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Frances Burney’s Evelina suggests that the innocence of a young girl is often her most prized possession, but in this text, innocence does not have a sole definition. The OED defines innocence as “freedom from sin, guilt, or moral wrong in general; the state of being untainted with, or unacquainted with, evil; moral purity.” The secondary definition given defines innocence as “freedom from specific guilt; the fact of not being guilty of that with which one is charged; guiltlessness.” Upon closer inspection, the innocence of Evelina does not evolve into the second definition of innocence, but rather she continues her journey apart from her ancestors in being moral and virtuous. The function of innocence’s duality in the text seems to further …show more content…
Introduced to us in the throes of labor, Caroline Evelyn is immediately rendered impure in her life. She dies in childbirth without any proof of her marriage to Sir John Belmont, essentially bastardizing her child, Evelina. Caroline Evelyn is described as innocent or guiltless, to contrast the innocence of Evelina that is stated just a few paragraphs down, “I send her to you innocent as an angel.” A contrast is immediately drawn between Evelina’s type of innocence and her mother’s. Caroline Evelyn is guiltless in the circumstances that ended her life, while Evelina is innocent and pure, in spite of her circumstances in life. Furthermore, John Evelyn left his infant daughter, Caroline Evelyn, under Mr. Villar’s care on his deathbed as well, directly paralleling Evelina’s own circumstances to that of her mother’s. Thus the innocence and morality that Villars projects onto Evelina throughout the text connotes a new …show more content…
Evelina is innocent of any wrongs, as well as guilt, but she has no reason to foster guilt in the first place. Just as Caroline Evelyn is guiltless in leaving her daughter a bastard, Evelina continues to be a solely innocent being, in terms of morality and virtue, rather than of circumstance. Her eventual marriage to Lord Orville and legitimization under the Belmont name keeps her virtue intact and in turn, makes Mr. Villar’s third attempt at moral guidance a success. In Mr. Villars’ last letter to Evelina, he writes (hopes) that her ending is as “equally propitious” as his. Propitious, meaning favorable or auspicious, further strengthens the notion that Evelina’s continual morality throughout the novel is an ode to the success of Mr. Villar’s in his role as her moral guardian, as well as her eventual deviation from the patterns which burdened the line of Eve that came before
Churchwell, Sarah. "The Death of Innocence." New York Times 18 Aug 2008, n. pag. Web. 28 Feb. 2014.
In her final letter to her mother, Eliza admits her wrong doings. She tells her mother she ignored all the things she was told. All their advice fell on her deaf ears. She explains that she had fallen victim to her own indiscretion. She had become the latest conquest of “a designing libertine,” (Foster 894). She knew about Sanford’s reputation, she knew his intentions, and she knew that he was married, yet she still started a relationship with him. And her blatant disregard for facts and common sense caused her unwed pregnancy and premature demise. Eliza Wharton had nobody to blame for her situation but herself. She ignored warnings, advice, common sense, and other options available to her. She chose her ill fated path and had to suffer the consequences.
Analyzing innocence has always been a difficult task, not only due to it’s rapid reevaluation in the face of changing societal values, but also due to the highly private and personal nature of the concept. The differences between how people prioritize different types of innocence - childhood desires, intellectual naivety, sexual purity, criminal guilt, etc. - continually obscures the definition of innocence. This can make it difficult for people to sympathize with others’ loss of purity, simply because their definition of that loss will always be dissimilar to the originally expressed idea. Innocence can never truly be adequately described, simply because another will never be able to precisely decipher the other’s words. It is this challenge, the challenge of verbally depicting the isolationism of the corruption of innocence, that Tim O’Brien attempts to endeavour in his fictionalized memoir, The
Eliza's assaults against True Womanhood are violations of the virtues submissiveness and purity. When Eliza refuses to ignore the gallantry of Major Sanford in favor of the proposals of Reverend Boyer despite the warnings of her friends and mother, she disregards submissiveness in favor of her own fanc...
Her lionhearted clothes reflected her valiant and strong attitude. However – Elisa Allen hid her true feelings. She was deceitful in interpersonal communication. Her tongue spilled bittersweet black smut like that of industrialized coal engines. However – it was compassionate, her concern and subtle behavior. A girl screaming to escape maiden life, but only knew it was disrupt order. “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. “The chrysanthemum stems seemed too small and easy for her energy.” Verily, she had the heart of a lion and the appearance of a virgin.
She ‘possessed a mind of uncommon mould’ which was also ‘soft and benevolent’; she is compared to a ‘fair exotic’ flower which is sheltered by Alphonse; she drew ‘inexhaustible stores of affection from a very mine of love to bestow’ on Victor, and her ‘tender caresses’ are some of his ‘first recollections’. She is the idealised mother, a figure that Shelley viewed wistfully, as her own mother died when she was ten days old to be replaced by a disinterested stepmother. Caroline’s parenting provides the care that Frankenstein might well have lacked, had he been left to his father alone – his father dismisses Agrippa’s work without explanation, thereby setting Victor on his course towards ‘destruction’. This is the first introduction of a theme that continues throughout the book, that of the necessity for female figures in parenting and in society. Without a mother figure and left only with Frankenstein who subsumes both parental roles, the creature’s life is blighted by his imperfection and lack of companionship. However, Caroline is also the trigger to Alfonse’s chivalry, thus presenting him in an improved light and allowing his character to develop at the expense of her own weakness. This is a feminist comment from Shelley, whose mother Mary Wollenstonecraft was a notorious feminist and an important influence.
Eliza Wharton has sinned. She has also seduced, deceived, loved, and been had. With The Coquette Hannah Webster Foster uses Eliza as an allegory, the archetype of a woman gone wrong. To a twentieth century reader Eliza's fate seems over-dramatized, pathetic, perhaps even silly. She loved a man but circumstance dissuaded their marriage and forced them to establish a guilt-laden, whirlwind of a tryst that destroyed both of their lives. A twentieth century reader may have championed Sanford's divorce, she may have championed the affair, she may have championed Eliza's acceptance of Boyer's proposal. She may have thrown the book angrily at the floor, disgraced by the picture of ineffectual, trapped, female characters.
It is really striking that a novel in which bodies of people and bodies of land (and, intertextually, bodies of text) are so central, creates a character that is so distinctly "unbodied": Caroline Cook. Nevertheless, it is in keeping with traditional and patriarchal interpretations of Cordelia's character in King Lear: a paragon of purity and transcendence.
Loss of Innocence is a classic theme in literature. Protagonists are forced into situations where they must sacrifice their goodness/what they believe. It is a theme that runs through both “ Young Goodman Brown” and “ The Most Dangerous Game”, though each of them happen in a different way.
With a heart-full of advice and wisdom, Dinah maturates from a simple- minded young girl to a valiant independent individual. “For a moment I weighed the idea of keeping my secret and remaining a girl, the thought passes quickly. I could only be what I was. And that was a woman” (170). This act of puberty is not only her initiation into womanhood but the red tent as well. She is no longer just an observer of stories, she is one of them, part of their community now. On account of this event, Dinah’s sensuality begins to blossom and she is able to conceive the notion of true love.
In the Journal entry titled Innocence and childhood the writer begins by comparing children to lambs. “ The lamb, then, being so generally recognized as the emblem of innocence, while it is also the universally accepted attribute of childhood, it is not at all wondered at the Rubens, in the allegorical picture which we engrave, should have typified the innocence and purity of childhood by a group of children at play to whom the genius of innocence presents the lambs.” (Pg.35, Reade). The article states that the lamb is considered one of the most innocent creates known to man. Back in olden times lambs were often used as a sacrifice because they were considered to be pure and innocent. People used to think that the sacrifice of something pure would lead...
But what does Virginia’s mother have to do with Virginia’s writing? I chose to look at the problem of inheritance by starting with Julia’s first influences on Virginia, particularly her stories for children. I then move on to portraits of mothers in Virginia's novels. This essay is not only about Virginia’s task of overcoming "the Angel in the House" but moving past a confrontational and convoluted memory of a mother, into an orderly, whole picture of females working together.
Loss of innocence can happen in many ways. Some losses are enormous and hugely impactful, like killing, while others are small and subtle like growing up. Innocence is lost in the most innocuous ways, most of which aren’t noticeable, which brings this paper to a closing question, something implied through both of these works; something to think about. Is every loss of innocence bad, or are they just stepping stones on the path to becoming an adult?
Innocence is usually associated with youth and ignorance. The loss of one’s innocence is associated with the evils of the world. However, the term “innocence” can be interpreted in a variety of ways. Similarly, the loss of one’s innocence can be interpreted in more than one way, and, depending on the interpretation, it may happen numerous times. The loss of innocence is culture specific and involves something that society holds sacrosanct. It is also bounded by different religious beliefs. Still, no matter which culture or religion is at hand, there is always more than one way to lose one’s innocence, and every member of that particular culture or religion experiences a loss of innocence at least once in their lives. In addition, the individual’s loss of innocence will impair him or her emotionally and/or physically.
"Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could." (Joyce 32) How is it possible for one to not follow out a parent's last wish? Eveline's mother's last request was for her to take care of the family. That is a great responsibility to be put into a child's hands. Everyone deserves a chance to be happy, so why did she go along with something that would only continue to make her life miserable? Eveline felt tangled knowing that it was all up to her to keep the family together, and to support her father, so she decides to stay. "She always gave her entire wages-seven shillings-…" (Joyce 30). This is again another example of what Eveline does for her family. After working all hours of the day, in the end, she gives all of her earnings to her father. It gives her a sense of purpose in a weird sort of way.