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Color theory in literature essay
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Jasper Fforde’s novel, Shades of Grey, transports the reader hundreds of years into the future where the world is an alarmingly different place. The novel, set in Chromatacia, is centred on a society in which continuous stability is the primary concern. The novel is set approximately 500 years into the future, after the ‘something that happened’. In the novel, it is never revealed what this event was, however it is portrayed as a disastrous event. This is reiterated by the naming of the past as ‘the previous’. Shortly after this ‘something that happened’ there was an ‘Epiphany’ and the beginning of the New Order. This language implies that the new society was aimed to be free from problems, and be solely happy, however the irony in this is …show more content…
He uses exaggeration throughout the novel to draw attention to the absurdity of life in Chromatacia. In relation to exaggeration, Fforde uses parody to highlight issues in our own society. Parody is defined as being a humorous or satirical imitation of a serious writing or thing, therefore Fforde demonstrates the ridiculousness of our own culture through exaggerating these elements.
The novel is centered on two chararcters, Eddie Russett and Jane. Eddie is a red, who has high colour perception. He has been sent to the Outer Fringes to conduct a chair census, a what he believes to be a punishment for pulling a prank on the Head Prefect’s son. Jane is a grey who lives in the Outer Fringes, she is involved in corruption through her participation in the illegal colour swatch market, and pushes the boundaries of thinking within
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High Saffron is one of the locations that people are sent to for “reboot”, a supposed reconditioning and teaching of people who are not living according to the rules set out, however when there Eddie discovers the fact that the people are in fact killed. The government has solved any problems of people not conforming by killing them. This demonstrates the true oppression and harsh regime that is existent. This is not unlike other speculative texts, where any person who is an obstacle to the goal is
In “1984,” Orwell portrays Winston’s secret struggle to undermine the totalitarian rule of Big Brother and the Party in Oceania. The different government agencies, such as the Thought Police and Ministry of Love, exercise unrestricted totalitarian rule over people. Winston actively seeks to join the rebellion and acquire the freedoms undermined by the Party. On the other hand, Heinlein’s brief narrative, “The Long Watch,” depicts a contrasting struggle championed by Dahlquist against the power hungry Colonel Towers and the Patrol. In his struggle to prevent the total domination of the world by the Patrol, Dahlquist chooses to sacrifice his life. Le Guin’s “The Ones who walk away from Omelas,” illustrates a communal form of injustice tolerated for the benefit of the entire city but necessitating the inhumane imprisonment of a child. He portrays the ambiguity of human morality and the individual struggle to determine right from wrong. The authors address social change and power in different ways, reflective of their individual perceptions. Hence, in each narrative, the author illustrates the individual’s role in effecting social change and the conditions under which such change becomes possible.
The world is advancing so rapidly today, it seems that it will never stop growing in knowledge and complexity. In the novel “The Time Machine” by H.G. Wells, The Time Traveler, as Wells calls him, travels hundreds of thousands of years into the future through time. He arrives at a world that, at first glimpse, is peaceful and clear of any worries. As The Time Traveler explores the world, he discovers that the human race has evolved into 2 distinct forms. Although the world appeared to be the Garden of Eden, it was, in reality, the Garden of Evil. Wells uses three aspects of the futuristic world to illustrate this: the setting, the Eloi, and the Murlocks.
...es of individuals can be used to explore a broader social wrong, in this case the injustice of a totalitarian government. Both authors use their protagonists to depict how a dictatorial state can destroy all sense of individuality, Orwell by presenting Winston in his fight against “The Party” and Niccol by depicting Vincent in his battle against society. Both authors also use individuals, who must isolate themselves in order to survive to expose how an unjust authoritative government can manufacture isolation. Orwell and Niccol also present conflicting views on the possibility of individual rebellion in an oppressive society, reflected by the success of Vincent and failure of Winston. In their prophetic dystopian texts both George Orwell and Andrew Niccol use the experiences of their protagonists to explore the broad social wrong of a totalitarian government.
Satirical writing allows the author to express his or her opinion about a problem in society. A writing must follow three rules in order for it to be classified as satirical. First, a continuous focus on one’s subject’s faults. Secondly, instead of telling the reader directly, information must be given indirectly. Thirdly, the writing must have a variety of satirical techniques in general (Festa). With these simple guidelines, an author can demonstrate his beliefs of what he thinks needs to be changed in society.
Power relationships in Craig Silvey’s Jasper Jones have been represented in various ways in the text’s and my own context. Through the representation of the Lus and Jasper Jones, racial power has been reflected in the context of the text being the 1960s. In the contemporary context, sexual power has been further reinforced through the point of view of Charlie and the death of Laura Wishart in the plot. Political power has been challenged in my current context as well as in the text’s context through the characterisation of Pete Wishart and the Sarge. Together with the changing society, power relationships are also changing and thus, over time there certainly will be changes to who hold the power in these relationships.
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
The films Young Frankenstein and One Flew over the Cuckoo’s Nest can be viewed as a critical analysis of society’s issues and dysfunctions in the form of satire and parody using humor. While Young Frankenstein, Mel Brooks cinematic version of the gothic novel, Mary Shelley’s Frankenstein, uses parody in the form of Horatian satire, which is achieved through gentle ridicule and using a tone that is indulgent, tolerant, amused and witty. The film One Flew over the Cuckoo’s Nest, the adaptation of the Ken Kesey novel, uses a form of satire called Juvenalian satire which is demonstrated in the form of attacks on vice and error with contempt and indignation. Horatian satire will produce a humor response from the reader instead of anger or indignation as Juvenalian satire. Juvenalian satire, in its realism and its harshness, is in strong contrast to Horatian satire (Kent and Drury).
There are many characters in the novel 1984. These characters all rebel in separate and distinctive ways from each other. In George Owell’s not so sanguine vision of the year 1984 from his standpoint in 1949, he tells of a dreary future of what the world was becoming. In this future, no one has the right to anything, including free speech, freedom of press or even freedom of thought. Even the details like the history of the known world are changed by a corrupt and ever growing political party, which is managed and run by un-emotional and odious officials. From Julia, who rebels by purely simple, sexual acts, to Winston, who dreams to overthrow the party; all the characters have their own personal way of dealing with the oppression.
Many of our today as “normal” considered values are everything but self-evident. One of the most striking aspects in the novel is time; and our relationship towards it. “ We yearned for the future. How did we learn it that talent for insatiability. ” In this particu...
Much can happen in a matter of minutes; a man can go from thinking he is happy to thinking his life is falling apart, or can change from hating someone to loving them. These experiences sound outlandish, but they happened to Guy Montag, the main character in Ray Bradbury’s Fahrenheit 451, and Winston Smith, the main character in George Orwell’s 1984. These two dystopian novels are about the characters discovering major problems in their societies, and then trying to fix them. Montag lives in a society where television controls people’s lives and books have become illegal. On the other hand Smith lives in Oceania, a territory led by a totalitarian regime. This regime is headed by Big Brother and is referred to as the Party. By examining Fahrenheit 451 and 1984, it is seen, not only through the dehumanized nature of society, but also through the theme of lies and manipulation that both Orwell and Bradbury wish to warn of a horrifying future society.
The constant theme of betrayal in 1984 is being used by George Orwell to show how hopeless Winston’s struggle against the Totalitarian system is, giving the reader an idea of how bad this type of government is. The reader is introduced to this dark time and given hope in the form of the rebellious protagonist, Winston. However, the reader soon realises how hopelessly alone Winston is in his silent battle when they see that the government is against him, he has no support or allies, and that even his own mind can be turned against him. The message is clear and makes readers who live in a democracy happier with what they have.
In the novel 1984, Orwell produced a social critique on totalitarianism and a future dystopia that made the world pause and think about our past, present and future. When reading this novel we all must take the time to think of the possibility that Orwell's world could come to pass. Orwell presents the concepts of power, marginalization, and resistance through physical, psychological, sexual and political control of the people of Oceania. The reader experiences the emotional ride through the eyes of Winston Smith, who was born into the oppressive life under the rule of Ingsoc. Readers are encouraged through Winston to adopt a negative opinion on the idea of communist rule and the inherent dangers of totalitarianism. The psychological manipulation and physical control are explored through Winston's journey, and with Winston's resistance and ultimate downfall, the reader is able to fully appreciate O'Briens reasoning, "Power is not a means, it is an end."
...e diminished of their privacy and self esteem. We therefore can see a society of people who are depressed with no happiness of life, due to their great lack of freedom. People subjected to this form of treatment are nothing more than animals in a cage, when the Party's only goal is absolute endless and limitless power through control of people's minds. Though fictional, it is clear that there are distinct parallels between the government in 1984 and our current government.
1984, by George Orwell, depicts the psychological progression of Winston Smith, a rebellious citizen among an oppressive government. In such a government, each ministry deals with the polar opposite of its namesake, stupidity is as necessary as intellect, and Big Brother is always watching. Conformity is not the ultimate goal of the Party. It is a side effect of Two Minutes Hate, relentless torture, and a lack of meaningful relationships aside from the love of Big Brother. Orwell so vividly illustrates the crushing brutality of the Party in order to warn the reader that an absolute government with the power to drive a citizen to his or her breaking point will inevitably destroy the core of human drive and independence. Those with the power to exploit personal fears and control levels of commitment through torture can crush anyone, for “in the face of pain, there are no heroes” (Orwell 213).
1984, a book by George Orwell, offers an alternate reality for what the future could have been. The concept of a totalitarian society is but a far off, if not long dead, ideal. In the past totalitarianism was not just an ideal but an actual living, breathing menace to people of the late 1940s. Totalitarian governments would go to horrific lengths in order to sustain and increase their power. In the novels 1984, by George Orwell, and Anthem, by Ayn Rand, propaganda, class distinction, and naivety are explored in fictional societies. Orwell’s and Rand’s stories are based on dystopias and the individuals of those societies who dare to stand out. George Orwell uses Winston Smith, the timidly rebellious protagonist; The Party, the ruling government; and Big Brother, the face of The Party; and Ayn Rand utilizes Martyrdom, the sacrificing of oneself; Naming, a process using words and numbers as a means of identification; and Collectivism, everyone is the same and refers to themselves as we, to illustrate how dangerous a naïve working class, spin and propaganda, and an unacknowledged class distinction can be in a society.