Overall-
Analyzation:
In A Midsummer Night’s Dream, there are dozens of allusions to a variety of different topics. Examples found in Act One include Cupid, Theseus, and Phoebe. All three allude to Greek mythology and were used to provide deeper understandings for the audience. “Allusion[s], in literature, an implied or indirect reference to a person, event, or thing or to a part of another text. Most allusions are based on the assumption that there is a body of knowledge that is shared by the author and the reader and that therefore the reader will understand the author’s referent,” (Sinha).
Cupid is mentioned numerously throughout the course of the play because he is a symbol of love. After Hermia and Lysander leave Helena distraught, she speaks her thoughts in a soliloquy. She states, “Love looks not with the eyes but with the mind;/ And therefore is winged Cupid painted
…show more content…
blind,” (I.i 240-241). Helena is implying that not only the god of love but love itself is blind and has no good judgment. Cupid, “was often represented as blindfolded, because love is often blind,” (Hamilton 37). The audience, no matter what level of education, was most likely familiar with Cupid, and could reference it while listening to the play. The audience would also be familiar with the background of the duke of Athens, Theseus. The novel commences with Theseus and Hippolyta planning their wedding. He says in the beginning of act one, “Hippolyta, I woo'd thee with my sword,/And won thy love, doing thee injuries;” (I.i 17-18). Theseus is known as the legendary Greek hero of Athens who defeated the minotaur and married Hippolyta, the queen of the Amazons, (Hamilton 160). Phoebe was also alluded in the play and used when Lysander is explaining to Helena that he and Hermia are fleeing at night. “Helen, to you our minds we will unfold,/ Tomorrow night when Phoebe doth behold/ her silver visage in the wat’ry glass…” (I.i 213-215). Phoebe is the Greek lunar deity who is also known as, Diane or Selene. Shakespeare uses these allusions to Greek mythology to provide a further and more in depth understanding of his comedy. Quote: 134-137; “Ay me! For aught that I could never read, Could never hear by tale or history, The course of true love never did run smooth. But either it was different in blood–” In this quote, Lysander and Hermia are depicted as complaining about the unjustness of their situation. Hermia’s father, Egeus, brought her and Lysander in front of the duke of Athens, to try and persuade Hermia to marry Demetrius, rather than Lysander. The duke, Theseus, tells Hermia that she can, marry Demetrius, become a nun and never become married, or be executed as the Athenian law states. The duke gives her four days to ponder her decision, so that she will not make a rash commitment. Lysander and Hermia are left alone, and Lysander says this iconic quote. When he says this, it gives an insight to future events, which will not “run smooth”. Lysander could also be comparing love to a river rapid that does not run smooth, but instead, dismayful. Question and Answer: How were women suppose to act during the times depicted in the play? Women in the Renaissance age were expected to obey their fathers and husbands, in any case. This is verified when Hermia attempted to defy her father, but was instead threatened with execution. Hermia unorthodoxly stands up for herself in this quote, “I do entreat your Grace to pardon me./ I know not by what power I am made bold,/ Nor how it may concern my modesty/ In such a presence here to plead my thoughts…” (I.i. 60-64). Women in these times had no voice, but Shakespeare provided women with wishes and views in this play. Connection: “That you were Romeo, you were throwing pebbles, And my daddy said, ‘Stay away from Juliet’ And I was crying on the staircase Begging you, "Please don't go" And I said...
Romeo, take me somewhere we can be alone.
I'll be waiting; all that's left to do is run.
You'll be the prince and I'll be the princess,
It's a love story, baby, just say, ‘Yes’.
-Love Story by Taylor Swift
This song is about a Romeo and Juliet type of romance, and can connect to Hermia and Lysander’s situation in the play. The two lovers in the song cannot be together because of the female’s father, and they try to escape to be together. Hermia and Lysander are also kept apart from Hermia’s father and plan to run away together. This is seen in act one, “...may I marry thee;/ And to that place the sharp Athenian law/ Cannot pursue us. If thou lovest me, then/ Steal forth thy father’s house tomorrow night,/ And in the wood a league without the town/ ...There will I stay for thee,” (I.i 163-170). Lysander proposes the couple escape to his aunt’s residence outside of Athens, so her father cannot punish
them.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
When combined, Shakespeare was able to deliver his message while making a point out of it, looking from his perspective. “Love looks not with the eyes, but with the mind, and therefore is winged Cupid painted blind.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander.
...ical dialogue of the characters, it was also present in the larger-than life, comically ridiculous and unrealistic situations the characters found themselves in. Even the play's name brings it up directly, and provides a real-life analogy, as dreams themselves are often lifelike and vivid, yet still patently inane. Shakespeare's goal was to turn reader expectations of what should happen in these sorts of scenarios on their head to provide a unique play; while he achieved that goal admirably, the play itself is still of a great enough quality in part due to his masterful craftsmanship with hyperbole and exaggeration that A Midsummer Night's Dream continues to be read happily by modern audiences.
This is evident in the quote where Lysander says, “Athenian law cannot pursue us.” This would not of been a trial for them, but fate had something else in store. “Content with Hermia? No, I do repent The tedious minutes I with her have spent. Not Hermia, but Helena I love” (II.i ll. 118-12). Puck, a fairy, put cupid’s love juice into Lysander’s eyes. This is evident in the quote, “Night and silence! Who is here? Weeds of Athens he doth wear. This is he my master said, despised the Athenian maid, and here the maiden, sleeping on the ground. Pretty soul, she durst not lie near this lack-love, this kill-courtesy. Churl, upon thy eyes I throw all the power of this charm doth owe” (II.i ll. 76-85). As it states in the quote, it made him fall in love with the first person he saw, which happened to be Helena. This is proven when Lysander said, “but Helena I love”. Lysander told Hermia he was in love with Helena, not her, so the elopement was off. This is evident when he says, “I repent the minutes I spent with her.” This is difficult for Hermia because she is confused, and does not know what is going on, or why Lysander was acting this way. This is evident when she takes her
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
“Love is blind,” says the old cliche. At the very least, that cliche is 400 years old, since it appears in William Shakespeare’s play, A Midsummer Night’s Dream when Helena says, “Love looks not with the eyes, but with the mind. And therefore is winged Cupid painted blind” (Shakespeare 1.1.234-235). These lines are also an allusion, which conveniently restate that old cliche of “love is blind.” It is just one of many allusions to Greek mythology in A Midsummer Night’s Dream. One could spend days explaining all the allusions in the play, but three of the most well-known are below. Many of the allusions in the play help the audience learn more about the characters or the plot by making
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
Presented with many obstacles and complications to overcome, we know that Hermia is the protagonist in the play. She has relations with almost all the characters in the play. The first and most important relationship is her love, Lysander. From the very beginning we see that Hermia loves Lysander with all her heart and soul and he loved her the same. The only tragic flaw in their relationship was when Puck put the magic juice in Lysander's eyes and he fell in love with Helena. Hermia felt sad and rejected when that happened. But when Puck finally realized that he had made a mistake and corrected it, Hermia and Lysander were in their heavenly bliss of love once again.
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
The title of the play A Midsummer Night's Dream can have many interpretations. I will give you my thoughts on the relationship of the title to the different situations that take place in the play. These interpretations give insight and overall meaning to the thematic nature of Shakespeare's work. Although I am only going to describe three interpretations of the title, there are many other meanings to the title. The first interpretation of the title of the play that came to my mind was the magical dream-like night in the woods, when Robin Goodfellow and Oberon, the king of the fairies, used several kinds of love potions, and messed everything up.