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The outsider theme albert camus
Theme and characterization of the outsider by albert camus
Theme and characterization of the outsider by albert camus
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The Character of Meursault in Camus' The Stranger (The Outsider)
Raymond typifies the beast-character in Camus' The Stranger (The Outsider). He is like Stanley from A Streetcar Named Desire (T. Williams), emotional and manly. Physical solutions come naturally to him, as we see when he mistreats his ex-girlfriend. Ideally, society is exactly the opposite; law and order attempt to solve things fairly and justly. I propose that Meursault is somewhere between these two extremes and that this is the reason why he is a societal outcast. This metaphor explains his major actions in the book: as he struggles to keep his identity, his personality comes in conflict with the norms of society and he is shut down.
Just as an animal sticks to instincts, Meursault has a hard time feeling emotions such as remorse or compassion. Even the first page shows us this. Just as an animal leaves its family when it is old enough, never to return, when Meursault hears of his mother's death he is unattached, even uncaring. He had similar feelings when he sent her to live in the old people's home. Meursault has quite a passion for women; he starts dating Marie the very day after he finds out of the death. But like most animals, marriage is basically nonexistent for him; though he acknowledges it, it holds little meaning. When he is isolated in jail, he dreams of women; not Marie, whom he has been seeing for some time, but women in general. Like an animal he feels the urge to mate without any desire for monogamy. An animal has to focus on the present in order to survive, and as far as we know doesn't spend much time cogitating about its past. Meursault always lives in the present, hence his lack of remorse. This beast-like quality is one that get...
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...s Meursault is not able, because of his very nature, to believe in a hereafter. His human side gives in to his animal side at the end when the chaplain tries forcibly to make Meursault see the light. His animal feels the threat of being tamed, or converted to the ways of human society, and so he explodes to save himself.
Only twice in the novel does Meursault experience extreme pressure, once from nature and once from society, and at these points he gives himself over to his beast. This proves devastating from a certain point of view: the first time he compromises his chances of living, and the second time he compromises his chance of an afterlife. This self-preservation instinct is the only thing that keeps him in touch with his bestial side, and in spite of these consequences he triumphs over life in that he remains unique, he does not conform.
Meursault resists being typecast into an archetypal moral category in many of his deeds and actions. Many of his actions in Part One of the novel help contribute to the fuzzy picture of the character. For example, at his mother's funeral, Meursault does not cry or weep in the typical mourning fashion, but rather sleeps during the vigil and entices one of the other mourners present to smoke a cigarette with him. This would be typically considered "evil" behavior, in the context of the story. He could easily been seen as disrespectful and seditious toward his mother and the established procedures of mourning, which seem to be fairly definite at that era in France. However, this "evil" mold can easily be shaken if one considers that Meursault may be more shaken than anyone else present at the funeral. Considering the other events in the novel, it seems as though he does not have a large capacity for emotion. Based on this, it is not unreasonable to assume that the events leading up to and including his mother's death may have overtaxed his limited scope of emotion, and he was therefore nearly incapable of mourning in the "normal" or expected way for his mother, but rather had to resort to his own, more c...
Meursault is a fairly average individual who is distinctive more in his apathy and passive pessimism than in anything else. He rarely talks because he generally has nothing to say, and he does what is requested of him because he feels that resisting commands is more of a bother than it is worth. Meursault never did anything notable or distinctive in his life: a fact which makes the events of the book all the more intriguing.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Often one wonders what it would be like to completely close off all connections to society and live in exile. What it would be like if your thoughts were the only thing to keep you company. For most; the idea of being all alone with just your thoughts is enough to drive one crazy. However not for Meursault. Meursault is already so detached from society that his experience of exile is less of a punishment, and more so enriching. His time in captivity cuts him off from his “home” or better yet, his comfort zone of being an introvert and gives him a chance to create a different appearance in front society, apart from a stranger.
Another instance when Kierkegaard’s ideas are demonstrated is when Deckard begins to fall in love with Rachael, which ultimately complicates his feelings about slaughtering other replicants. Being that Deckard is a blade runner it is his duty to "retire" any replicate that he comes into contact with. After he initially comes into contact with Rachael his outlook on replicants start to shift. One prominent moment is when she saved him from Leon, this caused him to be much more sympathetic towards her. As a result, when she asks him if he would retire her, he tells her he wouldn't, but someone else surely
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
Life has been defined as the property or quality that distinguishes living organisms from dead organisms and inanimate matter, manifested in functions such as metabolism, growth, reproduction, and response to stimuli or adaptation to the environment originating from within the organism. Further, that very definition from the Webster's dictionary says nothing when it comes to the everyday experiences one faces throughout a lifetime. The experiences one faces makes, breaks, and shapes us into how we act and live. T.S. Eliot's poem "The Hollow Men" portrays a world in which humans lack connections to each other and to G-d. Similarly, the main character, Meursault, from the short novel The Stranger, by Albert Camus, represents a man who does not feel any condition to anyone or anything. Meursault seems not to have a sense of emotion for the occurring actions in his life, and as a result, Camus pictures him as a senseless man. Many people in society go through life-breaking crisis that takes them several weeks even months to get over, meanwhile Meursault goes through some of the most immense problems during his life, yet he shows little emotion to ward his reality.
Meursault in the book tries to overcome his emotional indifference within himself. One example shows Meursault emotional indifference against Marie. In this quote, “A minute later she asked me if I loved her. I told her it didn’t mean anything but that I didn’t think so.” The quote explains how Meursault doesn’t really think about the consequences of other people’s emotions. When he said in the quote it didn’t mean anything to him, it shows he believes human life and emotions are meaningless. He also says I didn’t think so, showing he struggles to comprehend and make his own interpretations on human emotions from Marie and other people. Another example shown is Meursault against his mother’s funeral. In this quote ‘Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: “Mother deceased. Funeral tomorrow. Faithfully yours.” That doesn’t mean anything. Maybe it was yesterday.’ This quote also shows Meursault idea of human life is meaningless. This shows that Meursault believes it doesn’t really matter if his mother died, he’s probably implying that his mother was dying soon...
Basketball, the sport that has been around for decades. An abundant amount of people play the sport. In my opinion, it’s one of the finest sports invented. The sport itself is mentally and physically challenging. I will be explaining how to play the sport, the history of basketball, and why you should play basketball.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The process of critical thinking requires you to ask more questions of both others and of yourself before a decision or determination is made. In order to successfully evaluate data in a critical manner, you must have a system in place to assess information as it is presented. In any situation whether you are having a conversation, observing others, or material you have read, you must be ready to probe deeper and ask the right question at the right time.
Critical thinking is a process of applying various skills to analyze information. Critical thinking uses rationality to distinguish between emotion and fact. This paper will discuss the definition of critical thinking, and the skills it takes to think critically. It will also provide an example of critical thinking applied to my current working environment. Finally this paper will discuss the importance and benefits of critical thinking in the decision-making processes.
Throughout our lives we learn to interpret situations in many different ways. Critical thinking is the ability and a skill to use when making careful decisions to approve, refuse, or defer judgment of a claim. In this, critical-thinking is the method of evaluating what others say or write when deciding whether or not to consider and to believe their statement.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.