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Comedy in hamlet
Nature of shakespeare comedies
Comedy in william shakespeare's twelfth night
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Recommended: Comedy in hamlet
At the beginning of the development in drama and theatre in the Elizabethan era the first temporary stages were set at the end of the inn-yards. Those inn-yard theatres evolved into first outdoor theatres and what both of these have in common is that the plays performed on stages attracted many people from all social classes. Shakespeare as a playwright uses many different types of humor in his comedies in order to amuse all of the audience. Many examples of humouristic situations can be seen in ‘’A Midsummer Night’s Dream’’. One of the most popular ways to create comedy is by irony. Irony occurs when words, actions, or plot development contradict with what is intended or expected to happen and can be split into two main types: dramatic irony
For example, when Bottom says ‘‘I see their knavery. This is to make an ass of me, to fright me, if they could’’ (III.i.122-123), which is funny for the reason that Bottom accuses his friends of trying to "make an ass" of him, while the audience knows something that Bottom doesn't(which can also be another example of dramatic irony as well) — he literally has been made into an ass and his name, Bottom, has suddenly become very fitting. Helena’s fury after Hermia calls her a ‘’puppet’’ can be found funny as well. The woman says ‘’ Because I am so dwarfish and so low?/ How low am I, thou painted maypole? Speak!/ How low am I? I am not yet so low/ But that my nails can reach unto thine eyes’’(III.ii.310-314). There is something funny in this quote about Helena being so fierce after mentioning her short height. The very last lines said by Robin, ‘’ If we shadows have offended/ Think but this and all is mended/ That you have but slumbered here/ While these visions did appear/ And this weak and idle theme/ No more yielding but a dream’’(V.i.440-445), try to convince the spectator that if they didn’t like the play then it may have never happened, it could have been just a dream which is a clever and playful was to finish the
Irony is the expression of ones meaning by using language that usually signifies the opposite. There are three different types of irony; verbal, dramatic, and situational. Edgar Allen Poe uses verbal and dramatic irony in The Cask of Amontillado to depict a deeper meaning of Montresor’s hate towards Fortunato.
Dramatic Irony is when the irony that is in speeches or text is expressed through a workable structure. The audience knows what’s happening, but the character themselves do not know what’s happening or what’s going to happen. The character is unaware that this is happening, but the readers know how this story will lay out. In the story “The Bicycle” by Jillian Horton, Hannah is a young girl who loves to play piano. Hannah’s aunt, Tante Rose knows how to play so she says that she will teach Hannah how to play but she must obey her aunts rules. One of her aunts rules is that Hannah cannot ride a bike. Hannah has never ridden a bike and all of her friends have, and Hannah wants to ride a bike. The author uses dramatic irony because the readers know that Hannah will ride a bike at some point in her life. The author makes the dramatic irony important because if the author didn’t tell us that Hannah has never ridden a bike, we wouldn’t know why she would want to ride one so badly. This is dramatic irony instead or irony because irony is when the readers expect something to happen and it turns out the opposite way. In this story the reader knows that Hannah will ride the bike and Hannah ends up riding the bike at the end of the story. If Hannah didn’t ride the bike the story would not have ended like it did and then the author would have used ironically. In the short story “The Possibility Of Evil” by Shirley Jackson,
Irony is the contrast between expectation and reality. There are three different types; verbal, situational, and dramatic. Verbal irony is when one person says something, but means the opposite. Situational irony is when an event happens that is the opposite of what was expected to happen. Dramatic irony is when the reader knows something that one or more characters do not.
There are so many examples of situational irony that is clear throughout these stories Mr. Mallard being dead, Mama finally realizes that Maggie deserves the quilts because she understands her heritage better than Dee, Mathilde finding out she worked her whole life for nothing, and when Mr. Graves tells Tessie that Eva draws with her husband's family, Tessie is angry. Dramatic irony is everywhere as well. Louise dies from the shock of seeing her husband who is supposed to be dead and when Dee never wanted anything to do with her heritage until somebody was impressed by it.
Irony is the discrepancy between what is said and what is done. For example, Harry talks about how his old girlfriend broke up with him. Harry says, “She gave me a bunch of crap about me not listening to her enough, or something. I don’t know, I wasn’t really paying attention” ( Dumb and Dumber).
The second being through the actions. of characters and by their behaviour and the third by the incidents of the play. I will be there. Shakespeare uses characters like Mercutio and the Nurse to bring out the comical element of the play, and each character does this in a different way of doing things. & nbsp; One of Shakespeare's tools used to evoke humour is the mockery that is aimed at a particular character. Some of the funniest moments are when one character is sarcastic to another.
William Shakespeare’s Romeo and Juliet is a tragic story about two lovers who are from two disputing families, and their eventual suicides. Shakespeare uses dramatic irony throughout the play to create tension for the audience and foreshadow the ending. Dramatic irony is when the words or actions of characters in a story have a different meaning to the reader than to the characters. This is because the reader knows something that the characters do not. Romeo and Juliet’s death could have been prevented if the characters in the story weren’t so ignorant of their situations, and often times the reader recognizes this.
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
In Shakespeare’s masterpiece, A Midsummer Night’s Dream, he shows the audience his understanding of duality and how he blurs the two together. One example of duality that is very prominent in this play involves the relationships between the fairies and the mortals. Throughout the play, the audience can see the intervention of the fairies in the mortals’ lives, from Puck’s trickery on Bottom to the fairies meddling ways on the Athenians’ love lives, it is illustrated that the fairies in the play maintain a sense of omnipotence while the mortals lack control over their own lives.
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
One example of dramatic irony is when Oedipus is looking for the killer of the king Laius-his father. The irony here is that he is looking for himself because he is the murder of his father. Oedipus knows that he killed someone, but what he does not know is that it was Laius, the one he murder. Oedipus wants to punish the person who killed Laius, but we, the audience know that Oedipus was the one who killed Laius. Also Oedipus married Jocasta without knowing that she is his mother. We, the audience knew that he was Jocasta's son, but he was unaware of that.
Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
Humor in William Shakespeare's Twelfth Night In Twelfth Night we see different types of humour. There is the witty
An example of this is, Beth says to Sally (who is covered in mud), "Oh Sally, you look so nice today!" The comment from Beth is made out of spite, simply rude and unkind. Sally understands that Beth's real meaning is not what was said. The second form of irony is situational, this form is often confused with cosmic, the difference between the two is minimal. Situational irony is a contradiction between what is expected to happen and what happens.
Shakespeare's comedies can be recognized in terms of plot, structure and characters. We can see that Shakespearean comedies follow the same structural pattern, a basic plot on which the play is based. For example, a key feature of all comedies is that they depend upon the resolution of their plots. However, Shakespeare's comedies are distinguishable, as some are classed as comic dramas and others as romantic comedies. In comic drama, there is usually a motif of a place where reality and the unreal merge, the roles of characters are reversed and identities are mistaken or lost. This place may take on the form of a feast or celebration, or it may be presented as a place segregated from the normal society, such as the wood in A Midsummer Night's Dream. When scenes are set in this place, the ordinary rules of life and society do not apply. There is always an experience of chaos, which must be resolved in order for the play to become a true comedy.