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The egyptian religion and architecture
Ancient egyptian architecture
The egyptian religion and architecture
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The Temple of Amon, containing a collection of buildings within itself, is the largest temple located at The Great Temple of Karnak, known virtually as a city within a city. Built in a number of successive stages and directed by the priests of Amun, the construction of The Temple of Amon began during the Middle Kingdom around 1525 B.C.E. Although numerous renovations were made according to the reigning of different kings, the completed temple stood at 380 meters long and 100 meters across, surrounded by a mud-brick wall 600 meters by 750 meters. The temple’s famous elaborate features include an avenue of ram-headed sphinxes leading to the first of the ten pylons, four courtyards, and a hypostyle hall known as, The Great Hypostyle Hall of The Temple of Karnak. The temple functioned not only as a religious sanctuary, but also as shelter to workmen, cattle, orchards, boats and workshops along with serving as a social and economic center.
Initially, the purpose for the temple’s existence is to worship and bring praise to the male god, Amon-Ra. It is believed by the Egyptians that it is under Amon-Ra’s instructions to build the temple as a religious sanctuary to exhilarate his great power by prayer and making offerings. Each of the temple’s features has a specific association with Amon-Ra. For instance, the bordering ram-headed sphinxes represent Amon, and in-between each of the sphinx’s paws is a statue of Amon, which symbolized protection. Over time, the temple developed a new meaning, which was to serve as a reflection of the pharaohs’ ruling as King by executing an order according to their desirable royal traditions. Some rulers chose to modify the temple while others chose to physically expand its borders.
It was Egyptian c...
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...in the temples exterior, proved by the ram-headed sphinxes similar to those at the entrance. Inside the first courtyard on the left-hand side is a chapel made of granite and sandstone that contains three chambers.
The Second Pylon, which is almost completely destroyed, was built by Ramesses II. In the center of the second pylon is a doorway framed by two statues of Ramesses II on either side. The right statue of Ramesses is he defeating his enemies in the presence of Amon, all that we can see of the statue to the left are Ramesses’ legs. Continuing through the doorway, is an intervening door that was built by Ptolemy VI Philometor and Ptolemy IX Euergetes II during their joint reign. Only lintels remain with reliefs showing the King making offerings to the gods of the temple. The inner side of the earlier doorway has reliefs showing the same scenes on both sides.
The success of the king’s rule became based on the approval or rejection of the god Amun-Re. Thus, Amun was used as a platform for political propaganda, with pharaohs such as Hatshepsut and Thutmose III using the God to legitimise their claims to the throne, as evidenced for Thutmose III on the Temple of Tiraqa: ‘I have achieved this according to that which was ordained for me by my father, Amun-Re’. Concepts of the divine oracles and the divine birth of the king became a theme for pharaohs of the 19th dynasty, and afforded them heightened legitimacy. Hatshepsut’s divine birth scenes on her mortuary temple in Deir el Bahri depicts her claim to be the daughter of Amun, manipulating the public to believe in her divine birth. Additionally, Thutmose IV’s ‘dream stela” erected between the paws of the sphinx, which claimed that he had been granted the kingship because he had freed the monument according to instruction from gods. Some historians have dismissed these building projects, which consolidated the importance and authority of the state cult of Amun-Re as mere political propaganda. However, it is more the point that they reflect a significant change in the Egyptian political landscape, as it became dependent on and connected to the sustained pre-eminence of the cult of Amun-Re and the religious unity that eventuated. Therefore, the amun
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
In Ancient Egypt, huge pyramids were created to serve as tombs for pharaohs. I believe that a temple was included for Egyptians to make offerings for their kings. Ancient Egyptians had a belief of Polytheism, meaning that they worshipped their gods, which led them to worship their Pharaohs very much. The Egyptians weren’t the only ones that had the belief of Polytheism. The Ancient Mesopotamia did too have the same belief. I mentioned earlier that the Sumerians and Akkadians rely on their gods. Well, by briefly examining the illustration on Document 6, the size of the temple tells me that the Sumerians placed high value on their gods that they look up to them for their own happiness and prosperity. Polytheism was very important for both civilizations. It contributes to how they govern their civilization.
After his ascent to the throne, the kingdom prospered and the young Pharaoh poured his energies and national treasures into building temples and monuments honoring his father, Egypt's gods and himself. In Nubia he constructed six temples, two of which were carved out of a Cliffside at Abu Simbel, with their four colossal statues of the king, are the most magnificent and the best known. Engineers designed the temple so every year on February 22 and October 22 the earliest sunrays shine on the back wall of the innermost chamber and lights up the pharaoh's statue, and fitting, he sits with the three gods of the sun. In all of his monuments he had his name cartouche and texts engraved so deep that no successor would be able to remove it.
Monumental architecture in Pharaonic Egypt is represented primarily by the funerary complexes of the pharaohs. The principal function of these elaborate complexes was to ensure that the pharaohs, who were exalted as living gods, would attain the afterlife they desired. This required that two basic conditions be fulfilled: the body had to be preserved from disturbance or destruction; and the material needs of the body and the ka had to be met (Edwards 20). Pharaonic burial complexes were also centers of worship for the god-king interred there and were designed to exalt his memory and deeds.
The remaining years of his rule were distinguished by the construction of such monuments as the rock-hewn temple of Abû Simbel, the great hypostyle hall in the Temple of Amon at Al Karnak, and the mortuary temple at Thebes, known as Ramesseum.
The true greatness of the building is in the main room, the atrium is a huge open area in a radial style with a central point being in the center of the room. The room is filled with a combination of circles and squares which illustrates the Romans fascination with geometric shapes. Along with geometric shapes the inside of this building full of brilliant shades of oranges, blues and purples. There are ionic style pillars around the base of the room as well as sculptures of different gods. Just above the main room there is a frieze of false windows that make a band around the midlevel of the room. Although the windows are false there ar...
Initially, Djoser, the founder of the Third Dynasty, built that pyramid as a mausoleum. The shape, considered as new, was a transformation of the earlier tombs, which were shaped like great brick rectangles with the walls slopong inward and flat rood, also known as mastabas. Stone replaced brick, for the first time. The pyramid is located inside a funerary area where a curtain wall has a height of 10 meters tall.
The light-weighted archaic theriomorphic shrine was constructed using reeds and wickerwoods that was meant to represent a crouching jackal, which is also Anubis’s sacred animal. The artistic sketch of the shrine the author provided depicts a better understanding of the overall structure and representation of this shrine. However, he also suggested in addition to the representation of Anubis, the possibility of the shrine being just an animal where certain rituals taken place in. Similar in reproduction a certain object, the mortunary temple of Pharaoh Neterikhet Djeser at Saqqara has structural elements that tried to imitate reeds and woods by using limestone. By describing the different imitations in different structural components, such as the door resembles ajar, the author provided a vivid overview of the natural environment that the mortunary temple tried to reproduce. Because of its mesmerizing illusion, the concept of “illusionistic copying of plant elements” (Reference) was inherited, with better stylistic illustration, after the 5th dynasty in constructing different temples and funerary
The statue of Khafre is an example of how pharaohs utilized their wealth to elaborate the power they possessed while they were alive and to utilize while they were dead. They ordered statues to be made in their name to decorate the valley temple. The valley temple is a funerary setting in which Khafre ordered 23 statues to be made for it. In this case, Khafre’s statue was made and place near the
Yukio Mishima’s Temple of the Golden Pavilion, set in postwar Japan, gives way to a reflection of the postwar experience both the representation of military aggression and in use of symbolism of beauty, loss, and destruction. A story about Mizoguchi, a young, stuttering acolyte’s obsession with beauty lends itself to the conflagration of the Temple of the Golden Pavilion, based loosely on a true story about the Kinkaku-ji.
Ancient Egypt’s pyramids are the oldest and largest stone structure in the world. Along the Nile 35 major pyramids still stand. The three largest pyramids at Giza rank as one of the seven wonders of the Ancient World. It was on the list of notable things to see which was made up by the travelers during ancient times. The ancient Egyptians also built temples of limestone. They designed parts of the temples to resemble plants. Moreover, many of ancient Egypt’s finest paintings and other works of art were produced for tombs and temples. Ancient Egyptian sculptors decorated temples with carvings showing festivals, military victories, and other important events. Sculptors also carved large stone sphinxes. These statutes were supposed to represent Egyptian Kings or Gods and were used to Guard temples and tombs. The Temples were houses of worship. The word temple most often refers to Buddhist, Confucian, Hindu, Taoist, and ancient Near Eastern and European places of worship. Most Temples are built to honor god, a God, or many Gods. Many of these buildings are considered the homes of gods. Back then and still today worship at temples often involves traditional ceremonies and may include sacrifices. Certain temples stood on sacred sites. The design of numerous temples was symbolic.
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
In Ancient Greece, religion dominated their life, so it is understandable that their architecture would be dominated by their religion. Before Greece became many different city-states, they had kings, and they would build a room called a megaron to show they King’s authority. A typical megaron is a single chamber with a fire pit in the middle with a throne off to the side. This room opened up into a porch (portico) that had four columns in the front. After there were no more kings these megarons turned into temples. The fire pit, which turned into some type of altar or a place to show a sacrifice for that god, was now outside in front of the temple. The altar was now outside so people could see you make these sacrifices to their gods. The first Greek temples were made out of wood and were long rectangular buildings with a porch all the way around which was supported by columns made from tree trunks. A Greek temple consists of five basic parts: the pediment, entablature, columns, base, and the cella, or the inner sanctum. The pediment is triangular and would have a type of sculpture or ornament known as acreteria on each corner. An entablature consists of three parts: the cornice, frieze, and architrave, which holds up the pediment. The columns are the support between the entablature and the base. The base usually consists of three steps. The cella is the inner sanctum, which has different rooms with more columns for support. Each temple would have a cella but they were not identical.
The first kingdom is known as the Old Kingdom which ranged from 2650-2150 B.C. The architecture in the old kingdom was mainly influence by the king’s first minister Imhotep. He was very good at his craft and was a skilled architect. The famous Step Pyramid in Saqqara was said to be designed by Imhotep himself; one of the first ministers of King Zoser. The most famous pyramids of the old kingdom are the three great pyramids in Giza. These pyramids run along the west part of the Nile River. The Nile River was and still is a very important major source of water for the people who live along its banks. The pyramids were built to bury the dead pharaohs, along with family, servants, pets, and their jewelry. Also the pyramids symbolize the almighty power of each pharaoh. One of the most typical and earliest of royal Egyptian sculptures is a statute of the great Zoser. “The life-size statue shows the pharaoh sitting staring straight ahead. For a long time, only such ...