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Role of fate in greek mythology
Antigone's character development
Short summary of antigone
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There is a particular echo that stands out in this passage. It can be found later on in the passage when Creon says, “ You can’t of looked at yourself in the glass, you little sparrow!”. This echo is one of the larger themes in the play. It is often in this play that Antigone gets referred to as a bird or as childlike. This line by Creon is similar to one earlier in the play from the Nurse. The Nurse has two lines earlier in the play that are of the theme that Antigone is bird-like. One of these lines, “Here's a nice cup of coffee and some toast, my pigeon” is followed up just a few lines later by, “What's the matter my little dove?”(Both Anouilh 15). These lines by the Nurse, and by Creon may seem different at first glance, but are actually …show more content…
What is really happening in both these lines though is that Antigone is being compared to a bird. There are few ways that Antigone being like a bird can be inferred. One is that she is almost like a mother bird willing to sacrifice herself for her brother polyneices, but later on it is found she does not even use this reason as a reason for her death. Antigone bing bird-like I think means in this scenario that she is lie a young bird that needs help, and needs to be taken care of. In both of these situations in the play it seems both lines are delivered from a parent like attitude. They both seem to be in good intent towards Antigone. The theme of the way people with power perceive people without it is also very prevalent here.the Nurse, and Creon both perceive Antigone as someone they can talk to, and tell them what to do. That is the downfall of people with power is they do not realize that if someone really wants they do not have to …show more content…
This is also another very strong echo. Here with Creon's speech he speaks of , “destiny and death” this is echoed from one of the very first moments of the play with the chorus. At the beginning of the play the chorus tells the audience of three different destiny's all involving death. First the audience finds about that Antigone is destined to die, early it is found out that , “She’s going to die”(Anouilh 1). The next destiny found out is Haemon’s it is found out that being engaged to Antigone gave “him the right to die”(Anouilh 4). Then finally after this it is found out that Eurydice , Haemon’s mother will wait , “until it’s her turn to stand up and die”(Anouilh 5). All three of these examples offer the echo, “destiny and death” this echo is one of the biggest things that the audience knows. Right from the beginning it is known that Antigone is destined to die, and that nothing can change it. This passage where Creon speaks about “destiny and death” just reiterates what the audience already knows. The audience knows no matter how hard Creon tries Antigone will die. This echo conveys the theme of how people with power view people who do no have power. In this instance Creon is trying to convince Antigone to live using his power, but he even says himself that Antigone, and her family have a destiny with death. Creon with his power views Antigone as someone whose mind he can change, but Antigone is
The plot revolves around a story of Antigone’s struggle to give Polynices, her brother, his final rights by giving him a proper burial, despite the fact that Creon has forbid for anyone to do so as Polynices was a traitor to Thebes and its people. One major struggle throughout the play is the apparent conflict between Antigone and Creon. Creon and Antigone have temperaments that clash with each other. Antigone values passion while Creon values the state. Although they have very different values, Antigone and Creon have very similar personalities. They are both stubborn, independent people who are so similar that they can never see eye to eye on issues. Both Antigone and Creon are filled with pride and passion in their beliefs. These traits can be considered both very advantageous and moral as well as being a negative trait that represents the stubbornness in human beings. Antigone and Creon are incredibly proud, making it impossible for either one to concede defeat once they have taken a stand for what they believe in. As stated by Tiresias “stubbornness brand...
In the poem Creon doesn't understand how to use his power for good and uses it to empower himself and help him. In the poem when Creon and his son Haemon are arguing about what is right in regards to Antigone and what she has done with her brothers corpse.(line 776-819 pg.353-354). Creon doesn't understand that by doing this thing to Antigone it is destroying his relationship with his whole family. He would rather lose his family than be wrong about what he is doing. Also Antigone denying the law to do something for her brother that was against the law. (Lines 51-60 pg.318). When Creons people found Antigone they didn't even give her a chance to explain herself and even though she is part of Creons family, his sons soon to be wife. There was no lightening of the law
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
In the play, Sophocles examines the nature of Antigone and Creon who have two different views about life, and use those views against one another. Antigone who is depicted as the hero represents the value of family. According to Richard Braun, translator of Sophocles Antigone, Antigone’s public heroism is domestically motivated: “never does [Antigone] give a political explanation of her deed; on the contrary, from the start [Antigone] assumes it is her hereditary duty to bury Polynices, and it is from inherited courage that [Antigone] expects to gain the strength required for the task” (8). Essentially, it is Antigone’s strong perception of family values that drive the instinct to disobey Creon’s orders and to willingly challenge the King’s authority to dictate her role in society.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
Antigone’s two purposes for giving this speech are centered on her two main audiences, Creon and the citizens of Thebes. In reference to Creon, Antigone’s purpose is to convey that even after being caught, she does not fear his power, or her punishment. She desires to show him that she stands by the justness of her actions and the injustice of her conviction. To display this, she refers to her ...
Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow.
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldn’t want this type of tragedy to ever occur in his life.
Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death” (Sophocles, p. 3). The head of the state, Creon, uses death as a form of justice for the man or woman who is to disobey his law. Creon also emphasizes this by threatening a guard when he is notified that his edict has been violated. Creon states, “Go, quibble with thy reason. If thou fail’st to find these malefactors, thou shalt own the wages of ill-gotten gains is death” (Sophocles, p. 8). Death is once again used as a threat and form of justice for people sinning against the state laws. However, death is not only used as a form of state justice, it is also portrayed as a factor in personal justification and completion. The notion that people are not whole or justified until they die is emphasized by Antigone when she states, “A sinless sinner, banned awhile on earth, but by the dead commended; and with them I shall abide for ever” (Sophocles, p. 4). Antigone says that through death, human life is justified and made complete, and that death is essentially the final form of justice for any human l...
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.