Essay on Picture of Dorian Gray: A Jungian Analysis

928 Words2 Pages
bulb-icon

Recommended: Structure of the picture of dorian gray

The Picture of Dorian Gray begins with Basil describing his fascination with Dorian, and ends with his masterpiece reverting to its original splendour. He describes his reaction to Dorian in these words:

"When our eyes met, I felt I was growing pale. A curious sensation of terror came over me. I knew that I had come face to face with some one whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself." (6)

Such a reaction is not a reaction to another human being. It signals an intimation of something super-human. The word "fascinating" comes from fascinum, which means "spell." A fascination is caused by unconscious factors. It grips us; it holds us in its power; it acts upon us. The expression "face to face" suggests an image of a "god" -- cf. Jacob's experience at Peniel (Gen. 32.30) or Moses in the Tabernacle (Ex. 33.11). Dorian as both Dionysos and Apollo corresponds to both Jung's definitions of the Self: "a god-image in the psyche," and a "complexio oppositorum" (Vol. 9.ii; par. 73; also CW 11.283). For Jung held that a god-image must be a mixture of opposites "if it is to represent any kind of totality" (CW 13.289).

According to Jung, the Self is an autonomous archetypal image, which symbolizes something towards which the individual is striving. An experience of the Self thus represents an intimation of a meaning which the individual has not yet assimilated. The individual's task is to integrate the meaning implicit in his or her particular experience, but not to identify with it, for this would signal psychological inflation.

Basil lives only for his art (56). He is afraid of life, because it is capable of exerting an influence over him which he feels as threatening. He is afraid of Dorian, because Dorian personifies the Dionysian side of his own personality which he has repressed. Thus he needs Dorian, because only through Dorian can he feel that he is alive. The contrast between them is suggestive. Basil is fascinated by what he himself is not. The attributes which he finds so fascinating stand in "compensatory" relation to him. But, instead of seeing his fascination as symbolic of a need to develop the Dionysian side of his own personality, he seeks to perpetuate his experience through art.

Show More
Related

  • Realization of the imitation

    1308 Words  | 3 Pages

    Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...

    Read More

  • The Reader's Sympathy for Dorian from Wilde's The Picture of Dorian Gray

    2031 Words  | 5 Pages

    In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...

    Read More

  • Themes of Obsession in Oscar Wilde's The Picture of Dorian Gray

    1283 Words  | 3 Pages

    Obsession in its nature is toxic; it turns people into gods, and leaves no room for their actual selves. Celebrities are the idols of the modern world, where ever they go, a fan follows them dying to get their attention. Dorian Gray, who was loved by nearly all of London for his charm and beauty, who’s biggest fan, Basil, worship of him lead to bitterness. The theme of obsession in The Picture of Dorian Gray is seen through both those who worship Dorian Gray, and the portrait, which is the object of Dorian's obsession. Although Wilde displays obsession through Basil's worship of Dorian, and even Dorian's obsession with himself and his youth, the modern day celebrity is a parallel to Dorian, who is worshipped by many at first for their beauty, wealth or fame, but the nature of the worship eventually leads to chaos.

    Read More

  • Dorian Gray Vs. Frankenstein

    2002 Words  | 5 Pages

    “The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.

    Read More

  • Forensic Science

    758 Words  | 2 Pages

    Fingerprinting information varies in numerous ways. Each person’s fingerprints are different in someway (Unique). The technical term is actually “DNA fingerprinting” because us as a person obviously cant just take a look at a fingerprint and see the difference; we must analyze the actual DNA behind it. Sometimes a miss concept of most people is, that fingerprints stay perfectly fresh for extended periods of time. Partial fingerprints and even degraded full fingerprints can turn up to be useless sometimes. Fingerprints are not admissible if they are 99.9% sure, they must be 100% or a Forensics lab will not support them. DNA Fingerprinting, and the fingerprints that are at the tips of your actual fingers are two different things. The ones we a...

    Read More

  • Theme Of Masculinity In The Picture Of Dorian Gray

    1299 Words  | 3 Pages

    During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing

    Read More

  • The Body, Mind, and Soul in The Picture of Dorian Gray

    1886 Words  | 4 Pages

    Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.

    Read More

  • Free Essays on Picture of Dorian Gray: Dorian as Faust

    3302 Words  | 7 Pages

    The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.

    Read More

  • Essay on Picture of Dorian Gray: Dorian as Tragic Hero

    2335 Words  | 5 Pages

    At the beginning, the general mood looks like pure and innocent expressed by the descriptions as follows: "the rich odours of roses...the light summer wind...the heavy scent of lilac"(Wilde 5).  This opening scene precisely symbolizes the world in which Dorian is situated at present.  Just like the beautiful setting, Dorian is a "beautiful creature"(7) and the portrait Basil draws shows Dorian's "extraordinary personal beauty"(5).  In other words, Dorian is in front of the mysterious gate of life that has immense possibilities.  At this point, Dorian is ignorant about both the world of idealistic art and the world of mundane, earthly values.  Dorian merely possesses "all youth's passionate purity"(17).

    Read More

  • The Picture of Dorian Grey

    904 Words  | 2 Pages

    Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him all for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12). Dorian’s beauty is greatly appreciated by Basil, and he is the one who makes Dorian realize his beauty and charms.

    Read More

  • The Picture Of Dorian Gray Theme Essay

    708 Words  | 2 Pages

    In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.

    Read More

  • Beauty in The Picture of Dorian Gray

    797 Words  | 2 Pages

    Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...

    Read More

  • Analysis Of Narcissism In The Picture Of Dorian Gray

    1454 Words  | 3 Pages

    Everyone is merely a product of their surroundings and become what they have been raised to be. While some remain untempted by the vices of their peers, others completely absorb the negative influences in everyday life. Modern society values beauty over substance and The Picture of Dorian Gray serves to reveal that flaw. Oscar Wilde criticizes the superficial nature of people by satirizing the corruption of their views on morality. He says “The books that the world calls immoral are books that show the world its own shame” (Wilde 238). Dorian Gray, the main character, is representative of the direction that humanity as a whole is heading toward. He struggles with his religious identity while also trying to please society’s expectations

    Read More

  • How Does Basil Influence Dorian Gray

    945 Words  | 2 Pages

    Basil wants Dorian to go back to his old ways. It is at this point that the reader can see that Dorian is actually being affected by his conscience, something that has not been seen in him since the beginning of the book. It is at this point that Dorian begins to go back to how he was before and feels the need to reform. However, Dorian is unable to accept how drastically he himself has changed, and attempts to excuse it. This can be seen when Dorian cries, “Each of us has heaven and hell in him, Basil.” Dorian is showing despair, proving that he realizes that he understands that he has committed many sins and thrown away his life, but still wants to explain it away. Despite this, Dorian attempts to shock Basil by showing how drastically his painting has changed to reflect what Dorian has done. However, Basil instead prays for Dorian and shows him love, which Dorian cannot accept. Dorian kills Basil, but realizes that he has made a mistake. He starts trying to reform in order to get rid of the ugliness of the picture and return it to how it was

    Read More

  • The Relationship between Dorian Gray, Basil Hallward and Lord Henry Wotton

    1386 Words  | 3 Pages

    Seemingly striving after impersonality and aesthetic perfection in his work, Basil feels the greatest anxiety of having put "too much of himself" into his picture of Dorian (Chapter 1, page 20) that he can't exhibit it. To display his work of art in public would, in a sense, amount to exposure of Basil's attraction to Dorian Gray. This is one reason, and another reason is that he may fear that more people will see and get attracted by Dorian Gray. He admits to Lord Henry that "he is much more to me(Basil) than a model or a sitter."In his deep consciousness, he is quite possessive and self-contemptuous. He refused to introduce Dorian Gray to...

    Read More

More about Essay on Picture of Dorian Gray: A Jungian Analysis

Open Document