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The Character of Mademoiselle Reisz in The Awakening
"The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column. It was not the first time she had heard an artist at the piano. Perhaps it was the first time she was ready, perhaps the first time her being was tempered to take an impress of the abiding truth." (26) Madam Reisz was a predominant factor in the life of Edna, compelling her to arouse her courage and supplying her with the proper motivation to do so. She was admired by Edna, impelled to be an artist by her. Madam Reisz, in response, also portrayed a considerable amount of gratitude towards Edna and her "awakening": "You are the only one worth playing
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"It was during such a mood that Edna hunted up Mademoiselle Reisz." (58) When Edna returns to the city, she is dominated by the premonition to seek Mademoiselle Reisz, yet the purpose is indistinct. By seeking madam’s residence Edna is supplied with two factors of appeasement that are able to suppress her boredom: Robert’s letter’s, and Reisz’s music: ‘The shadows deepened in the little room. The music grew strange and fantastic, turbulent, insistent, plaintive, and soft with entreaty. The shadows grew deeper. The music filled the room. It floated out upon the night over the housetops, the crescent of the river, losing itself in the silence of the upper air." (64) No other individual possesses the ability to pacify and appease Edna more than Madam Reisz. Edna, by reading Robert’s letters, was almost enriched with an incarnation of Robert’s presence. Edna portrays such enthusiasm in receiving the letter from Robert to madam Reisz by her occasional, subtle exultations; "Another so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" …show more content…
One way in which Reisz does this is defining the requirements of a genuine artist, which Edna aspires to become. "I do not know you well enough to say. I do not know your talent or your temperament. To be an artist includes much; one must possess the courageous soul." (63) Reisz has undoubtedly supplied Edna with education that she has not been enlightened to in the past, informing her to not be an artist in just the literal meaning, but acknowledging all that the term conceptually entails. Madam Reisz possesses the ability to fully understand Edna, strengthening the moral support that she provides her with. Reisz tells Edna that Robert loves her and explains the reasons for his leave of absence. "It’s because he loves you, poor fool, and is trying not to forget you, since you are not free to listen to him or belong to him." (63) Reisz serves as a consultant for Edna on
Kate Chopin uses characterization to help you understand the character of Edna on how she empowers and improves the quality of life. Edna becomes an independent women as a whole and enjoys her new found freedom. For example, Chopin uses the following quote to show you how she begins enjoying her new found freedom.”The race horse was a friend and intimate association of her
The relationship Edna has with Mademoiselle Reisz guides her transformation from a wife and mother to a single woman. Reisz acts as a role model for her, someone who does not conform to society’s expectations. Mademoiselle Reisz lives how she wants and accepts both positive and negative consequences of her lifestyle. From the first time Edna sees her play, she admires Mademoiselle Reisz. “The woman, by her divine art, seemed to reach Edna’s spirit and set it free” (623). The music she plays helps calm Edna’s spirit. Mademoiselle Reisz allows Edna to read the letters Robert wrote to her and she supports her in her decision to follow her heart and be with Robert. In doing so, she kindles the passionate flame Edna has for Robert. As Edna wishes t...
For Edna, the times that Reisz plays are times when she "take[s] an impress of the abiding truth" and realizes her true desires(p.34). When Edna visits her, Reisz first improvises at the instrument and then plays the Impromptu which itself has original and adventurous themes. Through music Edna realizes the importance of being self-actualized and making choices. She again feels the same as that night when "new voices awoke in her"—when through music, the way to genuine freedom was revealed to her (p.84). However, having freedom comes with responsibility, which like giving birth to art, requires special skill. For Edna, the fantasies of freedom are transformed into reality wholly only in music and possibly the inability to acquire the skill to deal with her new emotions in life explains the dramatic conclusion to the journey and exploration of the passions that begin on the island.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Marquis de Condorcet’s Future Progress of the Human Mind depicts knowledge as being something that human beings want to achieve. To attain more knowledge on a specific thing, the information must be available through more universal education along with subjects being easier to classify. When the knowledge is available and simpler for humans, they will want to learn. Through people wanting to learn more things, new information will want to be discovered and in conclusion, be a happier place. Knowledge, in Condorcet’s eyes, is the key to happiness because it allows people to focus on life rather than surviving.
While Madame Ratignolle, Madamoiselle Reisz and Edna are very different characters, all of them are unable to reach their potentials. Madame Ratignolle is too busy being the perfect Louisiana woman that she no identity of her own; her only purpose in life is to care for her husband and children. Madamoiselle Reisz is so defiant and stubborn that she has isolated herself from society and anyone she could share her art with. Edna has the opportunity to rise above society’s expectations of females, but she is too weak to fight this battle and ultimately gives up. While these three characters depict different ideas of what it truly means to be a woman and what women’s role in society should be, none of them can reach their full individual potential.
Robert often spends his time chatting with Edna and Madame Ratingnolle. Adele Ratingnolle is a lovely woman who Edna and Robert both adore for her be...
Julius Caesar is the leader of Rome and is seeking to become king in a matter of time. Though he is a good military strategist, he lacks knowledge in running government and is too greedy to have any concern for the peasants when he is alive. Caesar is all about conquering and power and he is afraid of nothing. Before he is murdered, he says “The things that threatened me ne’er looked but on my back. When they shall see the face of Caesar, they are vanished” (II, ii, 575). Th...
Edna’s first action that starts off her route to freedom from her relationship is when she fell in love with Robert. Edna had already married a man that she had not loved but he has not been treating her a...
Another aspects of the story is that once Edna’s awakening begins to take place, she is on a roller coaster of emotions, from the manic exuberance of listening to music and the sounds of the water, her connection to robert--it’s as though all her senses are opened up. Between times, however, she is really depressed, as though all the color that Chopin imparts so beautifully in the descriptions of the other scenes, has become dull and uninteresting. Then, she is flung into an emotional upheaval when she reads Robert’s letter to Mlle Reisz, as the latter plays Wagner. Clearly, these kinds of emotions cannot be borne by a woman whose cultural structure does not admit the building of her own that it might sustain the weight and number. She is overwhelmed. She must escape, and she does, for her situation now is powerfully reminiscent of the “joy that kills” in “Hour.”
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her society’s mold.
In Chopin's Awakening, the reader meets Edna Pontellier, a married woman who attempts to overcome her "fate", to avoid the stereotypical role of a woman in her era, and in doing so she reveals the surrounding. society's assumptions and moral values about women of Edna's time. Edna helps to reveal the assumptions of her society. The people surrounding her each day, particularly women, assume their roles as "housewives"; while the men are free to leave the house, go out at night, gamble, drink and work. Edna surprises her associates when she takes up painting, which represents a working job and independence for Edna.
Brutus was a devious man, even though what he thought he was doing was right. Brutus told his fellow conspirators to kill Caesar “boldly, but not angerly.”(3.1.256-257) Brutus was one of Caesars right hand men, and yet Brutus kills his own friend. When Antony asks to speak at Caesars funeral, Cassius says no, but Brutus tell him that Antony will speak, but only what Brutus tells him to say. Brutus also embraces the fact that he just killed his friend, and also tells the senators who had just witnessed it to not be afraid, but to stay because ambition has paid its debt.
Edna Pontellier is a delicate character, attempting to find happy ground between the devoted mother-woman, Adele, and the independent, cold woman, Reisz. I believe that through