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The awakening summary essay
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In the deep abyss of Kate Chopin’s mind, Edna Pontellier was created. In Chopin’s story, The Awakening, Edna is a married mother of the late 1800s who goes through a series of events that lead up to her final decision; she had a husband who cared for her but was vigilant of her actions, children that did as they pleased because she was carefree, and friends who supported her throughout the whole ordeal by being by her side and trying to understand her standpoint on life. She has a turbulence of emotions throughout the book; she struggles with who she is, what her purpose is, and why she is the way she is.“Self-Reliance” demonstrates the turbulence Enda has found herself on through Emerson’s transcendentalist points of nature. “Self-Reliance” …show more content…
is an essay of Ralph Waldo Emerson’s thoughts and his notion of the importance of an individual and independent thinking. Emerson’s “Self-Reliance” reflects on Edna’s thinking by stating that you need to listen to yourself, trust yourself, be unique, and come to the realization that only you can make your own satisfaction. Ralph Waldo Emerson emphasizes that one should listen to themselves and not pay heed to other’s thoughts. “What I must do is all that concerns me, not what the other people think,” (Emerson; Paragraph 4, line 30-31). Emerson’s whole crux of the paragraph is to not let others influence your decisions because you should listen to yourself and to what your heart and mind wants and follow it wholeheartedly. Edna does follow this principle, she begins this nearing the middle of her ordeal, “... she entertained the conviction that she had a right to them and they one one but herself,” (Chopin; page 46). This is when Edna begins to feel deep emotions and starts making decisions that shape the rest of her life by listening to herself wholeheartedly, whether it be good or bad causatum. Edna is conflicted with her thoughts and feelings and she expresses them through tough choices like ignoring her “womanly” duties (page 49), having Robert (a man infatuated with Edna) involved in her spiraling life, and moving out of her house (thoughts beginning at page 76, actual move in is on page 87). Edna follows Emerson’s idea of trusting yourself by listening to herself and by following her heart.
“Every heart vibrates to that iron string,” (Emerson; Paragraph 2 line 7). Edna avails by this notion when she says she’s not a possession one can dispose of, “... you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontellier’s possessions to dispose of or not,” (Chopin; Page 102) Edna speaks about how she no longer is a possession and this shows that she trusts herself enough to take care of herself, at least for the time being. Emerson also states, “Great men... confided themselves childlike to the genius of their age,” (Emerson; Paragraph 2 line 10). Emerson mentions this because as a child, we are selfish or seen as unable to take care of ourselves as was Edna. Madame Ratignolle points out how Edna’s actions resembled one of a child’s, “‘In some way you seem to me like a child Edna. You seem to act without a certain amount of reflection,’” (Chopin; Page 91). Since it was Madame Ratignolle who sees Edna as a child, Edna does not necessarily fit into Emerson’s statement of the “Great men” but she is still seen as childish due to her incapability of taking …show more content…
herself. Next, Edna faces being different, a nonconformist, from her lady counterparts.
Another one of Emerson’s convictions is being unique and a nonconformist which is the first word used to describe Edna. She begins to reveal her unparalleled personality very early when Mr. Pontellier was worried that Raoul, their son, had symptoms of a fever and Edna simply brushed off that Raoul did not have a fever, “He reproached his wife with her inattention, her habitual neglect of the children,” (Chopin; Page 7). This quote clearly indicates how Edna is unique compared to other ladies, like Madame Ratignolle, who actually take care of their children, somewhat. After arriving back in Louisiana, Edna decided to be special on her reception day because, “‘I found their cards when I got home; I was out.’ ‘Out!’ exclaimed her husband, with something like genuine consternation in his voice,” (Chopin; Page 49). This shows that Edna is willing to reject social normalities of the late 1800s and take on nonconformist ideas. As Emerson wrote, “the only right is what is after my constitution; the only wrong is what is against it,” (Emerson; Paragraph 3 line 28). Nearing the end of the book, Edna sees that she could have seen the doctor, he would have helped her understand, but instead her “constitution” thought it was best to do what she is doing, thus displaying that losing herself was against her
constitution. Lastly, Edna comes to the realization that only she holds the key to her own satisfaction. Emerson came to this conclusion in his first paragraph, “no kernel of nourishing corn can come to him but through the toil bestowed on that plot of ground which is given to him to till,” (Emerson; Paragraph 1 line 4-6). According to Emerson, only through one’s hard work will they receive the satisfaction they yearn for in the life they live only once. As Edna says, “I would give my life for my children; but I wouldn’t give myself.” (Chopin; Page 46). She would not give up the life she is living for anyone but herself because she knows it will not satisfy her, she knows she will not be happy. At the end of the book, she realizes she cannot be happy with the life she lives, even though she claim the doctor could have helped, and decides to suicide because the only person she will give herself up for is herself and for her satisfaction. In the end, Edna did not live up to all of Emerson’s notions; instead she let her emotions drive her off the brink of insanity. Although Edna was a paragon of being unique and listening to yourself, she immersed herself in a tidal wave because she could not be satisfied. The Awakening and “Self-Reliance” share similar notions but also have two different points of view. While Emerson voices the importance of an individual and independent thinking, Edna voices emotional turbulence and self-expression.
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
Madame Ratignolle simply does not understand Edna; to her, sacrificing one’s life is the utmost that a mother can do for her children. It is as if Edna was not even “talking the same language.” In fact, the two women might well be speaking different languages. Unlike Madame Ratignolle who seems to have a baby every couple of years, Edna’s head is not filled exclusively with thoughts about her children. Whereas Madame Ratignolle is motherly at all times, Edna often seems irritated by her role as mother, and her attentions to her children often occur as an afterthought. Madame Ratignolle’s entire being is bound to her children; Edna’s being is of her own design. For her there is more to life than marriage and babies and social obligations. Edna might well, at least in this passage, be asserting an early version of what Betty Friedan discusses in The Feminine Mystique.
When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions. Since she wanted to be free from a societal rule of a mother-woman that she never wanted to be in, she emphasizes her need for expression of her own passions. Her needs reflect the meaning of the work and other women too. The character of Edna conveys that women are also people who have dreams and desires they want to accomplish and not be pinned down by a stereotype.
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
Franklin continues the argument that Edna is an example of the “labor toward self of the female hero with the accompanying inner and outer threats to attainment of selfhood” (Franklin 510) in her criticism The Awakening and the Failure of Psyche. Franklin also compares Edna’s character to a mythological figure; the comparison proves how it is “clear that heroism is necessary for the nascent self to resist the lure and power of unconscious” (Franklin 510). To first address Franklin’s discussion of Edna’s fight to become a female hero, it’s displayed in the criticism that Edna’s individuality is one of a matriarchal society. However, as Franklin proves, Edna wants are different than her actions because she “begins to play with different love roles, such as courtly love” (Franklin 514). Edna is then said to be a sexually awakened being because of her dabbling in different love roles as well as her idealism in her new relationships; although, her new sexual being comes with a cost because she, as said by Franklin, falls into the “narrow roles prescribed by the patriarchs” (Franklin 520). This struggle, as identified by Franklin, adds to the darkness in her emerging ego out of the stifling atmosphere. The criticism then elaborates on how the stifling atmosphere brings Edna to believe that there is a whimsical love in her journey individuation, but instead “Chopin now wishes [the readers] to see that Edna has a crucial choice to make: either to accept the fantastic nature of romantic love and continue on her solitary journey to self, or to refuse to acknowledge romantic love’s transient nature and embrace death” (Franklin 524). Franklin identifies Edna’s labor to find a balance between love and individuality as one similar to both the spirits of Psyche and Eros; they each have a continually struggle to strive towards two different passionate loves. Franklin explains that much like Psyche’s yearning, Edna’s infatuation with Robert is one in which
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
In fact, Edna seems to drift from setting to setting in the novel, never really finding her true self - until the end of the novel. Chopin seems highly concerned with this question throughout her narrative. On a larger scale, the author seems to be probing even more deeply into the essence of the female experience: Do women in general have a place in the world, and is the life of a woman the cumbersome pursuit to find that very place? The Awakening struggles with this question, raising it to multiple levels of complexity. Edna finds liberation and happiness in various places throughout the novel, yet this is almost immediately countered by unhappiness and misery.
She doesn't follow the rules. morals that all the women surrounding her succumb to in life. By defying these "laws" Edna makes clear the morals that all the other. women value the satisfaction of their husband, the acceptance of society, and the conformity to the stereotypical roles of a woman. In The Awakening, Edna is used as a tool to emphasize the surrounding.
Before then she was a spirited woman who was struggling against the traditional binary gender roles. Margaret and Edna parallel each other as they both exhibit masculine characteristics and do not fit in the mould of the 19th century. Edna is even described as a ‘’not a mother-woman’’ (19). She believes that she has no choice in her life. When Mademoiselle Reisz plays a piano piece, it stirs countless emotions inside of Edna. She imagines a man ‘’standing beside a desolate rock on the seashore. He was naked’’ (65). This is a symbol that Edna believes to be impossible for her. That symbol is of freedom. The man has shed all of his weight, his oppression and Edna wonders if this will ever be possible for her. As a woman, she might never be equal and will forever be oppressed and supressed. However, that very night, Edna stands up for herself and gains this awakening. Starting from this symbolic image that she imagines as she listens to the music, she starts to grow into the person she truly is. Chopin writes ‘’ a feeling of exultation overtook her, as if some power of significant import had been given her to control the working of her body and her soul’’ (70). Later that night she refused to go in with her husband, instead sleeping outside. She ‘’began to feel like one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul’’. Edna was
Chopin carefully establishes that Edna does not neglect her children, but only her mother-woman image. Chopin illustrates the idea by telling the reader, "...Mrs. Pontellier was not a mother-woman" (689). Edna tries to explain to Adele how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image. She says, "I would give up the unessential; I would give my money; I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me" (720).
In Kate Chopin’s The Awakening, Edna Pontellier’s suicide is an assertion of her independence and contributes to Chopin’s message that to be independent one must choose between personal desires and societal expectations. Chopin conveys this message through Edna’s reasons for committing suicide and how doing so leads her to total independence. Unlike the other women of Victorian society, Edna is unwilling to suppress her personal identity and desires for the benefit of her family. She begins “to realize her position in the universe as a human being and to recognize her relationship as an individual to the world within and about her” (35).
In Kate Chopin’s novel The Awakening, the protagonist Enda Pontellier experiences internal conflict as she journeys to her self-discovery. As she becomes aware of her suppressed being within society and distances herself away in solitude, Enda is able to discover her essential self. Symbols and imagery such as the sea and the birds, along with the physical setting of the novel, are constantly repeated in Chopin’s novel in order to demonstrate Enda’s progression to discovering her essential self and ultimately her spiritual awakening. In the Awakening, Enda’s internal conflict is displayed as she compares her dual nature in both settings. Chopin juxtaposes the settings of New Orleans and Grand Isle in order to emphasize the restrictions Edna faces by society.
In The Awakening, by Kate Chopin, Edna Pontellier is a married woman with children. However many of her actions seem like those of a child. In fact, Edna Pontelliers’ life is an irony, in that her immaturity allows her to mature. Throughout this novel, there are many examples of this because Edna is continuously searching for herself in the novel.