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Romanesque and Gothic architecture contrast
Romanesque and Gothic architecture contrast
Gothic architecture study paper
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In the medieval town, the cathedral had to be bigger than any other building in the town. The cathedral had stained glass windows to make evident the glory of God to people who could not read. Cathedrals impacted Medieval Europe through their magnificent architecture, social impact, and political impact. To learn about cathedrals, one must first know the origin to the term ‘cathedral’. The word cathedral comes from ‘cathedra’ meaning bishop’s seat. When a cathedral was being built, the builders usually stayed permanently in the town as it was a long term project. Cathedrals were used not only as a place of worship, but guild meetings and public events were also held at a cathedral. Cathedrals were also destinations for pilgrimages in which pilgrims would go to the cathedral and worship. The pilgrim would also stay at the town where the cathedral was and pay for lodging and other amenities. By the middle of the fifteenth century, Gothic cathedrals were located in places such as Scandinavia. The first Gothic cathedral was the Abbey church of St. Denis, which was seven miles north of Paris. Cathedrals were meant to have magnificent architecture. If a cathedral was cheap, the medieval society thought it would be demeaning God. Artisans who had little money themselves sought to beautify a cathedral. "If monastic life was intended to be austere, great monastic churches were quite the opposite. No expense was spared on building and decorating the sacred places in which monks worshipped. To do otherwise, it was thought, would be to demean God and thereby diminish the influence monks might gain in His eyes." (Scott 58) There are two main styles of cathedrals which are Romanesque and Gothic. Romanesque architecture was characterized by s... ... middle of paper ... ...ses were cleared out. The future location of the apse, which was a semicircular recess, was marked with a wooden peg. Another forge was built to make nails. For the roof, large pieces of wood, sometimes 60 feet long, had to be ordered from Scandinavia. The wood and stone from the forest and the quarry were shipped to the city’s port. The wood and stone would then be loaded onto carts that were wheeled to the construction site. The first foundation brick would be blessed by the bishop as it was lowered onto the foundation bottom. The mortar, made of a mixture of sand, lime, and water, was poured between each brick. As this happened, the master mason continuously checked the foundation with a level to make sure that the foundation was perfectly horizontal and perfectly vertical. Any mistake in the foundation could cause the wall that was placed on top to be unstable.
After observing Gothic cathedral, you begin to notice the tall walls of stone and stained glass windows. Construction a building of this nature took a lot of architectural design, time, and hundreds of workers. Back in the 12th century, they did not have the modern technology that we have to build cathedrals in less time. In France, they have created a prototype to determine techniques used by worker to build of such a building of architectural design. In their findings, they discover that builders used a Roman war engine hoisting machine or “squirrel cage”, to assist workers with lifting six times their own weight. This method was very difficult as one worker described in an interview, because the “squirrel cage,” often slowed down due to the heaviness of the stones. In order to keep the wheel spinning, the workers had to speed up to ensure that the stones would not fall out in mid-air and cause harm to other working on another s...
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
Although the Pantheon and the Cathedral of Chartres are both some of the greatest architectural advances in history they are very different. We can compare the time that each of the buildings was built, where and for who they were built for, and why they were built. Another thing we can compare is the structure of the buildings and the type of material they are built from.
Dillard refers to the corpses of the moths beneath the spider web in her bathroom for the 16 years she had quit writing as if it was the death of her writing as the moths died to the spider.
According to the official website for St. Patrick's Cathedral, the cathedral was first opened in 1879, after it had begun construction in 1858. Archbishop John Hughes announced his idea of building a “new” St. Patricks Cathedral over one hundred fifty years ago. The purpose of building the new cathedral in the Archbishop's eyes was to build a cathedral that was worthy of the mass numbers of catholics in the area, their intelligence, and wealth as a community. Archbishop Hughes believed that one day, this cathedral would be the “heart of the city.” He also believed that nothing would be able to divert the construction of this soon-to-be gothic cathedral. In October and November of 1878, the Great Cathedral Fair was held for a few weeks. Hughes' successor, John McCloskey became head of the dedication of the Cathedral. The architect responsible for building this cathedral was James Renwick. In 1853, he was hired to build this cathedral with a budget of only $850,000, not including the altars, furnishings for chapels, organs and other furniture. The stone that Renwick chose to use for the cathedral was white marble.
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
The short story “Cathedral” has many aspects to the story that help develop the theme. Some elements are more obvious than others, but others may be small and have a grand underlying meaning. The main theme of “Cathedral” is sight. Putting the theme in less vague of terms, “seeing” something, or the big picture, involves a lot more than just looking at it with your eyes. The author uses the literary elements of characters, setting, plot, and symbolism to develop the theme of Cathedral by giving each element a big part or meaning to what the author is trying to get across to the reader.
Carver’s the “Cathedral” to Hopper’s Ground Swell. The short story, “Cathedral” by Raymond Carver and the painting, Ground Swell by Edward Hopper, are similar in certain aspects, even though they take place in different settings. There is major conflict in each piece of art that creates confusion in the tone. The “Cathedral” is a first person story, but the narrator remains unnamed throughout the writing. This is a different point of view than the painting, which is first person, Ground Swell pictures individuals on a sailboat looking at a buoy floating in the ocean.
Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come through the large windows, Abbot Suger instilled the Neo-Platonic idea that the sun was the physical representation of God. (Map Statement #2 –Philosophy) Also, at that time, the church was rising in power, so the new structural style of the basilica brought more converts and eventually more power to the church. (Map Statement #3 –Social Institutions) [Insert Literature Map Statement] The Basilica of St. Denis was built so that worshippers would be in awe of the “heaven-like” setting, which would cause more people to declare their faith to God and to the church.
In the end of the 12th century and the start of the 13th century the Gothic and Naturalism movement was moving across Europe. Originally a derogatory term Gothic was used to describe the art of Northern Europe. Despite the resistance to the abandonment of traditional architecture the beauty of stained glass and flamboyant architecture of the gothic style quickly gained popularity. The churches were built by the common people and for the common people. Stained glass was used to depict biblical passages in an intriguing way for those who were illiterate which at the time was a large part of the population. Cathedrals were beacons that could be seen for miles with their pointed spires and from the country side they appeared to be the center of
In the beginning of the story, the narrator feels very uncomfortable knowing that he will
The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting. Romanesque architects later adapted the use of rounded arches, giving the style its name. The Romanesque style, being inspired by the Roman architecture, used the plan of the basilica style. Romanesque cathedrals were not originally designed for aesthetic purposes. Romanesque style replaced flat wood ceilings with stone vaulting. It was one of the first styles to use mainly all stone, but the walls of the Romanesque cathedrals were built very thickly. They were almost like a fortress. Romanesque cathedrals had few windows as a result of their thick walls so the churches were very dark. In a sense, this echoed the life that was outside of these sanctuaries’ walls during the Middle Ages.
The earlier designs of medieval architecture had features like pointed arches in the nave, window and doorways, small clusters of columns, pillars, small windows and thick walls. This was during the Romanesque period and a lot of the early Romanesque architecture had influence from the byzantine period, which was the previous time period of architecture.