In ancient Greece, men who died in war fulfilled the civic ideal to the utmost. The women, destined to live out a degrading life, died in bed. Certainly, not all men died in battle, but every epitaph shows in one way or another, the city would always remember the men who died in war. Additionally, not all Athenian women died in bed; nonetheless, it was left to her family to preserve the memory of her not the city. No matter how perfect a woman was she would never receive the same status or level of social expectations from the city that a man received. No accomplishments were allowed beyond living a life of motherhood and submissiveness to a man, namely her husband. In fact, in early Greece, women were typically viewed as subservient to men, submissive in their actions, and of a status only slightly above slaves; however, Antigone was not your typical Greek woman.
Many ancient Greek Philosophers have written and expressed their views on women’s’ status in ancient Greece. One author, Sophocles, wrote plays about how you cannot escape fate, because the Gods give fate and men cannot escape what the Gods decide. Sophocles shows his case in point, that human laws can destroy a city, using Antigone as a noticeable illustration to show his points. Pericles according to the author Thucydides has hardly anything to say about women, but when he does, it is in a demeaning statement. Socrates never says anything in reference to women, but more to society in a whole. Finally, Sappho’s writings have been threatened to be destroyed because of her indifferent views towards women and how she portrayed them.
In the play Antigone, Sophocles stretches the role of a woman. There is a battle between what is right and laws of Gods or laws of man. Sophocles places Antigone in this fight against her Uncle Creon. Antigone stands up for ancient law and Creon stands up for man’s law. Creon voices his opinion on how he feels about women in ancient Greece. Creon states “We must defend the men who live by law, never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man – never be rated inferior to a woman, never.” (Pg. 77 – line 755-762)
Antigone, with her sharp tongue, challenges Creon with what she feels is right “It wasn’t Zeus, not in the least, who made this proclamation – not to me.
In the story, Antigone is caught by Creon’s workers. Antigone is confronted by Creon about breaking the law he created. Creon states “He would: for you honor a traitor as much as him” Antigone replies “His own brother, traitor or not, and equal in blood” C “He made war on his country.
when you're not with them they get up to all sorts and last of all
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
On the surface, Antigone is the classic tragic hero, it is she that Sophocles wants us to be drawn to. It is Creon against who he stacks the cards. A writer's value judgement, nothing more. So then, once more assuming Antigone is a male instead, are her or his actions noble or foolhardy, and irresponsible. While on the surface it appears noble to risk death for a principle, is it really ? Aren't relationships more important than principles ? Much is made of Creon sentencing his own son's fiance to death, did she not by her foolhardy, kneejerk reaction sentence herself. Where is her consideration for her husband to be ? And her sister, who has lost so much, and now clings to her so desparately, is rebuffed and dismissed as not worthy of the glorious Antigone.
As a result of these major differences Jack decides to head down the beach and build a new tribe. He tells the others on the island that with his new clan “we hunt and feast and have fun…” (Chap. 8 p140) by announcing this he appeals to the childish more uncivilized collection of the kids. The boys recognized that Jack was a stronger and more self-sufficient chief so many ch...
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
In Ancient Greece, women had little to no freedom in their lives. For instance, they had no role in politics, leaving that completely to men, were expected to stay indoors for the majority of their lives doing household work because they were under the control of a male relative, usually being their father or husband, and they were not allowed to study medicine. These standards were set by great writers such as Aristotle who wrote of women being inferior to men. He believed women were more emotional, which is why they would be useless in politics, and they were more deceptive and mischievous. Because only men were doctors, many women were dying during childbirth due to the fact that they felt uncomfortable about having a man handle their pregnancy.
Women had very few rights, they lived as prisoners, serving men 24 hours a day. Women were sheltered from society, restricted to their husbands and their husbands houses, crying out for help and justice but there is no one to there to hear their screams. In the play Antigone when the title character had to sneak out of the house to meet up with Ismene. Ancient Greek men ruled a lot like over protective fathers with teenage daughters. Men were also scared of women gaining confidence and begin thinking on their own or worse taking action or speaking out against men, like in the play Antigone where Antigone confronts Creon by burying Polyneices after Creon strictly stated that no one bury him. If someone were to bury him, the whole Polis would stone them to death. When Creon found out that someone buried Polyneices, he did not even consider that it could have been a women that did it.
Having already been through public disgrace, when her own father, Oedipus found out that he was to fulfill a prophecy; he would kill his father and marry his mother, and this caused Antigone to be full of resentment toward her city. Both of her brothers die in a battle and, Creon, the king of Thebes forbids the burial of one of her brothers, Polynices. This must have driven Antigone to follow her moral law. Considering the love she had for her family as well as her God, she felt that you react upon morals not upon the laws of man. That morale law was to honor her brother and give him the respectful and proper burial that he deserved just as her other brother was given. The love she had for her family was the only thing she had left to honor. Ismene, Antigone’s sister was more fearful of the king’s law then the way her heart was leading her. Her values were slightly distorted.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
The origin of the Sophocles’ Greek tragedy “Antigone” has created much controversy about the definition of a tragic hero, as defined by Aristotle. A literary character that makes a judgment error that leads to his/her own downfall. Both Creon and Antigone challenge each other’s conception of the divine and civic law while each has lawfulness in their argument. It is evidently noted that Antigone is the hero of the tragedy; she was a romantic idealist whose beliefs on family loyalty and religious values could not be condemned by civil laws.
punished me; not two or three times in a week, nor once or twice in a
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.
In Greek classics, it is common knowledge that in that era women and men were considered unequal. Men were superior, and in most cases women were not even fit for citizenship. It is in this atmosphere and time period that Aristophanes wrote Lysistrata. The play itself is supposed to be a comedy, although the actions of the women do not seem amusing. Instead, the women’s actions, especially the main character Lysistrata, seem incredibly brave. Lysistrata rounds up her “troop” of all the women in Athens and a Spartan woman. They take charge of the acropolis and refuse to settle for anything less than a peace treaty to end the war. The only problem with this is, in ending the war, they will be bringing back the men from their duty and end up in the same social caste system as they were from the beginning. Aristophanes seems to make the point that – the only power women hold is their sexuality (Rex Par. 7). The Athenian women can withdraw from their husbands for however long they like, they still end up givi...
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.