Chögyam Trungpa once stated, “We do not have to be ashamed of what we are. As sentient beings we have wonderful backgrounds. These backgrounds may not be particularly enlightened or peaceful or intelligent. Nevertheless, we have soil good enough to cultivate; we can plant anything in it.” The short story “Everyday Use” depicts what the result of being ashamed of your background by illustrating a mother’s struggle between her own culture and a society her daughter craves acceptance from. Alice Walker’s, “Everyday Use” is such an interesting story because it delves into a problem that many people with a prominent cultural background face. The story highlights just how conflicting life can be when your family background differs from that of societies …show more content…
When Dee does arrive, Maggie darts for the front door and Dee steps out flashy as ever sporting a yellow and orange dress loosely flowing in the wind, complimented by shining bracelets. That is not all though, Dee also has brought someone to accompany her a small stocky man who addresses himself as Hakim- a- barber. Dee and Hakim- a- barber walk to meet her mother and Maggie at the porch, both are sitting in chairs. Then Dee takes a picture of her mother sitting and Maggie cowering behind her at the front of the house with her Polaroid. After Hakim- a- barber awkwardly attempts to shake hands with Maggie to no avail, Wangero formerly known as Dee argue over the source of her name. They all settle in the living room and begin to eat a plate of sweet potatoes, collard greens, chitlins and corn bread. Hakim- a- barber announces he does not eat unclean pork or collards, however Wangero is delighted now by the food and objects that fill the rustic room. The dining bench and milk churn especially catch her eye because they were hand whittled by her father and uncle. Wangero is reminded of why she has came and asks her mother for the milk churn speaking of how she will use it as a centerpiece for her alcove table. After dinner Wangero prowls through her mother's trunk to find two quilts hand woven by Wangero’s grandmother. Wangero asks her mother for the …show more content…
As the protagonist of the story, it can be inferred the foil to the mother and Maggie is Dee and Hakim- a- barber. The mother is described as being a big boned woman with man working hands and a second grade education expressing she has adapted to the environment of rural living. While Dee is described as being lighter than Maggie, with nice hair and full figure contrasting Maggie who is described as a lame animal with less of a figure. Dee is able to go to school so she is educated and also is described as wanting nice things and refusing no as an answer. Hakim- a- barber is described as a short stocky man who does not eat pork and looks at Maggie and the mother as if he is inspecting a vehicle. All four of these characters oppose each other in pairs placing one spectrum of living against another. Walkers choice in character development of the mother allows one to conclude the theme of confrontation between culture and society through Dee’s conflicting
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
She shows how this often harms people’s families, and also hurts livelihoods by convincing people to use things in a good or insecure manner. Alice Walker identifies much in “Everyday Use,” and these things are displayed through the title she selected. It draws people to the story, in craving what the story is about, and it also gives enough information to make the story interesting. Titles reflect a story and show how important it is for people to discuss the messages, certain lines, and conflicts in a story, and Alice Walker’s story really shows all three of these things. Overall, Alice Walker’s choice of “Everyday Use,” for her title, is correctly chosen because first it portrays differing ideas, is the indirect source of conflict, and last, it identifies the ‘good’ and the ‘bad.’
In the short story “Everyday Use” by Alice Walker, a relationship between a mother and daughter is destroyed due to conflicting views and insecurities. This story exemplifies the painful but honest truth in what can happen in families today. As children grow up and go off into the world, they cross paths with new people and become caught up in the never-ending whirlwind of differing opinions and a new identity within themselves. Many grow into the false realization that they have to come in touch with their culture, without first understanding where they are truly from. This story essentially comes down to a lack of connection between loved ones and their families.
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
Like most peoples families there is a dynamic of people involved, although all from the same environment and teachings, it is ultimately an accumulation of personal experiences that shape us and defines how we perceive our existence. “Everyday Use” is a story of conflict of right and wrong and also family values. Walkers’ narrator, “Mama”, struggles with her disrespectful daughter ‘Dee”. Though “Mama” was quoted to have worked hard like a man to send her to school gratitude is never mentioned. “Clearly, Dee privileges language over silence, as she demonstrates in her determination to be educated and in the importance she places on her name” (Tuten). Since “Dee” had been out of the house and to school in the city she had lost touch with where she came from and had little respect for the family heritage. Maggie having been burned in a house fire had learned to love the shelter that only a family can provide. Being burned makes you like no one else, everywhere you go you feel eyes looking. Since she had not been out of the house and had the time to learn the value of family she regarded the quilts as a part of her heritage.
Dee thinks highly of herself because she is academically educated while her mother and sister are not. She flaunts her fortune at her own mother who, along with the church, saves enough money to send Dee to school. She does not even appreciate the sacrifices her mother makes for her on a daily basis. Dee, through a letter, commits to visit Mama and Maggie no matter the rickety accommodations they decide to dwell in (Walker 72). One day when Dee visits her family, Mama and Maggie are shocked to see a stranger exit the vehicle; she is wearing a dress long down to her feet, extravagant gold earrings, and bracelets that makes noise when her arm moves. Her hair is done in an afro with two pigtails wrapped behind her ears (Walker 72). The person they know to be Dee changes her appearance significantly; she even speaks and interacts differently.
Velazquez, Juan R. "Characterization and Symbolism in Alice Walker's 'Everyday Use.'" Lone Star College System. Lone Star, n.d. Web. 3 Apr. 2014. .
exactly what's going on and begins to resent Wangero even more. The quilts themselves are symbols in the story, interpreted in different ways, by the narrator, the author, the reader, and Wangero. Again, Walker uses the narrator's simplicity to her advantage. While Wangero sees the quilts as a symbol of her heritage, the narrator. sees them only literally, as blankets to be used, not saved for. cultural posterity.
Dee, the older sister, wants to hang the quilts on a wall and view her culture from a distance. In fact she even seems ashamed of her family situation. In a letter to her mother Dee says, " . . . no matter where [they] choose to live, she will manage to come and see [them], but she will never bring her friends" (87). She even goes as far as to denounce her name because she claims, " I couldn't bear it any longer being named after the people that oppress me" (89). However, her mother states that she was named after her aunt and grandmother, the very people who made her beloved quilts. She makes it apparent that her idea of appreciating her culture is to leave it alone, especially when she says, " Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use"(91).
Author Alice Walker, displays the importance of personal identity and the significance of one’s heritage. These subjects are being addressed through the characterization of each character. In the story “Everyday Use”, the mother shows how their daughters are in completely two different worlds. One of her daughter, Maggie, is shy and jealous of her sister Dee and thought her sister had it easy with her life. She is the type that would stay around with her mother and be excluded from the outside world. Dee on the other hand, grew to be more outgoing and exposed to the real, modern world. The story shows how the two girls from different views of life co-exist and have a relationship with each other in the family. Maggie had always felt that Mama, her mother, showed more love and care to Dee over her. It is until the end of the story where we find out Mama cares more about Maggie through the quilt her mother gave to her. Showing that even though Dee is successful and have a more modern life, Maggie herself is just as successful in her own way through her love for her traditions and old w...
The mother describes her younger daughter, Maggie, as ."..not bright. Like good looks and money, quickness passed her by," and ."..perhaps a dog run over by some careless person rich enough to own a car, sidle up to someone who is ignorant enough to be kind to him...That's the way my Maggie walks." The reader already feels the older daughter Dee, although ."..stylish...with nicer hair and a fuller figure...and full of knowledge" is more like the careless person rich enough to own a car. Although Maggie and her mother make attempts to improve the appearance of themselves and their home for Dee's arrival and seem eager to see her, having no relation to Dee the reader is given no reason to like her. Already Walker is placing value on "slow, self-conscious," Maggie, who plans on marrying and staying close to home, and casting, Dee, who is attractive and cosmopolitan, and could conceivably bring greater resources to her sister and mother, in a negative light.
Every possible type of character is displayed in this short story. Dee starts out the story as a stereotypical light-skinned black person. Feeling as though she was better than everyone else was because her: waist was small, skin was light, a nice grade of hair, and she was somewhat educated. Dee was in a hurry to get out of the country and never come back. She wrote to her mother saying "no matter where we choose to live, she will manage to come see us. But she will never bring her friends" (Walker 63), letting everyone know that she thought she was too good to continue to take part in her heritage. Maggie was portrayed as a flat character. The reader is not told much about her, and she never changes throughout the whole story. The mother would be the static character. She is seen as an older women set in her ways from life experiences, and from what she had been taught growing up black in the south. She made up her mind that the two family quilts would go to Maggie and she did not give it a second thought. Dee is also the dynamic character round. She is dynamic when she returns home to the country. She had previously said she would not bring any of her friends home, but when she gets there she is accompanied by a gentleman. Other aspects of her dynamics are displayed when she changes her name to "Wangero Leewanika Kemanjo". She went from dyeing and hating her upbringing to wanting to take a piece of it with her back to the city. To show off where and what she comes from. Dee is truly a round character. Walker did an excellent job with these characters especially Dee.
Alice Walker’s “Everyday Use” is a short story about an African American family that struggles to make it. Mama tries her best to give Maggie and Dee a better life than what she had. In Alice Walker’s short story “Everyday Use,” Dee is the older sister and Maggie is younger. Dee is described as selfish and self-centered. Maggie is generous, kind, and cares the family’s history together. She would go out of her way to make sure that her older sister, Dee has everything she needs and wants. Maggie is also willing to share what she has with her sister. Maggie is also shy and vulnerable. Mama is the mother of Maggie and Dee. Mama is fair and always keeps her promises to her children. Hakim-a-barber is the boyfriend
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...