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Free will philosophy essay
Free will philosophy essay
Concept of free will
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Atheists believe that if there was a God he should prevent or stop evil in the world because he should have the power and knowledge to do so. Ideally, God can limit if not banish the evil present in the world in order to help others reach their highest degree of happiness. Believing God is all-powerful, allows atheists to believe he can prevent all evil from hurting the ones who are most vulnerable and less deserving of harm. Consequently, our life would have the ability to achieve its highest degree of happiness, but the fallacy is He should not intervene because it would be a violation of our free will, evil is inevitable, and our knowledge of God’s powers are very limited. In The Problem of Evil by Fryodor Dostoevsky, Ivan mentions how children pay for their parent’s wrongdoings and it’s unjust as the children are pure and at no fault. Realizing that cruelty is present in the lives of the most innocent, lead me to assert that evil is a real problem as it intervenes between the harmonic and idealistic view that the world consists of genuine, good people. Since the good people have done …show more content…
Adam and Eve were expected to stay innocent but once Eve took a bite of the apple on the forbidden tree, we were seen as sinners and by default our children had to carry that with them. This self-inflicted pain was not manipulated by him but rather recognized and accepted as part of life once we chose to neglect his expectations. Many times we see that pain affects our lives in a negative manner and the atheist would assume that God should alleviate if not eliminate the pain since he is all powerful, good and knowing. Yet by intruding our lives in such a manner, He would be violating the birth given right of free-will. We will no longer have the ability to choose our pathway or learn from our mistakes because God has predestined our
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Why is there evil? Dostoevsky asks a common question in his essay. He writes in anger and pain "I say nothing of the sufferings of grown up people, they have eaten the apple, damn them, and the devil take them all! But these little ones (Pg. 65). The point of this quote is to express anger at god for the suffering of innocent children. The question raised here is why is god inflicting suffering on innocent beings and how could it be part of a plan?
Dostoevsky first presents Smerdyakov, in The Brothers Karamazov, in Book 3 of Part 1. The author divulges details of the conception of the fourth son of Fyodor Pavovich Karamazov. Late on a September evening, a drunk Fyodor, by modern standards, "rapes" a homeless woman. Stinking Lizaveta, the victim of Fyodor's violence, was a legend in the town. Regardless of her unattractive and dirty appearance, her poverty, and homelessness, the townspeople regarded her with sympathy and compassion. Fyodor, on the other hand, treated Lizaveta as an insubordinate who was undeserving of even an ounce of respect. He and his friends mock her. He, then, rapes her. And, as if these actions are not cruel and offensive enough, he vehemently denies any of it happening. Later, when Lizaveta gives birth to Fyodor's illegitimate son, it is Grigory and Marfa who take the boy in, baptize him, and decide to raise the child. The townspeople mistakenly credit Fyodor for taking the dead woman's child into his house. All of these disturbing actions on the part of Fyodor are cause for his punishment.
The Brothers Karamazov - Thriller The Brothers Karamazov is an enthralling thriller about the struggle for self-redemption in the eyes of God as well as in the hearts of the Russians. The murder of Fyodor Karamazov, a foolish and heartless savage who betrays his own sons of a father's care, venomously seeps its way into Dmitri, Ivan, and Alyosha's lives causing innocence to request fault and suffering. With intricate characterizations, Dostoevsky magnificently presents the internal agony that derives from a wavering spirit. The religious teachings of the great elder Father Zosima engross the minds of the spiritually inadequate throughout the novel. Dostoevsky essentially carries these guidelines to peaceful immortality by means of the character Alyosha.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
Morrison has said, "I can easily project into other people's circumstances and imagine how I might feel if...I don't have to have done this things. So that if I'm writing of what I disapprove of, I can suspend that feeling and love those characters a lot. You know, sort of get inside the character because I sort of wonder what it would be like to be this person..." Both her novels, The Bluest Eye and Sula, speak to this statement.
This essay examines the social, philosophical, and psychological elements that had affected the Russian Society as well as the world of Dostoevsky’s novel “ Crime and Punishment ˮ. This essay demonstrates the wild impact and clashes left by these theories on the life, choices, and mentality of the novel and the characters embodied, the most important of which is the character of Raskolnikov. Highlighting an “in-depth exploration of the psychology of a criminal, the inner world of Raskolnikov, with its doubt, fear, anxiety and despair in escaping punishment and mental tortureˮ.
During the mid- to late- 1800s in Russia, a radical phenomenon swept the nation. The idea that life was meaningless and that there was no "mind" or "soul" outside the physical world infected the minds of Russia's elite and Russia's poverty-stricken. This became known as Nihilism. According to Whitney Eggers on "Philosophies in Crime and Punishment," "Nihilists argued that there was a distinction between the weak and the strong, and that in fact the strong had a right to trample over the weak" (Eggers). Nihilism is commonly linked to utilitarianism, or the idea that moral decisions should be based on the rule of the greatest happiness for the largest number of people. Raskolnikov, the protagonist in Crime and Punishment, is a Nihilist, which is his main reason for committing the murders. As a Nihilist, Raskolnikov is a man who "approaches everything from a critical point of view...who does not bow down before any authorities, who does not accept a single principle on faith, no matter how much respect might surround that principle" (Cassedy, 1639).
Why do the innocent suffer? This question has been asked for ages. Jewish sources, from the earliest to the latest, have tried themselves to answer this. It occurs to every single person with an interest in religion or not. We all know cases of good people who suffer terrible pains for no obvious reason. From a religious side of life this disturbs me because it seems to contradict certain basic Jewish beliefs. In particular, we believe: God is omniscient (He knows everything), God is omnipotent (He can do anything), and God is just. If these beliefs are right then how is it possible that innocent people suffer?
In all humans, evil exists. At some point we have to release it, and want to release it. For example, on the island Jack and Robert showed their evil while beating Wilfred, or even Robert who was hurt while the boys received pleasure out of his beating. Roger states, "He's going to beat Wilfred, I don't know why, he didn't say," (pg.159) as he giggles. Another example is when Robert is beaten by the boys for no reason in frenzy where he is the pig. They chant in chapter seven, "Kill the pig! Cut his throat! Kill the pig! Bash him in!" (pg. 114). These examples clearly show that the kids are letting their true evil get the better of them. As these boys are also humans, this also means that even if they were girls, and were exposed to a place where there was no civilization, they would want to let their evil out as well. It was philosophized by Thomas Hobbes- the famous English Philosopher, "All humans are born selfish and only seek their own personal interest, leading to violence and war." This quote is true and summarizes the children ...
While confronting Dostoevsky’s Notes from Underground seems a difficult task initially, one must be able to transcend the elaborate diction and parodies, and comprehend the author himself, while also taking root the message Dostoevsky had originally intended in the time it was addressed. Understanding the author himself, along with the period in which the work was written, augments one’s overall discernment of the passage. In the age he wrote, Dostoevsky must have seemed eccentric and outlandish; nevertheless, looking back on him from today with a literary understanding of modernism, he appears ahead of his time. His central premise, although difficult to determine amongst the satire, is humanity’s necessity for freedom and religion, specifically Christianity.
Fyodor Dostoyevsky, born in 1821, would become one of the greatest writers in Russian literature. Fyodor received an education in engineering in St. Petersburg, but decided to follow a literary career. He was a person who wrote how they felt about certain topics, and felt that everyone should know about the government. Dostoyevsky joined the underground group, the Petrashevsky circle, the to bring out the truth in these books, which were forbidden in the public. Through these themes, Dostoyevsky wrote about many topics.
Let’s start off by explaining what atheism is, it’s when you don’t believe in any form of an “Intelligent Creator” or God, as usually referred to as. The word atheism comes from the root word “theism”, which is when you believe in a God, or numerous Gods depending on the religion, and the prefix “a”, which means “not”. There are no set practices of atheism, or a set list of beliefs. To be an atheist you must believe what you would like and simply live your life without constraints based on what you believe is good or bad, not what you are told is good or bad. There is a constant debate against atheism from the theist side, because both sides’ arguments are polar opposites and each believes their side of the argument is 100% valid. I will state my view on some arguments, and clarify some common atheist stereotypes.