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123 essays on character analysis
Into the wild character analysis
Into the wild character analysis
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Cruelty and chaos against man is a universal theme in works of literature everywhere. The epic, Beowulf, is perhaps best known for being the oldest poem in the English language. The still unknown author of this work tells a story of a pure and benevolent hero who faces, and overcomes, the savage outside forces to protect not only his people, but the people of another nation. The main outer obstacles are the demon Grendel, the final dragon, and the conquering nations. Each outside abuser is cruel in their own ways, but no less ruthless. The outside threats faced by Beowulf and his society are barbaric.
The monster Grendel is the first danger Beowulf faces; although, it is by choice. Grendel is no threat to the protagonist or his society, until Beowulf chooses to assist King Hrothgar and his
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people. Beowulf comes from his homeland to Heorot, because he believes he can stop Grendel’s 12 years of murderous rampage. Grendel is a fearsome brute of a beast, and a demonic, hellish descendent from the first murderer Cain himself. The readers are introduced to Grendel's true nature and destruction to the once peaceful village that was, "…Pleasant for the people there/ until finally one, a fiend out of hell/ began to work his evil on the world./ Grendel [is] the name of the grim demon…. [of] Cain's claim, whom the Creator had outlawed/ and condemned as outcasts….” (lines 99-102, 106-107). It could be rebuttled that despite his actions, Grendel is not barbaric because like a lion, he is an amoral creature just following his instincts. However, this argument does not hold up to scrutiny. Amoral animals kill for survival, making their prey’s death quick so that they can take what they need, with no ulterior motives. Grendel, on the other hand, “greedy and grim, he [grabs] thirty men/ from their resting places and [rushes] to his lair/ flushed up and inflamed from the raid/ blundering back with the butchered corpses” (lines 122-125). Not only does Grendel consciously taunt and tease his prey to cause fear, but he brings back the corpses of the warriors to show their king what he is capable of. He does not eat the humans for survival, he kills them specifically to cause pain and chaos. Grendel’s levels of sadism are what makes him such a formidable threat. The last threat the Beowulf himself actually faces, is the dragon. This dragon, similar to Grendel, is needlessly violent, but finds a pleasure in it. This dragon is “....driven to hunt out/ hoards under ground, to guard heathen gold/ through age-long vigils….for three centuries, this scourge of the people/ had stood guard on that stoutly protected/ underground treasury” (lines 2275-2280). The dragon greedily guards a vast collection of gold, that obviously being a dragon he has no use for. When a single cup is taken, which amongst the great collection such a small item is not important, he still “...began to belch out flames/ and burn bright homesteads; there was a hot glow/ that scared everyone, for the vile sky-winger/ would leave nothing alive in his wake….far and near, the Geat nation/ bore the brunt of his brutal assaults/ and virulent hate” (lines 2312-2315, 2317-2319). He hatefully burns a village full of innocent people just for one small item in his vast collection. His purposeless greed has made him a ruthless murderer and a savage outside threat to Beowulf and his society. Of the threats that Beowulf faces to protect his people, the other nations seeking to conquer are perhaps the most barbaric.
Humans, being the most sentient species, should have a better grasp of morals and right and wrong. However, they tend to ignore these morals in favor of selfishness and personal gain, making it seemingly impossible for them to ever coexist in peace. This lack of peace is not surprising when they believe that “It is always better/ to avenge dear ones than to indulge in mourning/ for every one of us, living in this world/ ,means waiting for our end. Let whoever can/ win glory before death. When a warrior is gone/ that will be his best and only bulwark” (lines 1384-1389). They glorify violence and those who seek it, becoming numb to their own humanity. When it comes to their lust for power, wealth, and land, no conscious stops them; such as the Swedes that “....will cross [the Geat’s] borders/ and attack in force when they find out/ that Beowulf is dead” (lines 3001-3003). In this unforgiving and inhumane times, enemies have no sympathy or respect for the dead. The conquering nations are perhaps the cruelest outside threat Beowulf must
face. The outside threats faced by Beowulf and his society are barbaric. Of the three main outer obstacles, Grendel, the final dragon, and the conquering nations, each are inhumane in their own ways but no less ruthless. Beowulf is a kind soul in this chaotic world of threats. Cruelty against man is a universal theme in works of literature everywhere.
Beowulf wants to fight Grendel, a monster wreaking havoc, and is boasting that he is more powerful and courageous.
Beowulf is an epic poem that was written in the late tenth-century, at the kingdom of the West Saxons. The two main characters are Beowulf, a young man; and Grendel, a furious dragon. Beowulf's world is a very violent society with wars as a dominant part of daily life. Dragons and monsters are a constant threat to the Danes and the Geats. Warriors are a necessity to this war-like society. Beowulf is a hero as well as a great, and honorable, warrior.
Have you ever wanted to avenge a wrong doing done unto you? Well, the characters in Beowulf will stop at nothing to achieve vengeance. Revenge is so immensely practiced that it is a common act to pay of a deed done by an offender. However, a payment or truce does not satisfy the desire for revenge in the Poem. Every time a Character precedes to make peace, it eventually falls apart by a desire to avenge loved ones. This desire is usually upheld until someone is no longer left to be avenged or no one is left to avenge those whom they loved. This, although it may not seem so, happens commonly in this epic.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
In times before printed books were common, stories and poems were passed from generation to generation by word of mouth. From such oral traditions come great epics such as England’s heroic epic, Beowulf. In Beowulf, the monster Grendel serves as the evil character acting against the poem’s hero, as shown by his unnatural strength, beast-like qualities, and alienation from society.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
The epic poem, Beowulf, coming from the years of 600 to 700 AD has been translated in many different styles. In these excerpts by Burton Raffel and Lucien Dean Pearson, provides a clear understanding of this epic poem. Reading the two different translations, Raffel tends to provide the reader with a better understanding of the evil nature of Grendel and the heroic characteristics of Beowulf.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
In Beowulf a New Telling the author, Robert Nye expresses the theme revenge. Revenge relates to life because people are always getting revenge for the small and big things. Revenge is a prompting element for several characters throughout the novel. The first revenge example is when Grendel first attacks Hall Heorot as revenge to humanity. Mankind has killed his people, and they symbolize everything Grendel despised, including light, good, accomplishment, and joy. (Page 7-8). The second example was when She, Grendel's mother, attacks Heorot because someone there took her son's life, evilness, and pride. She and Unferth both attack the Hall because they murdered Grendel. She was motivated by revenge and mothers rage, and Unferth was motivated
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Beowulf, written between the 8th and 10th centuries, is an epic poem set in southern Sweden. The poem illustrates the Anglo-Saxon’s strong belief in the heroic code. The loyalty between the warrior and his king bound the culture together. The warrior was the ultimate hero who represented strength and courage. Beowulf, the hero in the poem, illustrates the Germanic principles of the heroic code. Through the battles and character interactions, Beowulf converges loyalty, strength, courage and forgiveness into the hero archetype.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
Anglo-Saxon, it is the culture that the protagonist in the epic Beowulf lives in. (The protagonist in the novel is Beowulf.) Anglo-Saxon culture was very aggressive. The BBC took a look at their culture and they said, “The new conception of royal justice was aggressive. The Anglo-Saxons had a brutal corporal and capital punishments at their disposal, including ‘the ordeal’ and grisly mutilations.” (Wood 1-6). In order for their culture to attempt to stop having so much blood shed they had wergild. According to thefreedicitonary.com, wergild is defined as, “a price set upon a person’s life on the basis of rank and paid as compensation by the family of a slayer to the kindred of lord of a slain person to free the culprit of further punishment or obligation to prevent blood feud.” (Dictionary 3-4). It is portrayed that the concept of vengeance is important. According to dictionary.com, the word vengeance means, “the desire for revenge.” The epic portrays vengeance as it is enacted and it appears to be making a connection with what it means to be human in the Anglo-Saxon culture. Throughout the epic Beowulf, vengeance is shown in multiple parts, however, it is strongly portrayed when; Grendel’s Mother avenges Grendel as well as the part in the epic when Beowulf attacks Grendel’s Mother to avenge the companion.
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).