The Ara Pacis Augustae or the “Altar of Augustan Peace” is a monument that served as a reminder to the populace of Rome of the peace that Augustus (previously known as Octavian), the first emperor of Rome, had brought to the empire that was once stricken with turmoil. How peaceful was it really in the Roman Empire during Augustus’s reign?
Octavian’s rise to power was a long arduous one, which could have ultimately led to his death just like his great-uncle, Julius Caesar. After the assassination of Julius Caesar, Rome was in chaos as different individuals including Octavian battled to gain control. Ultimately Octavian emerged the victor after a number of battles like the battle of Philippi and Actium. On January 11, 29 B.C.E. Octavian returned back to Rome. His return coincided with the closing of the Temple of Janus (Armstrong, 342). Octavian realized through intuition that relinquishing power would not extinguish the civil war and holding on to power as a dictator would eventually lead to his assassination; so he urgently had to find a solution to this dilemma. These predicaments did not happen in one fell swoop they occurred in different years, so did the remedies he devised them. The solutions he came up with was beyond cunning and allowed him to do both in a sense. First he had to legitimize his right to hold power: so he came up with a myth that presented him as the direct descendant of the founders of Rome and of the gods. As the adopted son of Julius Caesar, Octavian was clearly Caesar’s successor, but he did not want it to be too obvious. He wanted to separate himself from his great-uncle’s despotic ambitions but still be linked to him by ancestry. Cassius Dio stated in his book that one of Augustus’s aspirations was ...
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...mpression that they were hanged for the actual sacrifice. The fruits in the garlands represent the four seasons and serve as reminders of the Augustan peace enjoyed yearly (Ramage and Ramage, 128). A narrative emerges when all the scenes are taken together: The early republic founded by Romulus was a time of peace, prosperity and piety. The era of the late republic that Augustus has led his people out of was one of war and impiety in which sacrificial rites were no longer sacred. The new Rome founded by Augustus, descendant of Aeneas and Romulus is again one of peace prosperity and piety (Armstrong, 351).
The above paragraphs us that peace in the Augustan era was not just a state of tranquility, prosperity and piety it also included conquest and victory. This peace established by Augustus was very propagandistic could be declared in Rome while she was still at war.
These pages begin with the mortal illness of Octavian’s twenty-nine year old mother, Cassiopeia, from smallpox. Octavian (age 16), is with her until the so-called scientists (or self-styled philosophers), of the Novanglian College of Lucidity chase him away to undertake “cures” that are extremely painful and make the illness much worse. She dies and an autopsy is begun. At this point Octavian forces his way into the room. He fights with one of those men cutting his mother’s body until he understands this is a fight he cannot win. At this point Octavian realizes his “nothingness” and leaves the room. He now knows he is a helpless slave. He feels his helpless condition is worse than death. That night he runs away from his owners.
From ages past, the actions of conquerors, kings and tyrants had brought the Roman Republic to a stance that opposed any idea of a singular leader, of a single man that held total power over the entirety of the state. Their rejection of the various ruthless Etruscan rulers that had previously dictated them brought the Republic to existence in 509 BC , and as a republic their prominence throughout the provinces of the world exponentially expanded. Throughout these years, the traditions of the Romans changed to varying degrees, most noticeably as a result of the cultural influence that its subject nations had upon the republic, as well as the ever-changing nature of Roman society in relation to then-current events. However, it was not until the rise of Augustus, the first of a long line of succeeding emperors, that many core aspects of the Republic were greatly changed. These were collectively known as the “Augustan Reforms”, and consisted of largely a variety of revisions to the social, religious, political, legal and administrative aspects of the republic’s infrastructure. Through Augustus, who revelled in the old traditional ways of the past, the immoral, unrestraint society that Rome was gradually falling to being was converted to a society where infidelities and corruption was harshly looked upon and judged. The Roman historian Suetonius states, “He corrected many ill practices, which, to the detriment of the public, had either survived the licentious habits of the late civil wars, or else originated in the long peace” . Through Augustus and his reforms, the Republic was transformed into an Empire, and through this transformation, Rome experienced one of its greatest and stabl...
I identified the first major player in the novel as Phineas. The quote I feel began his role reads: “No one but Phineas could think up such a crazy idea. He of course saw nothing the slightest bit intimidating about it. He wouldn’t, or wouldn’t admit it if he did. Not Phineas.” (14) This quote sets the reader up by describing the sort of person Finny : a daredevil with wild ideas and an air of fearlessness about him.
Most notably, two of his generals, Antony and Lepidus, were members of the second triumvirate. Some of his assassins even rose to prominence serving under him, like Decimus Brutus . And of course, Octavian could begin his rise to power because Caesar adopted him posthumously in his will. Even though a dead man could not adopt someone, Gaius Octavius changed his name and became Gaius Julius Caesar Octavianus, and his position as Caesar 's son was incredibly important for him in the coming civil
Brenda Shoshanna once stated, “All conflict we experience in the world, is a conflict within our own selves.” This quote recognizes how much conflict influences our everyday lives and personality. The wise words were especially true for Gene, the main character in A separate peace, who let his battles with other characters and the society of his time become his own internal battles. In John Knowles’s novel, A separate peace, all the types of conflict are shown through the main character Gene.
In the novel, A Separate Peace by John Knowles, the protagonist, Gene Forrester “battled” within himself to find “a separate peace” and in this process directed his emotions at Phineas, his roommate. Forrester and Phineas formed the illusion of a great companionship, but there was a “silent rivalry” between them in Forrester’s mind. Self deceptions in Forrester led him to believe that Phineas was “out to get him” (Forrester). Subconsciously Forrester jounced the limb of the tree and forced Phineas to fall and break his leg. Phineas found out the truth of his “accident” with the help of Leper Lepellier and Brinker Hadley, who were friends that attended Devon High School. Gene Forrester’s conflict between his resentment of and loyalty toward Phineas’ personality and athletic abilities was resolved by the death of Phineas.
Once the Roman occupation occurred, various sources described not just the procedure but the fear and tactic involved in crucifixion. The Romans operated in maintaining The Pax Romana, the time of peace in Rome, through “militarism and violence”. The violence of focus for this paper is their form of execution for most slaves and criminals, death by crucifixion. This form of death could be observed as a psychological control. The Romans did not merely kill the criminals, but set them to be a spectacle in one of the busiest and most crowed roads, to be observed. A deterrent effect, which rarely affected the wealthy, yet, still occupied a spot in their minds. An example, is when a nobleman in 63 B.C, was threatened with crucifixion, Ciscero in his defense, disputed that “the very mention of the cross…was intolerable for a respectable Roman citizen.” Yet this deterrent inhibited open resistance to Roman occupation, thereby maintaining their Pax Romana intact.
414-443. Antony Kamm The Romans: An Introduction Second Edition, Published in 2008, pages 47, 93. Dio Cassius Roman History (as presented in Antiquity 2). Augustus (Octavian) Res Gestae Divi Augusti (as presented in Antiquity 2). Eck, The Age of Augustus, p.45 (as presented in Antiquity 2).
In the early first century AD, the Roman Empire was subject to autocratic rule and the old Republic was long dead. Augustus had been ruling for forty years and most of that time he was loved and praised by the Senate and the people of Rome. Throughout his reign, Augustus had the one lingering problem of finding a successor to take over the role of Emperor. He had chosen 3 different heirs in his time of rule; however, they all passed before they had the chance to inherit Augustus’ esteemed power. His fourth choice, Tiberius, was the one to succeed Augustus. He was often referred to, by Augustus, as an outstanding general and the only one capable of defending Rome against her enemies. The statement, ‘Tiberius is condemned by many ancient historians (including Tacitus), and his reign is often portrayed as being detrimental to the welfare of the Roman Empire’ is invalid as he treated the senate fairly, created strong economics and security in the state and boosted the empire into an unprecedented state of prosperity. This hypothesis will be proven through this essay by analyzing factors such as Tiberius’ administration of the Empire, his relationship with the senate, his financial control, the effect of Sejanus over his rule and why were his last years as Emperor referred to as a ‘reign of terror’ by Tacitus.
The Ara Pacis (“Altar of Augustan Peace” in Latin) is one of the most representative works of Augustan art. The monument was dedicated on 4 July 13 B.C to honor the return of Augustus after three years in Spain and Gaul, which were his last military operations, and commemorate military victories. The altar was an impressive example of the culture of Rome in general and illustration of prosperous Rome. The monument is a visual medium to represent that peace is the result of military victories and his proconsular power on the land and sea. Karl Galinsky, a Professor of Classics at the University of Texas at Austin says that the Ara Pacis is linked with the concept that pace is the result of military victories. According to him, Augustus mentioned the importance of the Ara Pacis in Res Gestae by saying, “On my return from Spain and Gaul in the consulship of Tiberius Nero and Publius Quintilius, after I had successfully arranged affairs in those provinces, the senate decreed that an altar of the Augustan Peace should be consecrated next to the Campus Martius in honor of my return, and ordered that the magistrates and priests and the Vestal Virgins perform an annual sacrifice there” (Karl Galinsky, 1996). He avoided building an altar in the senate chamber to honor his return. Instead, he ordered to build an altar to Pax Agusta in which one mile away from the sacred boundary of the city. It means that the altar was meant not only to be a monument of military achievement, but also a vision of the Roman religion. This research aims on function, structure of the altar, and reliefs on each side of the precinct wall.
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
Augustus created the office of emperor with the Augustan Principate, which was “to have no institutionalized authoritarian power, no perpetual dictatorship such as Julius Caesar had had himself voted early in 44, or anything like it (Stockton, 124).” Despite his wishes the people of Rome ended up giving Augustus eternal office, and powers to control the Senate with the rights to dictate agendas and veto (Stockton, 128). The people of Rome had created a position of absolute power, the exact thing Augustus was attempting to prevent. At the time the people of Rome could not have realized what they were creating in the office of emperor, for Augustus was a great man whose leadership created a great shadow over the shoulder of any future emperor.
Within the Ancient world, political leaders manipulated the balance between religion and politics to further their own power. In particular, Gaius Octavius (63 BC – 14 AD) later known as Imperator Caesar Divi Filius Augustus, exploited the ‘imperial cult’ as a political tool within the Roman Empire. Termed by modern historians, the imperial cult was a combination of local religious cults where people worshipped the emperor as a deity who received divine honours exceeding all other living entities. By directly allowing the imperial cult in the Roman provinces, this achieved much required unity and stability throughout the Empire. Consequently, this enabled Augustus to indirectly incorporate the cult into Rome’s ritualistic polytheism practices.
Octavian, or Caesar Augustus, was an effective ruler, implementing reforms that positively affected virtually all areas of life throughout the Empire. Social, economic, and political tensions that had led to so much violence in earlier years were calmed by Augustus's policies. Corruption and abuses of the people were also given attention by the Emperor. The borders of the Roman Empire grew dramatically under Augustus's rule, adding material wealth and manpower to Rome's already significant resources.
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This