Esperanza's Individual Identity Throughout The Novella
“Life isn't about finding yourself, it's about creating yourself ”(Unknown). People become an individual through experiences they have been encountered; that’s what makes them, them. Esperanza, the protagonist of the “House On Mango Street,” finds her identity through her past, and present decisions about the future. This is a valuable quote that represents Esperanza because she spends the whole novella trying to find out who she is and who she wants to become. Through Esperanza, the protagonist of “The House On Mango Street,” the author, Sandra Cisneros, suggests that individual identity is shaped by who they choose to be, experiences and life lessons.
First off, in “The House On Mango
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Street,” Esperanza, a poor Spanish American in Chicago, is living in poverty with an identity crisis. On Mango Street, there are many examples of women who Esperanza does not want to end up like, but she is having trouble finding a model for the girl she wants to become.
In one of the vignettes, Minerva Writes Poems, Cisneros describes the life of a woman whose daily routine is watching her children, trapped in her house, married to someone she doesn't love. She kicks him and all of his stuff out one day, but “that night he comes back and sends a big rock through the window. Then he is sorry and she opens the door again. Same story” (Cisneros Minerva Writes Poems). Throughout the novella, Esperanza realizes how woman, including her, are being held back from what they can do and be. “I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain. In the movies there is always one with red red lips who is beautiful and cruel. She is the one who drives the men crazy and laughs them all away. Her power is her own. She will not give it away. I have begun my own quiet war. Simple. Sure. I am one who leaves the table like a man, …show more content…
without putting back the chair or picking up the plate.” ( Cisneros Beautiful and Cruel). In Beautiful and Cruel, Esperanza showcases signs of knowing her individual identity. She shows the reader that she will have a change in her future, even if she has to make it herself. This helps develop the theme because Esperanza is choosing who she wants to be. Even though her destiny and tradition is for her to get married and stay the traditional housewife, locked up with no power, she chooses that she will decide her future, no matter what anyone tells her. Cisneros shows individual identity through Esperanza because Esperanza knows she won't settle for less, and through whom she chooses to be, it will shape her identity. In addition, later on in the novella, Esperanza’s best friend, Sally, gets sexualy assualted. When Esperanza tries to help Sally, she gets pushed away leaving her feeling helpless, powerless, and lost. When Esperanza finally finds Sally, she gets rejected “And then I don’t know why but I had to run away. I had to hide myself at the other end of the garden, in the jungle part, under a tree that wouldn’t mind if I lay down and cried a long time. I closed my eyes like tight stars so that I wouldn’t, but I did. My face felt hot. Everything inside hiccupped” (Cisneros The Monkey Garden). This shapes Esperanza because this is an experience she went though. Although she wasn't the one who was sexually assaulted, she was left feeling hopeless and powerless. Esperanza has never been faced with a situation like this before and doesn't know how to handle it. She recognizes that the challenges she faces in this vignette shape her into a young adult and lead her from childhood to womanhood. Cisneros develops the theme through Esperanza by writing about her experiences she has encountered, the ones that will change her forever. Lastly, in the beginning of the novella, in My Name, Esperanza expresses her hatered for her name and desperation for wanting a change.
She explains how her sister could at least be called Nenny “But I am always Esperanza. I would like to baptize myself under a new name, a name more like the real me, the one nobody sees. Esperanza as Lisandra or Maritza or Zeze the X. Yes. Something like Zeze the X will do” ( Cisneros My Name). When Esperanza visits her neighbors aunts, they remind her why her name is so important. She will always be Esperanza and she cannot escape it. As part of the sisters’ advice, they told Esperanza; “When you leave you must remember to come back for the others. A circle, understand? You will always be Esperanza. You will always be Mango Street. You can’t erase what you know. You can’t forget who you are” (Cisneros The Three Sisters). This is one of the most important lines in the whole novella because for the throughout her life, Esperanza wanted a change, a place she could leave and go to, a place where she could be her. This shows her that no matter where she goes, she will always be a part of Mango Street, the experiences she has encountered and the lessons she has learned were made there. Her past, makes her
future. In summary, Sandra Cisneros displays Esperanza’s development throughout the novella. Esperanza is faced with gender inequality, causing her to rethink her role in society. She was put in a situation where she felt powerless. Lastly, she learns that who she was, shaped her into whom she is becoming. In conclusion, Esperanza is developed throughout the novella, “The House On Mango Street,” by Sandra Cisneros, through life lessons, experiences she goes through, and her decision on who she will become.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Esperanza was a cowardly child who transformed into a brave woman. Alicia and Esperanza had a conversation about Mango Street and Alicia says, “Like it or not you are Mango Street, and one day you’ll come back too,” (Cisneros 107). Esperanza replies with, “Not me. Not until somebody makes it better,” (Cisneros 107). Alicia tells Esperanza that even though she does not like Mango Street, she will still come back, but Esperanza says she will not until someone makes it better. Esperanza does not want to go back to Mango Street even though she is a part of it. Esperanza wants to leave Mango Street for good. Although Esperanza knows she is a part of Mango Street, she does not want to be. The ignorant child believed she could leave Mango behind and forget about where she came from, but little does she know that someone will. When Esperanza decides to leave Mango Street, she says, “They will not know I have gone away to come back. For the ones I left behind. For the ones who cannot out,” (Cisneros 110). Esperanza will leave Mango Street to come back and help those who cannot escape. Esperanza is leaving not for herself, but for others. She grasped the understanding that nobody would do anything to help Mango Street, or care about what happens to it, and decides to take matters into her own hands. Esperanza realizes that she has to be the one to change Mango Street. Throughout the story
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
According to Deluzain, the meaning of a person’s name is symbol of identity of the individual and represent the history of the future life (3). Hope is what Esperanza has in her soul. Cisneros writes that Esperanza should own a proper house, and it is not the one her parents has already, actually she is waiting for something better (7). Esperanza builds an image of a passive woman, defined by the destiny in a clearly macho society. The name of Esperanza is a very positive connotation, where wait means progress, jumping obstacles, confident that the change is positive.
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
In the vignette titled Beautiful and Cruel Esperanza declares that she has “decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (88). She also remarks that “her power is her own. She will not give it away . . . I am one who leaves the table like a man, without putting back the chair or picking up the plate” (89). Esperanza is demonstrating that she does not want to become tied down in the traditional sense of marriage when she refers to it as a ball and chain. As she has been growing up within Mango Street she has been witness to relationship in which the women become objects of their husbands and loss the identity of themselves. Esperanza is aware of the power imbalance between the men and women in her Latino community and openly states that she wants to be powerful. When she writes that she will not give her power away she is demonstrating again that she will not hand over her power to the men in her life as Earl’s wife and Rafaela have done. In growing up on Mango Street Esperanza’s notions about the relationship between women and have begun to shape her outlook on life. In her last quotes she is clearly decided that she fight back against the stereotype of what is expected from a young girl or female. In stating that she
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
Key to freedom Stuck, surrounded by a hopeless full street, where the only way to get out is through education. In the novella, The House on Mango Street, by Sandra Cisneros, she explains that life is full of poverty and misfortune, but through education, freedom can become a reality. The street is dull with no sign of different types of life. Every adult has the same boring life full of work, which only has a small outcome. The money works, but only for a bare minimum amount.