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Feminism in literature essay
Feminism in literature essay
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1. The main conflict in Walker’s Everyday Use revolves around the mother of the two girls and her need to make a choice in how she treats her daughters. The girls are very different from one another, differing not only in appearance and education, but also in their views of their family, the heirlooms, and the quilts. As we read Everyday Use, we as the reader are encouraged to the side of either Maggie or Dee. Does Dee truly know the meaning and have the capability to appreciate the family heirloom? Or is it Maggie who possesses this appreciation, despite her lack of education? Dee returns home having changed her name to show appreciation of her African roots. She claims ‘Dee’ is a tribute to those who have oppress her and her family. When her mother explains that Dee was named after her aunt, grandmother and great grandmother (the women who have created the quilts and many of the other family heirlooms), Dee fails to …show more content…
In the story, Here I Stand Ironing, the iron is representative of the work and responsibilities that averted the mother from fully participating and being involved in Emily’s life. The title of Olsen’s story is symbolic of the narrator’s busy life taking care of her family. We see some irony here because it is these exact duties than prevented her from being more involved in Emily’s life. The back and forth motion of the iron mirrors the mother’s thoughts as she moves through her life as a mom in attempts to single out the source of Emily’s trials. The distant relationship between our narrator and Emily is represented in the simple act of ironing. Even though Emily’s issues are the main concern of the story, the narrator is more concern with ironing her daughter’s dress, than with her actual daughter. The narrator wishes for her daughter to develop a sense of self-worth, being stronger than the dress she wears that is “helpless to the iron”. This wish reveals the mother’s hopes for Emily to rise above her upbringing and her mother’s
Throughout “Everyday Use” mama compares the two sisters very often. For instance, “Dee is lighter than Maggie, with nicer hair and a fuller figure. She is a woman now” (744) Mama is saying Dee is much more attractive than Maggie and how she has the figure of a grown woman, it also shows that Dee is more cherished and appreciated because she is light skin. In the slavery days, Dee would have been an in-house slave while Maggie would have been an outside slave which is based on their physical appearance. Mama also showed bias when she said “Dee feet were always neat looking like God himself shaped them with a certain style.” (745). Mama put Dee on a high pedal stool while she always brought down Maggie, like when she said “she isn’t bright . . . good looks. . . passed her by”. Mama has shown bias between the two sisters since the very beginning of “Everyday Use” comparing the two physical traits. Mama was vey bias throughout the story but between her bias Maggie’s potential and her ignorance tied together brought family themes in this
To begin with, in Walker's Everyday Use, the conflict is a result of clashing cultural values and of cultural point-of-view. Dee, who has adopted the Islamic culture and name the Wangero, returns to her African-American family for a reunion. While there, she asks that a pair of quilts from her deceased grandmother be given to her, not her sister, Maggie. Dee claims that her sister will ruin them through "everyday use." In fact, she charges during a discussion, "[Maggie would] probably be backward enough to put them to everyday use" (89). To these charges, her mother, the story's narrator, says, "I reckon she would [use the quilts daily] ... God knows I've been saving (the quilts) for long enough with no body using 'em. I hope she will" (89). Dee counters by saying, "You just don't understand ... your heritage" (90). She charges that her mother does not understand her heritage and therefore should give the quilts to her since she will preserve them. This conflict...
When two children are brought up by the same parent in the same environment, one might logically conclude that these children will be very similar, or at least have comparable qualities. In Alice Walker's "Everyday Use," however, this is not the case. The only thing Maggie and Dee share in common is the fact that they were both raised by the same woman in the same home. They differ in appearance, personality, and ideas that concern the family artifacts.
The two sisters in the contrast of Alice Walker's "Everyday Use" have different personalities and looks that are as opposite as right and wrong. It's seems like Walker is trying to say one of the sister is right and the other is wrong from the beginning. Maggie has poor, miserable image as Walker describes the way Maggie walks "…a lame animal, perhaps a dog run over by some careless people rich enough to own a car…". Maggie has burn scars down her arms and legs, which she got from the fire that burned the house they had earlier. Perhaps, because of her bad appearance, she is very shy and it is described where Walker says, "She (Maggie) has been like this, chin on chest, eyes on ground, feet in shuffle…". Dee, on the other hand, is a very self-confident girl with beautiful look. Her body is described as "…lighter than Maggie, with nicer hair and fuller figure. She's a woman now…" (Walker 1172). She is highly motivated and does everything it takes to get what she wants, as it is described in the story of her graduation...
After evaluating the short story “Everyday Use” by Alice Walker, I came to the conclusion that the narrator made the right choice of giving her daughter, Maggie, the family quilts. Dee (Wangero), her older sister was qualified for the quilts as well, but in my opinion Maggie is more deserving. Throughout the story, the differences between the narrator’s two daughters are shown in different ways. The older daughter, Dee (Wangero), is educated and outgoing, whereas Maggie is shy and a homebody. I agree with the narrator’s decision because of Maggie’s good intentions for the quilts and her innocent behavior. In my opinion Dee (Wangero) is partially superficial and always gets what she wants.
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
Like most peoples families there is a dynamic of people involved, although all from the same environment and teachings, it is ultimately an accumulation of personal experiences that shape us and defines how we perceive our existence. “Everyday Use” is a story of conflict of right and wrong and also family values. Walkers’ narrator, “Mama”, struggles with her disrespectful daughter ‘Dee”. Though “Mama” was quoted to have worked hard like a man to send her to school gratitude is never mentioned. “Clearly, Dee privileges language over silence, as she demonstrates in her determination to be educated and in the importance she places on her name” (Tuten). Since “Dee” had been out of the house and to school in the city she had lost touch with where she came from and had little respect for the family heritage. Maggie having been burned in a house fire had learned to love the shelter that only a family can provide. Being burned makes you like no one else, everywhere you go you feel eyes looking. Since she had not been out of the house and had the time to learn the value of family she regarded the quilts as a part of her heritage.
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
She doesn’t envy her sister Dee’s new style of life, even though she lacks a higher level of education. The opposite, she enjoys her lifestyle, “Maggie still lives in poverty with her mother, putting “priceless” objects to “everyday use” (‘everyday use”). Despite the fact she always felt inferior to her older sister Dee, Maggie expresses her respect for family’s heritage collaborating with Mama, cleaning the house for Dee’ visit, “I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon” (Walker 23). Maggie gives the quilts to Dee because she wanted it even though she was preserving them for her wedding day. It represented for her an invaluable symbol of her heritage, “The quilts contains pieces of family history, scraps from old dresses and shirts that family members have worn” (“everyday
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
Walker's view is very clear at the end of the story. By Dee wanting to hang the family heirloom on the wall to look at from a distance, she is alienating herself from her family heritage. That is exactly what Walker thinks is the wrong thing to do. Walker would prefer the quilts to be used and integrated into daily life, like Maggie and her mother prefer. The same idea applies to all of the other household items that Dee has her eye on: the churn top, the dasher, and the benches for the table that her daddy made. They all are a part of life for Maggie and her mother. Walker believes that the only value that they hold for Dee is that they would be good trinkets to show off in her house. By using the quilts in this symbolic way, Walker is making the point that family heirlooms can only have meaning if they remain connected to the culture they sprang from - in essence, to be put to "Everyday Use."
In “Everyday Use,” Mama illustrates the relationship between her two daughters. Both Maggie and Dee are like opposite poles, making it seem like their relationship is non-existent. Dee is a well-educated, good-looking young woman; who is so concerned with style, and fashion that she lacks the meaning of family and heritage. Maggie, however, is a simple, scarred young girl who truly understands the meaning behind family, and heritage. In “Everyday Use,” Alice Walker demonstrates through Mama’s eyes, the strain in Maggie and Dee’s relationship through Maggie’s actions towards her estranged sister’s visit, and Dee’s remarks and dominance over her younger sister.
Author Alice Walker, displays the importance of personal identity and the significance of one’s heritage. These subjects are being addressed through the characterization of each character. In the story “Everyday Use”, the mother shows how their daughters are in completely two different worlds. One of her daughter, Maggie, is shy and jealous of her sister Dee and thought her sister had it easy with her life. She is the type that would stay around with her mother and be excluded from the outside world. Dee on the other hand, grew to be more outgoing and exposed to the real, modern world. The story shows how the two girls from different views of life co-exist and have a relationship with each other in the family. Maggie had always felt that Mama, her mother, showed more love and care to Dee over her. It is until the end of the story where we find out Mama cares more about Maggie through the quilt her mother gave to her. Showing that even though Dee is successful and have a more modern life, Maggie herself is just as successful in her own way through her love for her traditions and old w...
The mother describes her younger daughter, Maggie, as ."..not bright. Like good looks and money, quickness passed her by," and ."..perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him...That's the way my Maggie walks." The reader already feels the older daughter Dee, although ."..stylish...with nicer hair and a fuller figure...and full of knowledge" is more like the careless person rich enough to own a car. Although Maggie and her mother make attempts to improve the appearance of themselves and their home for Dee's arrival and seem eager to see her, having no relation to Dee the reader is given no reason to like her. Already Walker is placing value on "slow, self-conscious," Maggie, who plans on marrying and staying close to home, and casting, Dee, who is attractive and cosmopolitan, and could conceivably bring greater resources to her sister and mother, in a negative light.
In general, the discrepancy between appearances and reality is ironic. Irony is encountered throughout our daily activities and comes in many forms; verbal, situational. and the cosmic. Verbal irony is the most familiar kind, this occurs when we understand that.