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What is visual literacy and why is it important
The importance of visual and media literacy
The importance of visual and media literacy
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Recommended: What is visual literacy and why is it important
The Decline of Visual Literacy in a Visual Age
Visual literacy is the capacity to interpret, and generate original, as well as acknowledged, meaning from images. To put it more succinctly, it “is the ability to construct meaning from visual images” (Giorgis, 1). It is pivotal to the graphic arts but is often seen as “peripheral to the ‘real business’ of school and schooling” (Dimitriadis, 361). Current issues in education often involve how to develop literate students. This means that students acquire the necessary skills to understand the meaning in texts and be able to produce their own puissant writing as well. Arguments concerning literacy are centered almost exclusively on written text and this is the only definition of literacy in which most are exposed to. However, we live and work in a visually oriented society in which the idea of being visually literate remains extraneous to the mainstream definition of an educated person.
Our current culture is one in which we are subjected daily to images in every form, and over- saturated with advertising, both informative and misleading. The importance of visual literacy as an important aspect of critical thinking becomes clear in the face of such prolific output. It has been traditionally placed in the realm of fine arts, taught as a component of art and design. The popular mode of thought is that one either has visual artistic talent or does not, but it is rather a skill that can be taught, much like reading. Visual literacy should be an integral part of a modern education and it should be central to the contemporary definition of literacy. It is estimated that almost half of the knowledge we acquire is through visual means, pointing to its relevance beyond tradition...
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...we can develop perspectives that allow us to raise questions that, without them, we might not have. It is also important to note that visual literacy and the arts in education can cultivate a demand for art that is economically essential. Data from the National Endowment for the Arts’ Survey of Public Participation in the Arts shows evidence of a chronic decline in the audience (Zakaras, 27). Equally as worrying is the steady decline of young adult participation. As the authors of, Cultivating Demand for the Arts, Arts learning, Arts Engagement, and State Arts Policy declare, “declining demand leads to a loss of the public and private benefits derived from the arts” (27). While this trend may not be directly related to the attention given to visual literacy in the sphere of education it is interesting nonetheless that these downturns are seemingly simultaneous.
We are constantly being bombarded with visual culture throughout every hour of the day, though at times it may seem overwhelming and desensitizing, it is only getting more prevalent. Paul Duncum is an art educator who is corporating these aspects of visual culture in the classroom everyday and also teaching his students to do this as well. I have talked about Paul Duncum educational history, his contributions to art education, his teaching philosophy, and how I can use his beliefs and teachings in my future as an art educator. With my new found knowledge of Paul Duncum and his teaches, I hope, as a future educator to follow in his footsteps of incorporation of our society’s importance of visual art in my classroom.
In this image, a sewage worker is seen cleaning the drainage system, with his bear hands, without the use of either any equipment’s or protection. On the first glace, the image depicts the idea of health risk, because the man is exposed to such contaminants, which for him is work. He is looking up from a dirty drain, covered in filth, which shows that he is clearly used as the subject of this image, whom we are engaged to more as he is making eye contact with its viewers. This picture only includes one person into the frame, as the other man’s face isn’t available to see in this picture, which is man that is holding the bucket. Holding a bucket either emphasise the idea that he is helping the sewage worker, either to get the dirt out or to put the dirt in the drainage system.
A popular contemporary graffiti artist, Banksy, creates intriguing and intricate designs for public display on regular and everyday streets. His rising popularity serves as a catalyst for the renowned importance of the attainability of visual literacy. Visual literacy is the ability to understand and interpret the message of a visual image or object, and having this skill is becoming increasingly important in todays culture. According to Zemliansky, the first crucial step towards developing visual literacy is to treat visual messages as text and arguments. Although the message of most visual images are ambiguous, it is still logical to surmise that different ideas can stem from one image because of our varying perception due to varying experiences,
Finding a definition of literacy is not as easy as it sounds. The Webster definition says that to be literate is to be” able to read and write.” But to some researchers, this definition is too simplistic, leading to multiple models of literacy. Most Americans adhere to the autonomous model, which falls closest to the standard, dictionary definition. Believers in this form say that literacy is a cognitive activity that students learn like any other basic skill. It has a set of proficiencies that one must master in order to be capable of decoding and encoding text (Alvermann, 2009; SIL International, 1999). A competing theory is the ideological model, which claims literacy is intrinsically linked to culture, and therefore what constitutes a “literate” individual is ever-changing. Society is the largest influence on literacy, according to this thought, and it is affected by politics, religion, philosophy and more (Alvermann, 2009; SIL International, 1999). These two are just the tip of the iceberg. For example, some studies recognize “literacy as competence,” which is a “measure of competence to do a given task or work in a given field,” (SIL International, 1999) such as being computer literate. Although more researchers are recognizing and exploring multiple literacies, the one that most influences American schools is the autonomous, cognitive model – the ability to read and write. For many, it seems a simple task, but millions of adolescents are struggling or reluctant readers, and there are many reasons why young readers have difficulty with reading. XXXXXX------NEED HELP WITH THESIS STATEMENT HERE PLEASE—(This paper will focus on the effects of low reading skills, some of the possible causes of reluctant and struggling readership...
Through the texts included on my booklist, I am examining how culture becomes theorized through a variety of visual means, and how these visual means reflect cultural ideals. The historical debate between emotion and reason as two means for discovering truth are a salient example of such cultural ideals. The following texts range through the topics of anthropology, art history, philosophy and sociology to explore these cultural motives behind a work of art and how, in turn, that art functions within greater society’s ideologies. I particularly want to illuminate the indispensable connection between visual culture and modernization by taking a more sociological approach to the study of visual culture.
In today’s society anything can be considered “Art”. From the great sounds of a symphony, to the architecture of a modern structure, or even an elephant painting with its trunk, art is what the viewer perceives it to be. Individuals will always agree or disagree with the message behind a certain piece of art, as pieces can be offensive to some, but beautiful to others. Some argue that funding the arts in school is a waste of money, time, or a combination of both, but the benefits outweigh the negatives by far, due to a variety of reasons.
The Importance of Arts Education Jane Alexander, Chairman of the National Endowment for the Arts (NEA), once said, “Many children are missing out on something which gives their education context, gives their lives depth and meaning, and prepares them to be the future workforce.” This “something” that she spoke of is music and art education. Unfortunately, she is entirely correct. We are currently seeing a dramatic cut in arts education curriculum in our public schools due to the limited amount of time and funding. In many cases, budget cutbacks mean arts education cutbacks.
"Why Arts Education Is Crucial, and Who's Doing It Best." Edutopia. N.p., n.d. Web. 20 May 2014.
Elkins, J (2010) The concept of visual literacy, and its limitations, in: Visual literacy. New
Staff Writers. "10 Salient Studies on the Arts in Education." Online Colleges. 6 Sept. 2011. Web. 25 Feb. 2015. .
Illustrations in children's literature have important functions and complex role; that what make critic like Mable Segun argues “Illustrations are literature in their own right whether used by themselves or integrated with written texts” (Segun 3), for Segun illustrations have pictorial language that goes directly to child mind, she thinks pictorial codes better than verbal codes; pre-schools use books with images only for children, for her words make ''vague'' images in children mind (1-2). The best way to understand Segun argument is to ask what is illustration? And what is literature? In Oxford dictionary illustration is a picture or graphic form, and literature is written form or works, that conceded to be superior (Oxford Dictionary). Contrast to Segun, some critics like William Moebius and Edmund Evans believe in integration between images and texts in picturebook (Maybin and Watson 311-312). Also Seguin illustrations have a strong function, she argue that “they sharpen the perception of children” (Segun 3), Bette Goldstone argues that illustration and picturebook do not appear from a vacuum, but from complex belief system, cultural
Smell, taste, hearing, and touch combined only make up 17% of the information sent to our brain while sight makes up for the other 83%. This means that visuals are key to learning new concepts. That is why teachers have started to include an increasing number of visuals in high school education. Graphic novels, which are book illustrated with images, are starting to be used in high school classrooms, but some teachers do not agree with the idea of assigning high schoolers "picture books". Graphic novels should be taught in high school in order to engage more students.
Visual arts play an important role in one’s life. Researches show that kids growing up in an aesthetic environment develop far better than kids growing up without it (Early Childhood Education Journal, Vol. 30, No.4, Summer 2003). Growing up in an artistic family, I am personally compelled to the visual arts. I want to create a program called the Sunday Youth Visual Art Program to create a better community environment that fosters the education of the arts. I find that Columbus, a mid-size city, has the perfect social environment for my program to thrive. Columbus is a school-centered city, and there are needs for the youth programs. Based on my assessment of the city, the goal of my program is to influence, inspire, and foster the growth of the youth in the Columbus community.
Visual Communication could be described as processes that rely primarily on rich visual content as the means of conveying information through words, photos, colors, shapes, and many other components. However, visual communication explores the use of graphical components in achieving communication goals. Visual communication has both critical and practical parts. According to the current book we use in the class “Visual Communication, Images with Messages”, the critical part of visual communication is known as visual rhetoric, which explores the way that designers use visual elements to influence audiences.
Firstly, children’s cognitive development is greatly enhanced through visual arts. In order for children to produce art, they have to think of an idea, an experience or feeling and construct symbols to express what they know (Isbell & Raines, 2007). Exploration of art materials help children build a knowledge of their physical properties which supports decision-making, evaluation and problem-solving (Edwards, 2010). Moreover, children will have many opportunities to work together in small groups and will then learn to value others’ ideas (Isbell & Exelby, 2001). Since visual arts is a form of self-expression, children can express their feelings through artworks and hence, learn emotional regulation. Small muscle development occurs when children cut, paste, draw and paint while large muscles develop through activities such as creating a large mural (Isbell & Raines, 2007). Therefore, visual arts enhances children’s development in all