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The influence of jazz
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In the 1900s, the Jazz Music outbreak was in full swing. There were many Jazz musicians such as Louis Armstrong, Kid Ory, and King Oliver who gave the world their soulful tunes by using musical instruments. A few years later, in 1920, the Jazz poetry movement started when several poets began to challenge each other’s rhythm and style. Both poetry and Jazz had many similarities which resulted in merging the two art forms, making jazz poetry. T.S. Eliot, E.E. Cummings, and Ezra Pound were just a handful of the many poets who were involved in this movement. Carl Sandburg was another poet who showed the world his love of jazz music, which he did through poetry. He wrote “Jazz Fantasia” to express that love.
Carl Sandburg was born on January 6, 1978. Carl’s father, August Sandburg, who was a laborer, discouraged his interest in books. His mother, Clara Sandburg, applauded his excitement for education. Carl
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It can be played on any instrument, but the most commonly known instruments we hear when we listen to jazz are the saxophone, trumpet, trombone, bass, and the guitar. Each jazz musician wants to have their own individual sound when they perform their instrument. The sound that comes out could be raspy, rough, smooth, soulful or even warm or dark. The sound could even be a combination of different sounds, making a recipe for the perfect tune. Jazz sounds can be hard to describe in words, but Carl Sandburg showed us he could do that with his poem “Jazz Fantasia”.
Carl Sandburg uses sound devices, imagery, and personification as he writes “Jazz fantasia”. Sound devices are created throughout this poem. The first stanza says, “Drum on your drums, batter on your banjoes, sob on the long cool winding saxophones”. Sandburg is grasping the reader’s attention by concentrating on the sounds the instruments are making when being played. “Go to it, O jazzmen”, the reader can imagine him cheering the jazz men on while they
To start, The author Carl Hiaasen was born on March 12, 1953, in Plantation, Florida, a rural suburb of Fort Lauderdale. He was the first of four children born to Odel and Patricia Hiaasen. He started writing from the age of six. In 1970 he graduated from Plantation High School and entered Emory University, where he wrote the school-run newspaper called the Emory Wheel. Two years later, he transferred to the
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
All types of music require musicians. In the H.R. (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of all time.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911.”. This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issues, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz. As the 1930’s began, the effects of the Great Depression still ravaged the United States, which in turn caused a dramatic change in the music industry.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
In poetry, it is critical t bring out a theme. This makes the reader learn something and realize what the poet is attempting to say. A good theme can really impact the reader. Most poets use elements of poetry to do this. In Harlem, Langston Hughes uses elements of poetry to show his theme, which is when you give up on your dream, many consequences will arise. In the poem Harlem, Langston Hughes uses many elements of poetry to prove his theme, including similes, diction and personification.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
The rapid development of jazz in both the United States and Europe generated a number of diverse musical expressions, including musics that most listeners today would not recognize as “jazz” music. In order to remedy this situation, jazz musicians and critics after 1930 began to codify what “real” jazz encompassed, and more importantly, what “real” jazz did not encompass. This construction of authenticity, often demarcated along racial lines, served to relegate several artists and styles (those outside a “mainstream” to the margins of historiography.
Jazz involves vast amount of different instruments, for example clarinet, saxophone, trumpet, and trombone and so on. While playing jazz, the percussion instruments are also an important part, like double bass, drums and piano. All of these instruments work together as a whole, and then the
Many jazz artists as we know it are quite talented. Their talents are unique in that they can translate human emotion through singing or playing their instruments. Many have the ability to reach and touch people’s souls through their amazing gifts. Although this art of turning notes and lyrics into emotional imagery may somewhat come natural, the audience must wonder where their influence comes from. For Billie Holiday, her career was highly influenced by personal experience, the effects of the Great Depression, and the racial challenges of African Americans during her time.
In 1920, the Jazz music emerged in the City of New Orleans and from there, there were also many great New Orleans Jazz musicians. Jazz is a music style that combines three main elements: improvisation, bluesy flavor and swing feeling. Often, African Americans play Jazz on the streets of New Orleans and they start to form bands and perform for people without charging them money. In the early history of Jazz, there was one major artist that had major contributions to Jazz, his name was Louis Armstrong. Armstrong was one of the early jazz musicians who were born in New Orleans, Louisiana.
In the poem “Jazz Fantasia,” Carl Sandburg employs auditory imagery to describe his impressions and admiration of jazz music. The first instance of this usage is the first line, where Sandburg calls out to the “jazzmen”, “Drum on your drums, batter on your banjos (Sandburg)”. The alliteration of the ‘d’ and ‘b’ sounds presents a drum-like rhythm, and the parallel structure of the phrases adds a musical flow. These two devices create aural sensory language, giving the text a euphonious sound when read aloud. This imagery indicates the author’s positive impression of jazz and demonstrates the sounds he associates with it. Sandburg employs sound-based imagery once again as he asks musicians to play their tin pans, swing their trombones, “and go
The narrator not only tells the story-perform, but also encourages the reader- the listener, to participate in the “performance”: “Talking to you and hearing you answer—that’s the kick”(Jazz, 229). If he could speak aloud, the narrator would “Say make me, remake me”(Jazz, 229) demands from the reader to be active, in the same way as jazz music demands its listeners to be active. For Toni Morrison, the creation process seems to be more important than the final product, and the same is with the Jazz musician, the only thing that counts is “that swing” in the final version. All things considered, Morrison succeeds in making her novel “jazzy”, as Jazz “breathes the rhythms, sounds, and cadences of jazz music, radiating the music’s central ideas, emotions, aural idiosyncrasies perhaps as well as written prose can”(Pici). Morrison took on “new tasks and new risks” but it was worth doing so, as ”the result is a writing style that has a unique mix of the musical, the magical, and the historical.”(www.enotes.com/