Cruelty and Compassion in The Iliad
The Iliad, in that it is more about the Greek hero Achilles than any other particular person, portrays the Achaean in surprisingly shocking light at times throughout the story. In his encounter with Lycaon, who had previously been taken prisoner by Achilles long ago, Achilles demonstrates the extents to which his warlike demeanor can go. Yet it is equally surprising that he is capable of impressive compassion, as is depicted elsewhere in the Iliad. What seems to be an almost unbelievable fluctuation in attitude and mood is far from unexplained or contradictory, however. In fact, there is a well-defined regularity in Achilles' actions and demeanors, to the point of being capable of systematic classification. Achilles is not a loose cannon or an unpredictable firebrand. The method to his madness can be applied to his encounter with Lycaon as it can with any of his episodes in the Iliad.
It is in Scroll XXI, at the height of his vengeful and destructive advance, that Achilles meets Lycaon. He has just captured twelve soldiers for sacrifice, and at the exact moment that he reaches Lycaon he is "thirsting for still further blood" (33). Lycaon entreats Achilles to have mercy on him. He mentions that he has been captured before by Achilles and has had precious little time to enjoy his regained freedom. He also distances himself from Hektor, who he knows has Achilles' enmity because of the death of Patroklos. In near desperation, Lycaon falls to his knees, declaring himself to Achilles as "suppliant" (64).
Achilles' reaction at this instance is, along with his defilement of Hektor's body, among the most grim and bellicose moments in the Iliad and in Achilles' development as a character. H...
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...rom being shocking, it is in fact completely consistent with the character of Achilles that we see throughout the Iliad‹fearsome in combat, respectful of honor and courage otherwise.
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hroughout the Iliad Achilles shows how the ego of a Kardashian is being portrayed and the emotional maturity of an eight-year-old because of the certain adult qualities he lacks, for example: he does not work well with others, he lacks the concept of forgiveness, he is selfish, thinks highly of his self without regard to others, being rude and unkind, aggressiveness when talking to others, and having too much pride and not thinking about the consequences of his actions and how it can affect not only him but others as well. Achilles does not like to work with others he prefers to be the one in charge of everybody and he likes for everyone to do as he says. In the Iliad Agamemnon says, "This man wants to be ahead of everyone else he wants to rule everyone and give orders to everyone" (1.302-303). Achilles and Agamemnon are having an argument amongst one another because no one wants to give Achilles the honor he feels that he deserves for being the best fighter in the war and for all the blood sweat and tears he shed while defeating the Trojans "he is a mighty bulwark in this evil war" as Nestor says.
In Book 21, Achilles kills a hostage at his mercy, whose life he has sparred in the past. By the end of Book 21, Achilles has killed so many Trojan’s that the river is clogged with the bodies of his victims. Achilles behaves without a care for human life, as well as his treatment toward Hector before and after he kills him. As stated in Blucher’s article, Achilles is found to go berserk, committing atrocities to both living and dead. This, for Shay, is the story of the Iliad and also as Shay goes on to demonstrate, the story of many Vietnam combat veterans”. (Blucher). Before their battle Hector begs Achilles to honor his corpse if he is killed in war, and Achilles refuse, saying, “Don’t try to cut any deals with me, Hector. Do lions make peace treaties with men? Do wolves and lambs agree to get along? No, they hate each other to the core, And that’s how it is between you and me, No talk of agreements until one of us Falls and gluts Ares with his blood” (Homer). His statement of intent to dishonor Hector’s corpse and to damage the body after his enemy’s death, shows that he had anger towards his superiors. The most disturbing portrayal from Achilles is his behavior, when Hector’s father Priam meets with him to ask for Hector’s body. This show Achilles’ anger is driven by rage towards other superior officers in the
To Achilles this prize Brises represents something more than just a prize; she is a symbol of status, of acceptance. His way of obtaining honor which he (Achilles) has to figh...
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The Ancient Greeks admired their heroes and tried to learn from both their achievements and their mistakes. They believed that most great leaders and warriors followed a predictable behavior cycle, which often ended tragically. In Homer’s epic poem, The Iliad, Achilles is a great warrior who traces the stages of the behavior cycle twice, from arete to hubris to ate and then to nemesis. Achilles is a highly skilled warrior and a great leader who becomes a narcissist and an arrogant person, which leads to selfish and childish behavior resulting in the death of his best friend. Following Patroclus’ death, Achilles repeats the behavior cycle by regaining his courage and motivation, and goes back to battle against Hector. The pride he feels in killing Hector and his overpowering hatred for him, leads Achilles to another bad decision: disrespecting the body of his enemy. This foolish choice leads directly to Achilles death. Although The Iliad is mainly known as a story about the Trojan War, it is understood as a story about Achilles and his struggle to be a hero.
Censorship has been around since the development of music. Throughout history pro-censorship groups, retailers, schools, parents, and legislators have found ways to censor music. (History of music censorship) Many artists have been sued because parents thought the music influenced their children to form certain acts. (Censorship in Music) We know of music censorship mainly because of the development of rock and roll during the 1950's. By 1980's censorship reached new dimensions. In 1992, the Erotic Bill law passed the "adult only" label on certain recordings. While people stand for music censorship, American Civil Rights Union fight to make them understand that musicians have First Amendment rights.
Cambridge: Cambridge University Press. Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984. Segal, Charles.
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