Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The overall mesage in the scarlet letter
The symbolism of setting in the scarlet letter
Scarlet letter character analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The overall mesage in the scarlet letter
In The Scarlet Letter by Nathaniel Hawthorne, the setting plays an important role in the novel. The novel is a Romanticist text but set during Puritan time which leads to a different view of the forest setting between the two different literary movements. The Puritans believe the forest to be a place of evil and home to the Devil. The Romanticists believe the forest to be where man can go to reconnect to nature. The setting between the first and second scaffold scene differ creating two entirely different scenes. The first scaffold scene reveals the layers of the people in the community. The Setting in the second scaffold scene allows for the occurrence of certain events. The setting plays an important role in the development of the novel. The puritans view the forest as a place of evil. The Puritan see the forest setting as the Devil's home and a place where God has not touched. The …show more content…
Hester goes into the forest to reconnect herself with nature. When in the forest the sunshine comes down on her “filling [her] heart so full of radiance” and joy “such was the sympathy of nature. (Hawthorne 139). Romantics see the forest setting as a place where people reconnect to nature. When Hester takes off the A and her Puritan headdress she is no longer a Puration and that is when the forest opens up and sunshine pours down on her. The sunshine is “pouring a very flood into the obscure forest.” (Hawthorne 139) and on to Hester. When she does remove the A and the Puritan clothing she becomes more of a Romanticist than a Puritan that is why the sun comes down on her because it switch from a Puritan forest setting to a Romantic forest setting. The Romanticists see the forest in a positive connotation and a place of good. The Puritans see the forest as evil and the Romantics see the forest as good. The setting of the first scaffold scene allows for a view of the layers of the
When Hester and Dimmesdale meet in the forest, they discuss their true feelings about their experiences since Hester was branded with the scarlet letter. Hawthorne describes how, “No golden light had ever been so precious as the gloom of this dark forest” (192). The rare presence of light in this otherwise dark situation symbolizes the relief both Hester and Dimmesdale feel after sharing the truth about Dimmesdale’s torturous guilt and Hester’s marriage to Chillingworth. In every scene previous to this one, the forest is associated with witchcraft, evil, darkness, and secrets. This prior association is contrasted by the shedding of sunshine on the sinful pair after releasing the last of their secrets. This scene is a turning point in the novel and shows how despite Hester and Dimmesdale’s sin and the consequences they’ve had to suffer for it, they are able to find some peace in the fact that they have confided in each other and fully admitted their
From its earliest significant mention in the novel, the forest is portrayed as a place of lawlessness and mystery, as demonstrated by its most frequent visitors, the witches, and the Black Man that inhabits it. Early in the book, after Hester and Pearl visit Governor Bellingham?s estate, they are accosted by Mistress Hibbins, who is referred to as a witch, and is in good company with the Black Man of the forest. Mistress Hibbins invites Hester to some sort of meeting that would take place that night in the forest, which one can only assume is of some Satanic or heretical nature. ?Wilt thou go with us tonight?? (120) she asks, but Hester refuses. The Black Man and his book are themselves symbols of heresy and dissent from puritan law. The Black Man never shows himself to anyone in the novel or enters the village, instead, he lurks in the forest?s cover until those who choose to deviate f...
Hawthorne consistently places Hester in shade to portray her as sinful and hiding the truth. In the beginning of the novel, Hester spends days in prison with Pearl. When Hester and Pearl are finally released, Hester is described as "a black shadow emerging into the sunshine"(49). Within the sunshine is a sinless group of plebeians awaiting the emergence of Hester. In another important scene, Pearl and Hester visit Governor Bellingham's mansion. Bellingham greets Hester with four men at his side. One of the men is Hester's "partner in crime," Arthur Dimmesdale. As soon as he enters the room, a shadow from the window curtain is cast upon Hester. Both Hester and Dimmesdale are trying to conceal Dimmesdale's sin just as the shadow is concealing Hester. Even in Hester's own secluded cabin, she is not welcome into light. In chapter 13, Hester can only be contained in her "darkened house"(148). When sunshine is present, she is not and her shadow fades "across the threshold"(148). Hawthorne continues to impound the idea of Hester's concealment in a scene taken place in the forest. As Hester and Pearl walk through the forest to meet Dimmesdale, sunshine is erased with each step Hester takes. Even Pearl notices this and says, ."..The sunshine does not love you. It runs away and hides itself..."(168). Hawthorne cannot get any more apparent with his symbolism of dark involving Hester.
As Hester wears the scarlet letter, the reader can feel how much of an outcast Hester becomes. When walking through town, “…she never raised her head to receive their greeting. If they were resolute to accost her, she laid her finger on the scarlet letter and passed on” (Hawthorne, 127).She believes that she is not worthy of the towns acknowledgments and chooses to ignore them. The guilt that now rests in Hester is overwhelming to her and is a reason of her change in personality.
Hester tries to stretch her hand into the circle of light, but the sunshine vanishes (192). She then suggests that they go into the forest and rest (193). This short scene actually represents Hester's daily struggle in life. The light represents what Hester wants to be, which is pure. The movement of the light represents Hester's constant denial of acceptance. Hester's lack of surprise and quick suggestion to go into the forest, where it is dark, shows that she never expected to be admitted and is resigned to her station in life. Another way light and darkness is used in symbolism is by the way Hester and Dimmesdale's plan to escape is doomed. Hester and Dimmesdale meet in the shadows of the forest with a gloomy sky and a threatening storm overhead when they discuss their plans for the future (200). The gloomy weather and shadows exemplify the fact that they can't get away from the repressive force of their sins. It is later proven when Dimmesdale dies on the scaffold instead of leaving with Hester and going to England (269). A final example occurs by the way Hester and Dimmesdale can not acknowledge their love in front of others. When they meet in the woods, they feel that, "No golden light had ever been so precious as the gloom of this dark forest (206). This emotion foretells that they will never last together openly because their sin has separated them too much from normal life. The scarlet letter also takes many different forms in the novel. The first and clearest form that the letter A takes is "Adulteress.
The sunlight gives the reader a feeling of exposure and scrutiny. This feeling is later revealed to the reader by Hawthorne. Her prison-door was thrown open, and she came forth into the sunshine, which, falling on all alike, seemed, to her sick and morbid heart, as if meant for no other purpose than to reveal the scarlet letter on her breast (71). It also gives the feeling of a release into a harsh environment, which Hester and Pearl are not used to.... ... middle of paper ... ...http://www.gradesaver.com/classicnotes/titles/thescarletletter/fullsumm.html.
She lost all her fiery passion on the scaffold, by which society mocked and watched and she was punished for the sins she committed. The scaffold became the essence of sin and hatred for Hester, Hawthorne created the meaning of this by stating things like the scaffold was “the very ideal of ignominy [and] was embodied and made manifest in this contrivance of wood and iron”. Hester makes her transformation on this scaffold and although she is silent ad still filled with anger, she will never be the same due pain she felt on that scaffold. Through society's punishments and harsh bias, Hester is stripped of all passion and this is continually argued with her change as she wears the scarlet letter. In the beginning, Hester tries to cover it up, but the burn of those eyes who look upon her still stand. ONce in the free spirit environment of the forest and she takes the scarlet A off she becomes happy and passionate once again that even her own daughter doesn’t recognize
“To the untrue man, the whole universe is false,--it is impalpable,--it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.” (Hawthorne 115) Throughout the hostile novel The Scarlet Letter, author Nathaniel Hawthorne used contrasting settings to represent opposed ideas that were central to the meaning of the work. Some have argued that when it came to the theme that secrets have a destructive effect on the secret-keeper and truth, by contrast, was natural, a character evaluation would best advocate these differences. However, two settings, Dimmesdale’s house and the secrets that lie within, and the scaffold representing the truth, better embody the adverse ideas posed by the point at issue.
The most important reason for the setting to be what it is, is because The Scarlet Letter revolves around adultery. Today, most people consider adultery a sin, but not something one would get the death penalty for. However, at the beginning of the novel, one gossiping Puritan woman who is viewing Hester’s punishment says, “It would be greatly for the public behoof if we women, being of mature age and church-members in good repute, should have the handling of such malefactresses as this Hester Prynne,” which suggests that ...
Chapter 5 of the book, “Hester at Her Needle” gives Hester’s account on her days after she is released from prison. It is a very sunny day which is usually supposed to represent a happy setting with a bright future ahead. However Hester automatically thinks that the sunlight is specifically there to reveal the scarlet letter that is sewn onto the chest of her dress. The steps that she takes out of the prison represent the steps that she will take to her new life that is full of loneliness and scorn. Her future is very grim-being cut off from the townspeople as well as from a normal life. Hawthorne goes on to describe here that “To-morrow would bring its own trial with it; so would the next day, and so would the next; each its own trial, and yet the very same that was now so unutterably grievous to be born...
This is another setting where a plot of evil happens within the forest. Also, the forest is where the Black Man resides. The book keeps bringing up the Black Man, which can be looked at as ultimately the Devil. The Devil is most of the time considered on the of the atrocious evils in biblical terms, and the Black Man being in the forest aids in the theme of the nature of
Traditionally, forests or woods are used to symbolize the wild and untamed, and the inhabitants are usually depicted as savages or outlaws. Hawthorne uses the forest to depict the things that Puritans are meant to avoid and that are forbidden; things that will make them sinful or turn them into savages or outlaws. He describes the "mystery of the primeval forest" and he states that the forest is a "mystery", which contradicts what the Puritans want in their society, uniformity (125). The forest symbolizes what they do not want, a change from the path that everyone must follow. Change is not tolerated in their religion; change is their evil. The forest represents this change; it is wild and untamed, not uniform. To become curious and want to explore, and stray off the path, and venture into the "mysterious forest," would be the ultimate sin, such as Hester's sin.
...e village represents the strictness of Puritan society, while the forest symbolizes the wildness of the human heart. The wildness of the human heart is revealed once it is removed from the strict Puritan society. Overall, the edge of the forest is the boundary between civilization and repression to truth and human emotions.
Hawthorne shows this when he writes about a forest that has intriguing qualities. “ ‘See!’ answered Hester, smiling. ‘Now I can stretch out my hand, and grasp some of it.’ As she attempted to do so, the sunshine vanished” (Hawthorne 176). When Hester and Pearl were in the forest near their home, Pearl claimed that the sunshine would not touch her mother because of her scarlet letter. The sunlight, considered to be a symbol of purity, would not touch something impure. The forest was also where Hester found peace, because she was not judged by her scarlet letter there. Dimmesdale and she could also show their love for each other in the forest without anyone’s knowledge. The sun and forest are examples of how romantics gave nature supernatural and human
The forest represents a refuge from society for Hester Prynne and Minister Dimmesdale. At the same time, it symbolizes nature’s role as a shelter from society. This adds to the themes that society as a whole is morally deprived and nature is essentially good. It becomes a place where they are unshackled from Puritans’ strict law that is corrupted. Once under the forest’s shelter, they are then permitted to meet and speak heart fully to one another. Moreover, Prynne resides in the outskirts of Boston in the forest area. By doing so, Prynne is demitting everyday direct contact with the other town’s people. This adds to the two themes by making the readers view the forest as a mother trying to protect Hester and Dimmesdale from society’s wickedness.