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Eveline, as a child, was joyful. She along with her brothers and sisters use to play with the neighborhood children in a big field, which was now full of “[b]right brick houses with shining roofs” (3). During that time her mother was living and her father less harsh. Although her father had always been stern still “they seem to have been rather happy then” (3). But that was in the past, “[s]he and her brothers and sisters were all grown up; her mother dead” (3). Her life had become dull and boring. Since her mother was deceased now, she took on many of the womanly duties of the house. Joyce reveals it by stating “. . . she had dusted once a week for so many years. . .” and “she had hard work to keep the house together and to see that the two young children who had been left to her charge went to school regularly. . .” (3- 4). Her father became abusive, “. . . he had begun to threaten her and say what he would do to her only for her dead mother’s sake” (4). Work was one place where she had got some type of attention. Though her job was not that delightful she “would not cry many tears at leaving the stores” (3). Frank was her only real outlet. He gave her excitement and a sense of love. She had wanted a new life with him so “people would treat her with respect” (3). Eveline does not flee her unhappy home because of the vow made to her dying mother; she’s trapped by an abusive father and her Catholic faith.
As she stared out the window, she reminisced on her past. Her mind brought her back to the night of her mother’s death. Her mom was ill and on the verge of insanity when she promised her that “she would keep the home together as long as she could” (5). At the time women did not have much voice in their home, work, or commun...
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...Her family was proudly Catholic. She had religious duty to uphold. She was catholic and running with a man whom she did not quite know would be a sin. “What would they say of her in the stores when they found out that she had run away with a fellow?” (3). She could not keep wavering on what to choose. She had to make a choice.
Eveline could not leave her home because of the promise she made her mom. The guilt would have made Eveline even more mentally beaten. Though Frank had promised her a “home in Buenos Ayres” she did not know enough about him to let go of her insecurities and trust him (5). Raised a Catholic she knew it is wrong to leave her family alone to search for personal happiness. Because of all the characteristics Eveline obtained growing up into a young woman, she decides to stay with her family of whom “she had never dreamed of being departed” (3).
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Within the thin exterior of the cold dark building she called home, she wanted to keep the bodies of those in which she felt she had a connection. Whether it be a reasonable connection or not, she didn’t want to be alone. Her connection with her father brought her to keeping his corps in the house as well as the other man. Her distance from other people around her only drove her to madness causing nothing but isolation and a craving for any type of relation she could hold or be close
Eva’s lack of value for motherhood shaped the lives of her family as well as her own. Because of her negative feelings toward motherhood, many of the people surrounding her have similar values. Eva reflects her community’s negative perception of motherhood by being straightforward about it and passing it down through her family
"Eveline" is the story of a young teenager facing a dilemma where she has to choose between living with her father or escaping with Frank, a sailor which she has been courting for some time. The story is one of fifteen stories written by James Joyce in a collection called "Dubliners". These stories follow a certain pattern that Joyce uses to express his ideas: "Joyce's focus in Dubliners is almost exclusively on the middle-class Catholics known to himself and his family"(the Gale Group). Joyce's early life, family background, and his catholic background appear in the way he writes these stories. "Where Joyce usually relates his stories to events in his life, there are some stories which are actually events that took place in his life" (Joyce, Stanislaus). James Joyce in his letter to Grant Richard writes:
A house is not a home if no one lives there. During the nineteenth century, the same could be said about a woman concerning her role within both society and marriage. The ideology of the Cult of Domesticity, especially prevalent during the late 1800’s, emphasized the notion that a woman’s role falls within the domestic sphere and that females must act in submission to males. One of the expected jobs of a woman included bearing children, despite the fact that new mothers frequently experienced post-partum depression. If a woman were sterile, her purposefulness diminished. While the Cult of Domesticity intended to create obliging and competent wives, women frequently reported feeling trapped or imprisoned within the home and within societal expectations put forward by husbands, fathers, and brothers.
It is obvious that Eveline is held accountable due to cultural expectations. Though, Eveline had the right mindset she just didn’t have the guzzlers to do so. Her father is an unreliable man. Her father cares so much about alcohol he is oblivious that he is pulling his kids away from him. Sadly, he seems to always find a way to her heart that leaves room for sympathy and fear when she engages in living for the better. Eveline only wanted one thing was to see her family but her father would not allow it. This leaves Eveline to suffocating thoughts she doesn’t cope with well. She will drive out thoughts that make her life distraught. Only strength she can be relied on is her imagination of escape. Eveline had been outcast as the weaker sex just like other women. Males role always were known as the aggressive type. During those time of years it was right for a man to be the head, the protector, and provider. Women tend to be the home overseers and they had no option but to cater to their husbands, provide food, stability, and care. In this time of gender expectation, women had no say so. They were the last resort for anything. As stated in her story, “This indifference or concealed hostility of
In the majority of the story Eveline "sat at the window," (512) which parallels with her paralysis because she does not move. Eveline "was going to go away like the others" (512) because she was one of the only people left in Dublin from her childhood. However, Eveline doesn't go since she is trapped in her setting. Almost nothing in Eveline's setting ever changes throughout her life. The significance of Eveline looking around the room "reviewing all its familiar objects" (512) is that she "never dreamed of being divided" from them. All around her Eveline "had those she had know all her life about her" (512). Eveline is a product of her environment. The reader can see how the setting never changes, Eveline's life molds to it. This explains the reason for her not going away and starting a much happier life.
While the girl loved the work outside she hated to do the ‘woman’s work’ inside. She disliked her mother for making her do it, and believed that her mother only made her do it be...
She wants Frank to give her life and “perhaps love, too. But she wanted to live” (Joyce). This states that she doesn’t really love Frank. She just wants to get out, and if Frank could give her love, too, that would be a plus. The story recalls that, “Her eyes gave him no sign of love or farewell or recognition” (Joyce). This shows that she doesn’t look at Frank as her love or husband. She just wants a way out and Frank is her only way out of the life she lives now. Eveline states that, “Frank would save her. He would give her life” (Joyce). This suggests that she just wants more life back into her isolated life. She wants to go with him and move on because she wants to be saved and wants to have life because the house she lives in now doesn’t have life. If Eveline goes with Frank “People would treat her with respect then” (Joyce). She would have a better life with Frank and would be treated better, but she is too scared to leave her old life behind even if it is worse. At the end of the story she can’t leave her family behind and won’t get on the boat with Frank to leave her other life behind. “Her hands clutched the iron in frenzy” (Joyce), “its protagonist literally left frozen at the point of her escape, unable to board the ship that promises to carry her out of the city” (Latham 123). This is a symbol of her holding on to her old life and not being able to leave that behind to go and live with
In the short story “Eveline “ by James Joyce, Eveline, the protagonist is given the opportunity to escape from her hard unendurable life at home and live a life of true happiness at Buenos Ayres with Frank, her lover. Throughout the story, Eveline is faced with a few good memories of her past from her childhood and her mother, but she also faces the horrible flashbacks of her mother’s illness and her father’s violence. In the end, she does not leave with Frank, Eveline’s indecisiveness and the burden of her family’s duties makes her stay.
The major theme explored in “Eveline” is the idea of order and hazard. In society, the idea of order has a lot more positive connotation than hazard. People often quote popular sayings such as “life is not always greener on the other side of the pastor” to indicate this belief. Contrary, the idea of taking chances is seen as dangerous. However Joyce in “Eveline” seems to be pushing the reader to give up their everyday routine, which is order, and instead take chances, hazard, to attempt to create a better life for themself.
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.