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Analysis of hollywood romance films
Eternal sunshine of a spotless mind analysis
Eternal sunshine of a spotless mind analysis
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Recommended: Analysis of hollywood romance films
The film “Eternal Sunshine of the Spotless Mind” is a film which follows Joel, a man who initially seems stuck in a repetitive boring routine who meets the spontaneous and impulsive Clementine. Their relationship unfolds into a passionate yet conflicting romance which ultimately leads to them both seeking aid from a memory erasing business called “Lacuna”. As Joel’s memory is in the process of being erased, and as he re-experiences their memories once more, he discovers that he doesn’t want to lose the love they shared. The film proceeds a whirlwind of their memories and their attempts to salvage the relationship. One of the key images for the movie, is the scene where Clementine and Joel find themselves lying on a frozen river, their bodies sprawled out above an ominous crack which represents the weakness and vulnerability of their relationship. This scene takes place on one of their early dates and initially Clementine stands on the frozen river, surrounded by darkness, coaxing Joel to come …show more content…
It quickly cuts out and replays them running in a slightly different way but again in the same direction repeatedly. This repeated action is the director’s way of showing us that their relationship is destined to have repeated failures but shows that they have a willingness to continue through this cycle since their love is worth the hardships. It is a beautiful way of representing how life does not always have a smooth and easy path but it is ultimately our choice in whether or not we choose to experience it despite its imperfectness. Often, people have the idea that they need to be running towards a happy ending, similar to how Joel and Clementine and running happily on the beach, but ultimately it is not the ending that brings the joy but it is the adventure of the journey that leads to happiness. Joel and Clementine show us how chances are meant to be taken, despite the
Twelve Angry Men is a very interesting play about an unfortunate young man, who was convicted of killing his dad. The worst part was, the young man was only nineteen, and his life was just starting. The jurors listened to all the evidence, then came the hard part, making the decision: guilty, or innocent. Eleven jurors said guilty and only one said innocent. There was a lot of peer pressure involved. I decided to write about different peer pressures three of the jurors used.
Director Edgar Wright's Scott Pilgrim vs the World (2010) was based on Bryan Lee O'Malley's comic book of the same name. The film follows the protagonist, Scott Pilgrim (Michael Cera), on his quest to defeat the seven evil ex-boyfriends of his love interest. Due to the original story being presented as a comic book, Wright and his team had the daunting task of emulating that same style. Every action-packed battle had to be timed and angled perfectly, to give the young nerds watching the sweet, nostalgic kick induced by the comic books they would read. Scott Pilgrim vs the World was a real crowd pleaser thanks to the hard work of the production team. From the 8-bit Universal Studios opening to the bitter-sweet credit roll, Wright excited young
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
Scott Pilgrim vs. the World tells the classic story of boy meets girl, boy falls in love with girl but first must overcome problems which the girl brings from her past that interferes with their relationship. Initially defeated, sad boy realizes that this girl is “the one” and so goes into battle for her once more, and this time he is victorious. Where Scott Pilgrim vs. the World is fresh and unique is in the combination of styles and influences from comic books (Scott Pilgrim originally being a comic before being made as a film) and video games, particularly styles of video games popular during the early era of home video consoles in the 1980s and 1990s for which the intended audience of the movie, whose childhoods largely occurred in that period, would feel a deep nostalgia. Costume design, props, and the stylized gestures and vocal delivery of the actors (pp. 125-130, 139-146) all contribute to creating a feel reminiscent of said “old-school” video games. Director Edgar Wright structured the editing of the film so as to create the feel of a continuous stream of action, as though the romance is seen as a never-ending, fast-paced conflict. Sound (pp. 279-280) and visuals (p. 118) are also used in such a way as to create the sense of a universe which is deliberately unrealistic and as direct as possible a translation of the original comic book into film format. Although the film uses a restricted narration (p. 93), with the audience only seeing events as far as Scott can see them, the extensive use of visual and sound cues, as well as the deliberately formulaic plot structure and references to many old video games and classic “boy-meets-girl” stories, the general structure and plot (pp. 80-82) of which the audience is assumed to b...
Frank Darabont (writer-director-producer) in 1999, returned to the director’s chair for the first time in five years. Darabont, who not only directed Shawshank Redemption, but adapted it from a Stephen King story, followed the exact same path with The Green Mile. The film was released by Warner Bros. Pictures, and Produced by Castle Rock Entertainment, Darkwoods Productions, and Warner Bros. David Valdes is the producer, David Tattersall, B.S.C. is the director of photography, Terence Marsh is the production designer, and Richard Francis-Bruce is the film editor.
In the film Eternal Sunshine of the Spotless Mind stresses the importance of memory and how memories shape a person’s identity. Stories such as “In Search of Lost Time” by Proust and a report by the President’s Council on Bioethics called “Beyond Therapy” support the claims made in Eternal Sunshine of the Spotless Mind.
Good Will Hunting is a film which conveys many interlocking themes and messages to its viewers. One of these nicely woven themes is placing trust in the people we care about as well as people we have only recently become acquainted with. Another message, arguably more significant than the last is finding and pursuing the potential one has and bringing meaning into our lives in any form we choose. I believe the potential and success this film demonstrates is that success, growth, and meaning in a person’s life does not always have to come in the form of advancing in a career or social status but rather in the form of overcoming hardships and developing close reciprocating relationships.
Kate is the first example of this eternal youth. She is not killed by any significant event - she does not succumb to a disease nor is she struck my an unfortunate accident - instead, during what would be a completely standard and banal trip to the supermarket she is abducted. There is not really a feeling that she has been lost for a reason; she disappears without notice or any provocation. Kate achieves this dream - the desire to be a child always, and it is as she, where others had not been so fortunate, had managed to wish hard enough to allow childhood to surrounded her so completely that she could not be touched by the exterior world. Kate becomes a child forever, as the title suggests, she exists as much, or more, as a ‘child in time’ as an actual person, living and growing. To Stephen she will always be the child she was when he last saw her, and her only growth can be achieved by superimposing on her personality a stereotyped caricature of what a child her age would be - a child hoping for a walkie-talkie set for her birthday - without her own eccentricities, or personal characteristics.
The movie "A Beautiful Mind" tells the story of Nobel Prize winner John Nash's struggle with schizophrenia. It follows his journey from the point where he is not even aware he has schizophrenia, to the point where Nash and his wife find a way to manage his condition. The movie provides a lot of information and insight into the psychological condition of schizophrenia, including information on the symptoms, the treatment and cures, the life for the individual and for the individual's family. The movie is effective at demonstrating various concepts related to schizophrenia, and provides an insight into the disease of schizophrenia.
This is a report on the story "Driving Miss Daisy". The main characters are Daisy Werthan, Boolie Werthan, and Hoke Colborn. Alfred Uhry wrote the play. It started in nineteen forty-eight and ended in nineteen seventy-three. It’s a play based on a female Jew, which is Daisy Werthan, which passes the ages of seventy-two to ninety-seven years old, and a black chauffeur named Hoke. Daisy’s son Boolie is stuck in between Daisy’s prejudice and Hoke. Here goes.
In the movie A Beautiful Mind the character John Nash has schizophrenia. He has both positive and negative symptoms of this disorder. We see his viewpoint of the world throughout the movie and do not know his disorder until the middle through the ending of the movie, but it is the most clear at the end. I believe the film is realistic to the portrayal of a person with this disorder. The film makes you feel what John Nash is feeling by seeing what he sees everyday. John Nash gets schizophrenia in his early adulthood. This movie was based on a true story about John Nash.
In the beginning of Shutter Island by Dennis Lehane, Teddy Daniels is intelligent, full of grit, clever and determined. Teddy believes he is a United States Marshal sent to Ashecliffe Hospital for the Criminally Insane on Shutter Island with his partner Chuck, to investigate the case of an escaped patient, Rachel Solando. Rachel is said to be a very dangerous patient who murdered her three children. She somehow escapes her cell in the mental ward and is somewhere on the island. As soon as Teddy and Chuck hop off the ferry and onto the desolate island, they are greeted with aloofness and suspicion. None of the employees give them any real evidence of the missing patient and their answers seem to be scripted. The guards, wardens and doctors always keep an eye out for them. When they meet with the head psychologist, Dr. Cawley, he seems congenial and speaks allusively, holding back most of the information he knows about Rachel Solando. Despite the monster hurricane bearing down on the island, Teddy remains determined and strong. Refusing to give up, Teddy marches into the atrocious storm, persistent to locate Rachel. When Teddy and Chuck head out to look around the island, the intensity of the hurricane is described, “Ashcliffe shrouded to their left somewhere in the smash of wind and rain. It grew measurably worse in the next half hour, and they pressed their shoulders together in order to hear each other talk and listed like drunks” (139). The storm is heavily pounding the island yet, Teddy continues to fight through it no matter what happens. Another example of his grit is displayed when he climbs up an enormous cliff to reach a cave. In order to reach the cave he believes either Chuck is camping out in, Teddy ascends on an extre...
According to Skip Young, the new-ish Pixar release ‘Inside Out’ offers more than the entertaining, colorful family film that meets the eye. He believes that the movie portrays “the idea of ‘multiplicity of self’” (Young, ¶4), a concept that has been around since the early days of psychology. This concept suggests that a person’s ‘self’ is made up of different personalities that conflict and cooperate within an individual’s mind. Dr. Young states that he supports Carl Jung’s theory that “each of us is inhabited by a variety of archetypes or “characters” that compete for influence in our everyday lives.” (Young, ¶3) Modern research also supports this idea, with new findings that suggest that our brains have a different neural system for each of our primary emotions.
The movie ends with the song “Change of Heart” playing while Clementine and Joel are walking in the snow towards their new beginning. The director is implying that they had a change of heart and that things in the end did work out for them to live together happily ever after, but not with out loves temporary and necessary glitches.