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Chile's lack of democracy in 1970
Importance of investigative journalism
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PROBLEM(S)
(I have not yet decided the problem/s)
RESEARCH QUESTION(S) (RQs)
(I have not yet decided the RQs)
TEMPTATIVE HYPOTHESIS
Some statements (that could turn into hypothesis):
1. The investigative journalism developed in post-dictatorship contexts doesn’t fit with the liberal model of investigative journalism conceptualized in more stable democracies, with a strong tradition in practicing and conceptualizing what does mean investigative journalism, as US context. The Chilean case is an example of that: according anecdotal, its investigative role has been an exception more than the rule.
2. The model of transition to democracy and the model of democracy itself both shaped the Chilean investigative journalism after the dictatorship. This is not a univocal process: there are movements, peaks, subtlety, and the likes. In other words, there are continuities and ruptures –Stuart Hall- and critical junctures –Gramsci, McChesney).
3.
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The neoliberalism in Chile (privatization, deregulation, etc…) has defined the Chilean media system and, therefore, the kind of journalism deployed during the period of inquiry. In other words, neoliberalism is the main force that has shaped the Chilean journalism. There are some clues that can be helpful to track this statement/hypothesis and that could become a way to address methodologically the goals of the research:
a. Budgets of investigative journalism TV shows and how they have systematically shrunken during the period analyzed.
b. The place that the investigative journalism TV shows have occupied in the programming and how volatile/stable is his position on it (part of the evening news, own show, prime-time or not, and the likes).
c. Team: number of members, experience, training, and so
on. d. Relevance of PR in the way that the investigative journalism has been shaped in the Chilean television, in the period under inquiry. SOME EPISTEMOLOGICAL/METHODOLOGICAL IDEAS Even I’ve not yet explicitly developed the problem(s) that the research will address and the research question(s) (RQs) that should guide the inquiring; I have some general ideas about what I would like to do. Epistemologically, I would like to explore the idea to build the stance in which I am standing (as a journalist, as a journalism educator, as a researcher in investigative journalism, as a woman, as a Latin American person, and the likes). This is relevant for methodology because I should deal with the peer relation (I will interview colleagues who also are aware of the practice of interviewing, and so on). Chile as a case of study Investigative journalism stories Post-dictatorship period: I choose this idea instead of transition to democracy because there is no agreement among authors in a single date in which the process finished. Actually, there is more than one moment in which literature settled the beginning of the transition to democracy. Period 1990-20XX: Unlike the flexible periodization of the transition process, there is a more fixed moment in which we can affirm that the dictatorship formally ended, that was in March 11, 1990. However, I haven’t yet decided which will be my final year to include in the research. Some options: Considers the most close year to the starting of the research or to consider the last year of the presidency of the Concertación de Partidos por la Democracia (March 11, 2010), the political conglomerate that beat the dictatorship. In 2010, a right-wing candidate was democratically elected president for the first time since 1958. However, I feel that there will be a significant period of the period that will be missed if I don’t consider the last five years. Television: Focus on television is problematic because it is a medium which delivers wide types of content, not only journalistic and/or non-fiction content. So, should I pay attention in the specific characteristics of the television and if so, how this approach should/could looks like? Broadcasting television (not cable television) Investigative journalism TV shows: They were building an identity as specific television products of investigative journalism or good quality journalism or in-depth reporting. That will be a kind of self-definition or self-identity of what they consider was doing.
All throughout the 20th century we can observe the marked presence of totalitarian regimes and governments in Latin America. Countries like Cuba, Chile, Brazil, Argentina, Nicaragua and the Dominican Republic all suffered under the merciless rule of dictators and military leaders. Yet the latter country, the Dominican Republic, experienced a unique variation of these popular dictatorships, one that in the eyes of the world of those times was great, but in the eyes of the Dominicans, was nothing short of deadly.
In April of 2017, Jorge Ramos gave a TED talk titled, “Why Journalists Have an Obligation to Challenge Power.” Ramos is an immigrant and journalist who introduces the idea that the responsibility and purpose of journalism is to oppose those
I say this because there were points in which I personally could not really understand what was going on due to my lack of exposure to this problem that American journalism is facing. More specifically, terminology that was used, especially from business standpoints, and the different companies that were involved made it harder to keep up with the issue at hand. However, with a little editing and better explanation of terminology, I think that this film could extend to a wide audience that would include both digital natives and digital immigrants that are experiencing this transition within American news reporting. This paper will examine the difference between old and new journalism and its new standards, “The New York Times Effect” and its 21st century challenges, important qualifications to be a successful journalist, and the future role of journalism within American society.
In “Wires and Lights in a Box,” the author, Edward R. Murrow, is delivering a speech on October 15, 1958, to attendees of the Radio-Television News Directors Association. In his speech, Murrow addresses how it is his desire and duty to tell his audience what is happening to radio and television. Murrow talks about how television insulates people from the realities in the world, how the television industry is focused on profits rather than delivering the news to the public, and how television and radio can teach, illuminate, and inspire.
Oliver does extensive research on topics to make sure he has a great show. In his article, “John Oliver is Really Doing Some Good Investigative Journalism” written
Rohter, Larry. "After 30 Years Argentina's Dictatorship Stands Trial." SIRS Issues Researcher. N.p., 20 Aug. 2006. Web. Feb.-Mar. 2014. .
Today’s mass media has been molded by hundreds of years of reporting, journalism, and personal opinions. America’s mainstream media thrives upon stretching the truth and ‘creating’ interesting stories for the public. Tactics like this can be credited to people such as William Randolph Hearst, a newspaper mogul from the late 19th to the 20th centuries. Hearst greatly influenced the practice of American journalism through his wealth, short political career, and use of unorthodox reporting methods such as yellow journalism.
Would you lose your journalistic integrity over one million dollars just to increase your audience base? For me personally I would decline the money and not subject my audience to an unwanted change for personal gain. Neil Postman’s book, “Amusing Ourselves to Death”, argues that television is all about entertainment and nothing else. Postman makes several points in his book pertaining to televised news as examples. On the evening of January 31 2018, I decided to test Postman’s arguments by tuning into the PBS NewsHour. After putting Postman’s arguments to the test I soon found that they were correct; “if it bleeds it leads”, news anchors are just actors, stories of little value get little air time, and there is an overwhelming disconnect between stories.
Woodward and Bernstein's undertaking constructed the cornerstone for the modern role of the media. The making of the movie about the Watergate Scandal and the ventures of the two journalists signify the importance of the media. The media’s role as intermediary is exemplified throughout the plot of the movie. The movie is the embodiment of journalism that guides future journalists to progress towards the truth, no matter what they are going up against. It was the endeavor of Bob Woodward and Carl Bernstein that led them to the truth behind the president’s men. They showed that not even the president is able to deter the sanctity of journalism in its search of truth. The freedom of speech, the freedom of the press, and people’s right to know account for the same truth that journalists pursue; the truth that democracy is alive and will persist to live on.
Jules Boykoff published an analysis paper on how Hugo Chavez was represented on the United States media, in his article “Hugo Chavez and the U.S media”. He states the Hugo Chavez was represent in four different frames. A frame is a “persistent pattern of selection and emphasis that structure not only what becomes news, but also prime us for how we think about the news”(Boykoff). He found out that the US prestige press, which includes the New York Times, the Wall Street Journal, and the Washington Post, “adopted four dominant frames: the Dictator Frame, the Castro Disciple Frame, the Declining Economy Frame, and the Meddler-in-the-Region Frame.” These frames were aimed at Hugo Chavez, to give him a negative media representation in America, especially during the Bush administration.
All the President’s Men (1976), based on Bernstein and Woodward’s examination of Richard Nixon’s White House, specifically the Watergate scandal, is the quintessential film about investigative journalism. In recent years, investigative journalism was reintroduced to the cinema by Spotlight (2015) and The Zodiac (2007). In comparison, Spotlight is a more comprehensive film about investigative journalism than The Zodiac. Spotlight’s storyline impacts the audience by demanding justice for the victims of the criminal activity portrayed. In addition, Spotlight won more critical acclaim than The Zodiac. Finally, Spotlight
Filmmaker Oliver Stone embarked on a journey across the Latin American continent pursuant to the filling of gaps left by mainstream media about the social and political movements in the southern continent. Through a series of interviews he conducted with Presidents Hugo Chávez of Venezuela, Cristina Kirchner and former president Nėstor Kirchner of Argentina, Evo Morales of Bolivia, Fernando Lugo of Paraguay, Lula da Silva of Brazil, Rafael Correa of Ecuador and Raúl Castro of Cuba, Stone was able to compare firsthand information from the leaders themselves with that reported and published by the media (“Synopsis,” n.d.). It gives light to the measures these leaders had to take in order to initiate change in their respective countries, even if their public identities were at stake. Several instances in the film showed the mismatch between these two sources, pointing at the US government’s interests for greatly influencing the media for presenting biased, groundless views.
Television has affected every aspect of life in society, radically changing the way individuals live and interact with the world. However, change is not always for the better, especially the influence of television on political campaigns towards presidency. Since the 1960s, presidential elections in the United States were greatly impacted by television, yet the impact has not been positive. Television allowed the public to have more access to information and gained reassurance to which candidate they chose to vote for. However, the media failed to recognize the importance of elections. Candidates became image based rather than issue based using a “celebrity system” to concern the public with subjects regarding debates (Hart and Trice). Due to “hyperfamiliarity” television turned numerous people away from being interested in debates between candidates (Hart and Trice). Although television had the ability to reach a greater number of people than it did before the Nixon/Kennedy debate, it shortened the attention span of the public, which made the overall process of elections unfair, due to the emphasis on image rather than issue.
Carlos Alberto Montaner makes several core points as to why social unrest and the rise of the left in Latin America will be the demise of Latin America. He starts his argument by naming leaders of the leftist movement in several Latin American countries. He then, goes on to say that in these leftists’ governments, parliaments are discredited, political prestige has lost its value, and the judicial branch and police are unjust and corrupt.
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