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Use of symbolism in Lord of the flies
Use of symbolism in Lord of the flies
Critical interpretations for lord of the flies
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Recommended: Use of symbolism in Lord of the flies
The “Lord of the Flies”—the pig’s head on a stick—is an allegory for Beelzebub or Satan in Scripture. In this essay, it will be conveyed how the representative “lord of the flies” brings about evil and savagery inside the boys.
2 Kings 1: 1-2 is the first time in which Beelzebub, meaning “lord of the flies”, is mentioned in Scripture. It says, “After the death of Ahab, Moab rebelled against Israel. Now Ahaziah fell through the lattice in his upper chamber in Samaria, and lay sick; so he sent messengers, telling them, “Go, inquire of Beelzebub, the god of Ekron, whether I shall recover from this sickness. Similarly, in the novel The Lord of the Flies, written by William Golding, the boys form their own “lord of the flies” by sharpening a stick at both ends, ramming one end into the earth, and by jamming the soft throat of a pig’s head on the pointed end of the stick (Golding viii.).
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Piggy, a bright an overweight boy, is always involved in trying to get off the island during the novel. He represents reason and intellect, which is shown through his glasses being used to start the signal fire at the top of the mountain. Also, Piggy is fond of the conch shell, a symbol throughout the novel, representing civility and law and order. It is used in the beginning of the novel to allow a person to speak during the tribal meetings. However, it soon becomes meaningless as the boys embrace their savage desires. Piggy’s death involves him being shattered like the conch, reiterating how civilization has become a meaningless concept on the island. “The rock struck Piggy a glancing blow from chin to knee; the conch exploded into a thousand white fragments and ceased to exist. He fell forty feet and landed on his back across the square red rock in the sea. His head opened and stuff came out and turned red…” (Golding
The character Piggy in William Golding's novel Lord of the Flies serves as the intellectual balance to the emotional leaders of a group of shipwrecked British boys. Ironically, their new society values physical qualities over intellectual attributes whereas it is the rational actions that will lead to their survival. Piggy's actions and the reactions from his fellow survivors foreshadow his eventual death. Lord of the Flies is overflowing with creative symbolism, surrounding every event and character; Piggy is no exception. From being the representation of scholars to the comparison with Prometheus, Golding ensures Piggy's short life is well remembered.
When order disappears, human nature converts to savagery. William Golding wrote The Lord of the Flies to prove evil exists in human. Golding shows direct and indirect characterization of Jack to demonstrate that true savagery exists.
D.H. Lawrence once said, “This is the very worst wickedness, that we refuse to acknowledge the passionate evil that is in us. This makes us secret and rotten.” Sir William Golding tells about the evil and sadistic things that can be expressed throughout humanity in his novel, Lord of the Flies. Lord of the Flies is a translation of the Hebrew name for Satan, Beelzebub. In the novel, William Golding portrays the boys’ descent from civilization to savagery through the following symbols: the conch shell, Piggy’s glasses, and the Lord of the Flies.
The psychology of evil is vital to understanding why Jack and Ralph progress through the story as they do. In Lord of the Flies, evil is an undoubted key to life on the island. The main characters in William Golding’s Lord of the Flies demonstrate Zimbardo’s “Seven Social Processes that Grease the Slippery Slope of Evil,” most notable mindlessly taking the first step, blind obedience to authority, and de-individualization of self.
The Lord of the Flies by William Golding is tale of a group of young boys who become stranded on a deserted island after their plane crashes. Intertwined in this classic novel are many themes, most that relate to the inherent evil that exists in all human beings and the malicious nature of mankind. In The Lord of the Flies, Golding shows the boys' gradual transformation from being civilized, well-mannered people to savage, ritualistic beasts.
William Golding’s, ‘Lord of the Flies’, is a powerful piece of literature that teaches important perspectives on the human nature and mind. In the story, the boys plane is shot down by the the military in which it lands on a deserted island. After this event, the boys’ decide to create a civilization on the island until they’re rescued. Golding paints a realistic image of evil, hope, and order expressed through the three items: the Lord of the Flies, the fire, and the conch during World War 2. The boys believe these items will assist them, however, they end up all tearing them apart in the end: the symbols all appear to be beneficial to the situation but eventually lead to their demise. Golding effectively uses the literary device symbolism to develop the theme in the novel that chaos and destruction can occur in the most peaceful places.
Much of history’s most renown literature have real-world connections hidden in them, although they may be taxing uncover. William Golding’s classic, Lord of the Flies, is no exception. In this work of art, Golding uses the three main characters, Piggy, Jack, and Ralph, to symbolize various aspects of human nature through their behaviors, actions, and responses.
Would you be able to resist savagery from being away from society? Could you resist the urging power to kill? How about being able to find food without killing or not to go full savage on other people, could you still do it? A normal person could say no to all of these. In the novel, “Lord of The Flies”, William Golding shows that without civilization, a person can turn into a savage by showing progressively how they went through the seven steps of savagery.
In our society today, abortion is a huge controversial issue due to the beliefs of abortion being evil. “What are we? Humans? Or animals? Or savages?” (William Golding, Lord of the Flies). In the novel, “Lord of the Flies”, the author William Golding, leads the reader into dismissing savagery as an act of violent cruelty by portraying murder, an uncivilized manner, and an increasing disregard of the rules. Murder is symbolized in savagery throughout the novel. The boys act in an uncivilized manner. The rules that were made to help keep order in the island, are being broken.
The title, Lord of the Flies, refers to the pig’s head that was placed on a spear and worshiped by the young boys on the island. In other words, the boys have chosen to believe in a fake deity, much like the people of Israel, who built golden calves to worship. And along with these fake gods comes along sacrifices, such as the head was for the beast as Jack stated, “This head is for the beast. It’s a gift” (137). Additionally, the lord of the flies is also known as Beelzebub, an Egyptian god that was linked with the 4th plague, as one of the ten plagues God sent over Egypt through Moses. To further suggest a biblical allusion, Beelzebub is deemed a demon within The Bible and is one of the many vividly described embodiments of evil within the book: “At least Simon gave up and looked back; saw the white teeth and dim eyes, the blood – and his gaze was held by that ancient, inescapable recognition” (138). Golding effectively uses the lord of the flies as a biblical allusion because he is able to exploit the underlying tone of subtle evil that begins to surface within the boys, through their worship of a disgusting thing. However, the allusion loses its power if the readers were unacquainted with The...
They created an object that could be stopped, otherwise it would be undefeatable, and they would be trapped and vulnerable. Each new fear fed to the story of the beast, growing it and its power over the boys. Kirstin Olsen stated, “Lord of the Flies remains an influential and powerful commentary on human evil. It explores some of the most intense urges and emotions in our repertoire: the desire for power, the fear of the unknown, fear of other people, anger, and jealousy.” These emotions shaped the beast, filling the little heads with fear.
The rumors of its existence scare the smaller children, but also become the catalyst for Jack and his group to indulge their savageness, due to their desire to hunt it down and kill it. The boys are driven to madness because of it. This “beastie” is the titular Lord of the Flies, or Beelzebub, who in the New Testament is identified as the Devil – a symbol of evil. When one of the characters, Simon, stumbles across the beastie it is revealed that it is a pig’s head on a stick. The pig was brutally stabbed by Jack and his hunters in a frenzy, as the pig squealed in pain. This act of savagery solidifies the loss of innocence and the embracement of evil. Simon hallucinates the head talking to him. “You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?” (Golding 158) The Lord of the Flies suggests that his presence is the reason for the boys’ descent into savagery and madness, beginning with the children’s fear of the beast’s existence, followed by Jack’s brutality when killing the pig as well as his transformation into a savage, finally culminating in the frenzied murder of Simon at the hands of the children who mistake him for the beast. While they are beating Simon to death they are also chanting "Kill the beast! Cut his throat! Spill his blood!" (Golding 168) and dancing around him, similarly to a tribe of savages. The killing of a fellow human being is the biggest sign that evil has enveloped the hearts of the
One of the most important symbols in Lord of the Flies is the pig's head. The pig's head is described by Golding as "dim-eyed, grinning faintly, blood blackening between the teeth," and is covered with a "black blob of flies.” (p. 137-138). Golding uses the pig’s head to personify the evil within the boys. This is shown mainly when Simon has a conversation with the pig in his own conscious and imagines the pig saying, "Fancy thinking the beast was something you could hunt and kill! Oh you knew, didn't you? I'm part of you?" (p. 143). After Simon wakes up and sees that what the boys thought was beast is actually a dead body of an airman in a parachute, he attempts to tell the boys about his new discovery. Although, when he arrived, the boys attack and bludgeon him to death. That shows how after the boys start to exist without society’s rules, they allow evil to control and dominate their actions and become savages.
One of the most important and most obvious symbols in Lord of the Flies is the object that gives the novel its name, the pig's head. Golding's description of the slaughtered animal's head on a spear is very graphic and even frightening. The pig's head is depicted as "dim-eyed, grinning faintly, blood blackening between the teeth," and the "obscene thing" is covered with a "black blob of flies" that "tickled under his nostrils" (William Golding, Lord of the Flies, New York, Putnam Publishing Group, 1954, p. 137, 138). As a result of this detailed, striking image, the reader becomes aware of the great evil and darkness represented by the Lord of the Flies, and when Simon begins to converse with the seemingly inanimate, devil-like object, the source of that wickedness is revealed. Even though the conversation may be entirely a hallucination, Simon learns that the beast, which has long since frightened the other boys on the island, is not an external force. In fact, the head of the slain pig tells him, "Fancy thinking the beast was something you could hunt and kill! Ö You knew, didn't you? I'm part of you?" (p. 143). That is to say, the evil, epitomized by the pig's head, that is causing the boys' island society to decline is that which is inherently present within man. At the end of this scene, the immense evil represented by this powerful symbol can once again be seen as Simon faints after looking into the wide mouth of the pig and seeing "blackness within, a blackness that spread" (p. 144).
Nothing Will Evade Evil As Hitler once said, “Make the lie big, make it simple, keep saying it, and eventually they will believe it” depicts a group of boys’ attitudes who crash landed on an island in William Golding’s Lord of the Flies. They start out restrained by all the training civilization has given them, but soon begin to fight it. Most of the boys lie to themselves continuously to convince them they are not going savage even though it is evident they are. By using symbols, Golding is able to portray the destruction of everything because of evil.