use of technology to elaborate on man’s fantasy of creating a machine-man, but I will be discussing Friz’s use of a woman shaped machine rather than a man. There is a quite apparent correlation between the use of story creating Adam and eve and Rotwang’s robotic being, it is creation without a mother. It is not only established the basis for science fiction movie’s in the future it established an idea of an image of the future and how technology will help us progress and advance but also can be a hazard and burden on the human race. Machines are either helpful or they are a hazard. As displayed in the film the above ground Metropolis is a beautiful lush city of advancing technology and the drones that are slaves to the very technology that they thrive upon. The lack of female presence other than Maria in the movie is a point I will be establishing upon will relate to the interesting correlation between sexuality, femininity, and technology that is established through the creation of the machine man. Fritz has displayed in his film. Maria, at a time, acts like the mother to all of the men down underground promising them salvation and freedom from the torment of the catacombs and tiny houses that they suffer and work to the bone in day in and day out. Maria is almost like a savior, but th...
To understand why Fascism gained such popularity after WWI, it is essential to find a working definition of what Fascism actually is. According to Benito Mussolini and his document What is Fascism, Fascism is “the conception of the state, its character, its duty, and its aim.” It is concerned primarily and totally with the affairs of state rather than those of the individual. The chief duty of a man in a Fascist nation is to do what he can to elevate the state to higher power or assist the state in whatever means necessary in its goals. As is evident to anyone studying this period in history, Fascism “repudiates the doctrine of Pacifism…” meaning that it is most certainly not afraid to use force or war to accomplish its objectives. A Fascist, especially a male Fascist, aspires to be a hero to his country and an ally to the state or nation of which he is a part. A woman ...
During the 1800's Europe had been the cultural, military, political, and the financial center of the world. Political Liberalism and parliamentary institutions was prosperous. After World War I the world faced economic disasters.
Actually, there is no clearly define about what is fascism, but it could be considered as militant political movement that emphasized loyalty to the state and obedience to the leader. It based on the principles of Authoritarianism – government tried to organize and control with strong discipline as much as possible in people's lives. About political, fascism is kind of extreme nationalism with only one-party state, which means no way for democracy to exist. About economic, government claimed to control all the industrialists by putting all the economic activities under the corporate state. Society under fascism was encouraged by the military, industrialists, and middle class.
In conclusion, this was an awesome story. The above questions were the catalyst to the real truth that would make the brother to that little girl free at last. His son was determined to break the cycle and remedy this generational condition, although the means by which he used were terrible. But, he would get through to his father. He shed light in the dark place by first beating his father into sobriety, so that he could think clearly. He then helped his father to open up to the discussion concerning the secret he had held on to for so long. Then, he also convinced his father to burn the “Shawl” of his deceased sister. And finally, his father realized what the true story was. A story that would in turn loose the tie that bound them all together with generational sorrows.
Fascism is one type of political system based on the notion that some races are superior to others. Something that seems ridiculous in to enlightened modern day thinkers, which unfortunately makes it all the more difficult to try and understand for someone who has not experienced it. However by looking through history and taking into account some of the results of practised fascism, we can maybe begin to understand why so many people took up, and are still taking up fascism. Hopefully then we can understand exactly what we should learn from it, and possibly understand how we can prevent it appearing on the scale it did in the Second World War.
...ter the film has been released the issues that Metropolis are still relevant. While the critics of the 1920s where quick to harshly criticize the film, new generations have found it inspiring and even prophetic, rightfully guessing the course of history. Even H.G Wells founder of modern science fiction and a harsh criticizers of Lang’s Metropolis, responded to the film by creating its own version of it (Testa 182). Whether today or eighty-years ago, Fritz Lang’s Metropolis resonates with the public due to similarities this society has with our own. Fritz Lang does not argue that technology will generate a regressive society, Lang argues that not only an unstable human mind, but also an unstable society, that is not in touch with all the parts of the psyches, the ego, the superego and the id, might be easily lured by the ornamentations technology bring to a society.
Fritz Lang's Metropolis is a very powerful movie with various underlying meanings that allow the viewer to determine for himself. The movie itself is extremely difficult and hard to follow, although the essay "The Vamp and the Machine: Technology and Sexuality in Fritz Lang's Metropolis" written by Andreas Huyssen provided many helpful insights to aid in understanding the movie. Many of Huyssen's idea's are a bit extreme, but none the less the essay is very beneficial. His extreme views include ideas of castration and how it relates with the female robot, and sexulaity and how it relates technology. Although these ideas are extreme he does also provide many interesting ideas.
Fascism is defined as, “an authoritarian and nationalistic right-wing system of government and social organization.” Peter Hyland reports that throughout the 1920s and the 1930s, an economic depression was growing and becoming widespread throughout the world. People were losing faith in their democracies and in capitalism. Leaders who gained power supported powerful militarism, nationalism, and initiated the return of an authoritarian rule. J.R. Oppenheimer says that the rise of fascism and totalitarianism in Europe and Russia instigated a “critical step on the path to war.”
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
Ghirardo points out that the relationship between modern architecture and fascism is not as clear as recent analysis might have it. What do you think was the aspiration for modern 'rational' architecture and why would it be associated with socialist politics? Further, why was there such a close relationship between modern architecture and fascism in Italy in the pre-war years, but not in germany?
I like how Isnard was punishing in the end; the worker won’t go back to work and demand Isnard has to leave the town. Isnard characterized as a devious person that will do anything to fulfill his needs. Isnard tries to pay off Doudou so he can help the strikers to go back to work. Doudou did not agree, and Isnard feels the hatred in his heart, which I think this is the reason that he decided to kill two people, little Ka, and Sene, and Gorgui was wounded. This violent act also shows the cruel oppression as inequality in which that is something people are fighting against. Eventually, Isnard was shot to death, and to me, her death shows the justice and freedom will stand out in the end. Moreover, there is no room for racism, it is despicable