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Metamorphosis of the Family in Kafka's Metamorphosis
In Franz Kafka's Metamorphosis, the nature of Gregor Samsa's reality changes insignificantly in spite of his drastic physical changes. Gregor's life before the metamorphosis was limited to working and caring for his family. As a traveling salesman, Gregor worked long, hard hours that left little time to experience "life." He reflects on his life acknowledging the "plague of traveling: the anxieties of changing trains, the irregular, inferior meals, the ever changing faces, never to be seen again, people with whom one has no chance to be friendly" (Kafka 13). Gregor, working to pay off his family's debt, has resigned himself to a life full of work.
Kafka himself paralleled this sentiment in a quote taken from his diaries noting that no matter how hard you work "that work still doesn't entitle you to loving concern for people. Instead, you're alone, a total stranger, a mere object of curiosity" (Pawel 167). Gregor submerges himself in work and becomes a stranger to himself and to life. Any type of social contact beyond porters, waitresses or bartenders was non-existent. He had once met a "cashier in a hat shop, whom he had pursued earnestly but too slowly" (Kafka 76).
There was no room in Gregor's life for people other that his family and as a result was condemned to a life without love or caring not to mention basic companionship. He worked diligently to provide for his family and that remained his only goal in life. Gregor's family relied on him to be the "breadwinner" of the family, but gave him nothing in return. The life that he had led until now was one fully of obligations and loneliness; he came home to empty hotel rooms or his apathetic fam...
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...g him and longing for his demise. Can anyone be sure that their lives are good and perfect and that their families would understand and accept any change that could arise? The fact is that above and beyond all things a person must consider themselves first, however selfish it might appear. Sense of self will keep you through all the adverse times in life and be a companion to rely on when no one else cares.
Works Cited
Eggenschwiler, David. "'The Metamorphosis', Freud, and the Chains of Odysseus". Franz Kafka: Modern Critical Views. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 199-219.
Emrich, Wilhelm. Franz Kafka: A Critical Study of His Writings. New York: Ungar, 1968.
Kafka, Franz. Metamorphosis. Trans. A.L. Lloyd. New York: Vanguard Press, Inc., 1946.
Pawel, Ernst. The Nightmare of Reason. New York: Vintage Books, 1984.
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When first reading a story about a family, the reader typically thinks of the perfect usually family that is portrayed in many movies and television shows to come. The father works and loves his family, the mother is a stay-at-home mom and takes care of the whole family, the son goes to college to make a life for himself, and the daughter goes to school and excels in everything she does. In the short novel The Metamorphosis written by Franz Kafka, the family is not portrayed in this way. The father stays at home and is abusive not only physically but emotionally as well, the mother does stay home but only to take care of the father, their son Gregor is the breadwinner of the family but he has no say in anything, and the daughter Grette stays in her room to avoid trouble. Kafka wrote all of his stories to express his emotions, but The Metamorphosis expressed it on a whole new level by
Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey. Within the first few pages of the novella, readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor tries to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling salesman “Day in, day out-- on the road. I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours.
Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
Kafka creates a very lonely and abandoned world for Gregor Samsa in his short novel Metamorphosis. Gregor is an existentialist character who mutates into a giant bug without reason and no longer has any control over his life. He becomes completely uninvolved in the way that he does not talk or have any interaction with anyone inside or outside of the family. He is dehumanized. Gregor’s mother is disgusted by the looks of him and refuses to see or talk to him. Gregor is now lonely and abandoned by his family, does not eat and eventually dies.