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Crime and punishment social
Crime and punishment
Crime and punishment social
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In Fyodor Dostoevsky's novel Crime and Punishment “Everything cuts both ways...”(303) are words said by Raskolnikov the protagonist of the novel whose mind is pulled into conflicting directions by his desire to become an extraordinary individual who rejects the moral law, committing crimes to aid the underprivileged like himself and his moral obligation to confess to the murder he commits as a result of his desire. Raskolnikov's conflicting dilemma aids in illuminating the meaning of the novel as a whole in the sense that immoral acts cause an individual psychological torture and (like Raskolnikov) the criminal will only find peace within if he confesses.
Although Raskolnikov murders the pawnbroker and her sister Lizaveta who was an innocent bystander, no one is able to prove him guilty. However, throughout most of the novel Raskolnikov is psychologically tortured by his own mind that stresses and troubles him into finding out what his true motive for committing the immoral act of murder was. Initially, although Raskolnikov becomes a criminal as a result of murdering, the author describes through Raskolnikov’s mental dilemmas that the reason he murderers is because of his belief that certain extraordinary individuals exists, and as a result it was his duty to overstep the law and kill the pawnbroker for the better of all who were
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However, even through his own extreme mental ruin, Raskolnikov is unable to end his life and so he finds himself with no choice but to finally confess coming to the conclusion that he is indeed ordinary and subjected to the societal punishment but can ultimately be in
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
It was both this interesting plot and the philosophical nature of Dostoyevsky's writing, which initially attracted me to this book. It also features many themes and characters, as well as an effective setting. As a result, I will examine the literary techniques used in "Crime and Punishment" by Fyodor Dostoyevsky to convey the downfall and subsequent rise of the main character, Raskolnikov. I will begin by looking at how the setting formed Raskolnikov's character, and then discuss the structure and other characters of the novel. The setting plays a primary role in forming Raskolnikov's character.
The main character in Crime and Punishment, Raskolnikov, has nihilistic ideas, which ultimately lead to his own suffering. Raskolnikov, an impoverished student, conceives of himself as being an extraordinary man who has the right to commit any crime. He believes that as an extraordinary man that he is beyond good and evil. Since he does not believe in God, he cannot accept any moral laws. To prove his theory, he murders an old pawnbroker and her step sister. Besides, he rationalizes that he has done society a favor by getting rid of the evil pawnbroker who would cheat people. Immediately after the murders, he begins to suffer emotionally. Raskolnikiv “[feels] a terrible disorder within himself. He [is] afraid of losing his control…” (Dostoevsky 95). He becomes ill and lies in his room in a semi-conscious state. As soon as he is well and can walk again, he goes out and reads about the crime in all the newspapers of the last few days. The sheer mention of the murder...
Although the novel begins by focusing on the crime itself, the majority of the book discusses Raskolnikov's struggle through denial and redemption after the murder has been committed. His own "greatness" leads to his denial of God, and his attempt to suppress his conscience causes insanity and sickness. However these negative consequences force him to acknowledge his rectitude and realize his need for confession.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
In a way, Raskolnikov submits to both theories of the extraordinary man. What is important to understand is why Raskolnikov believes himself to be extraordinary. Firstly, Raskolnikov's perilous financial state and near destitution cause him to be pushed to the edge of sanity. Secondly, the natural arrogance that stems from possessing a great intellect (which Raskolnikov does) causes Raskolnikov to believe that he is above everyone else. In respect to his crime, one can look at it from both the Hegelian and Neitzschean point of view.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.
In Dostoyevsky's Crime and Punishment, Raskolnikov's initial crime, failure, and acceptance of mistakes are his road to overcoming his ego, as well as self discovery.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
He has adopted isolation as he “dreaded meeting, not only his landlady but anyone at all,” and that he “had given up attending to matters of practical importance; he had lost all desire to do so” (Dostoyevsky 1). His state is continually described throughout the Part One, and Dostoevsky places this emphasizes Raskolnikov’s pre-murder state from the beginning because he is trying to emphasize the mental turmoil that takes place when one is planning on attempting such a crime.... ... middle of paper ... ...
In Dostoevsky's novel, Crime and Punishment, the author’s voice is heard through Raskolnikov and the other characters. Dostoevsky’s use of polyphony in this novel lets the reader explore both the inside and outside perspectives and motives of a criminal. The point of view follows that of Raskolnikov for most of the novel, but there is also perspective from the other characters as well as a narrator. Because of this, the novel is not strictly about Raskolnikov, but it brings into view the impact of others characters on Raskolnikov’s conscience. Raskolnikov’s inner monologue reflects deeply the voice of Dostoevsky and weight of guilt on the human conscience.
Dostoevsky’s classic psycho thriller tells Raskolnikov’s tale of woe as he sets out to discover whether he has the right to transcend moral law. The characters that Raskolnikov encounters