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Poetry has always been a subjective art. The reader may see or interpret a certain stanza differently than someone else might; however, the original meaning created by the poet remains the same. Poets Allen Ginsberg and Robert Frost are two massively influential and talented poets, with both of their works representing their views and the state of the era with regards to the human condition. As a reader might have a different interpretation of a poem, Ginsberg and Frost had exceptionally different thoughts on society and culture during this time, and this was shown quite plainly through their poetry. The renowned country poet Robert Frost was born in San Francisco, California, on March 26, 1874. When his father died at the age of eleven, he moved to Massachusetts with his mother and younger …show more content…
Ginsberg’s homosexuality proved to be another factor in his distance from mainstream culture, as his sexuality was not accepted during this time. In the poem, he describes Whitman as being able to go “in and out of the brilliant stacks of cans,” and “tasting artichokes, possessing every frozen delicacy, and never passing the cashier.” He sees Whitman as untouchable by the demands of society, and strives to be like him and see the world how he did, in a natural sense without the constraints and conformity that modern society demands. By the end of the poem, he relates Whitman to a forgotten hero, just as the world forgets its past and continues blindly into the future, no matter how unnatural and foolhardy the days ahead might be. I enjoy Ginsberg’s symbol of modern America as a supermarket, and I think that there is a great deal of symbols and metaphors that the reader can find throughout the poem. Ginsberg’s erratic and unconventional style is perfect to showcase his thoughts on society, and his form represents the content of the poem seamlessly. The theme itself is interesting to explore, and his view on society at this time is fascinating and original
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
Why. Excuse me. Why. Does. Excuse. Why me. I mean. Excuse me. Why. Does. It . Always end up this way. Like this. A performance. It's my best excuse. And. I'm on the wagon. Again. Why. Excuses. Sitting in the state of a daydream. No. Falling. A performance. Why what it comes down to. Poetry. And. My two main men. Allen Ginsberg and Jack Kerouac. Both use their individual voice to perform the buddhistic beat they feel is part of their poetry/ their beatific movement. Even though these two poets influenced each other. And. Their voices are significantly different. Each has a personal style one cannot deny. And. Each boy added his separate beat to the music they created as a generation. A beat generation. Jack's buddhistic jazz/ blues chorus poetry is domesticized/ tainted Christianity-wise. And. Allen's sound becomes zentific without Christianity/ hanging on a cross in the backbeat of his prose poetry. While each may have his own personal style/ both poets use the same technique in sound. And. Rhythm to give their audience something to bugaloo to. Excuse me. What's. That. Poetry. Baby. A performance. So. Please brother. Take a chance. And. Dance. (She says that as she shh shh shivers.)
In their writings of the mid-1950s, Allen Ginsberg and Jack Kerouac describe an America recently converted to the religion of the T.V. Ginsberg witnesses and records big blue Buicks in driveways of identical box houses. With Walt Whitman he watches whole families peruse the peaches in late-night supermarkets. Conversely, Kerouac describes a spiritual journey that takes him back and forth across the U.S. Both Ginsberg and Kerouac use Buddhist ideals and methodology to criticize the current state of American society. They seek after a more honest and equal American Dream.
Throughout their fun and crazy adventure, they realize more what the world has to offer, opening their realistic minds. At this part of the poem, he begins to sound frustrated, confused, questioning the status quo. By line 65 and beyond, he begins talking about the time he spent in a psychiatric ward. Ginsberg wants people to know that someone like him, whose mind wandered over life’s truths, ends up at a madhouse. Why? Because he practiced Dadaism, a artistic art movement that opposed social, political, and cultural values, when he threw potato salad at a professor in CCNY. At this psychiatric ward, he was introduced to many therapies such as ping pong, shock therapy, and hydrotherapy. Also, his close friend, Carl Solomon, and Ginsberg’s mother was in a psychiatric ward, blamed for their insanity. For this, Ginsberg grew angry at
American poetry, unlike other nations’ poetry, is still in the nascent stage because of the absence of a history in comparison to other nations’ poetry humming with matured voices. Nevertheless, in the past century, American poetry has received the recognition it deserves from the creative poetic compositions of Walt Whitman, who has been called “the father of American poetry.” His dynamic style and uncommon content is well exhibited in his famous poem “Song of Myself,” giving a direction to the American writers of posterity. In addition, his distinct use of the line and breath has had a huge impression on the compositions of a number of poets, especially on the works of the present-day poet Allen Ginsberg, whose debatable poem “Howl” reverberates with the traits of Whitman’s poetry. Nevertheless, while the form and content of “Howl” may have been impressed by “Song of Myself,” Ginsberg’s poem expresses a change from Whitman’s use of the line, his first-person recital, and his vision of America. As Whitman’s seamless lines are open-ended, speaking the voice of a universal speaker presenting a positive outlook of America, Ginsberg’s poem, on the contrary, uses long lines that end inward to present the uneasiness and madness that feature the vision of America that Ginsberg exhibits through the voice of a prophetic speaker.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
Ginsberg’s “A Supermarket in California” criticizes America during the midst of the twentieth century in which society had acquired an attitude that heavily valued the materialistic aspects of life. In order to efficiently express the speaker’s discontent with society, he paints images by using vivid detail throughout the entire poem to allow the reader to experience what the speaker experiences himself. He begins by describing the setting on the streets of California, “I walked down the sidestreets under the trees…/… looking at the full moon” (2-3) and had thoughts of Walt Whitman, a nineteenth century poet whom Ginsberg deeply admired. The setting is essential as it describes the two worlds in which the speaker lives in; one represented by the metropolitan landscape of downtown California and another represented by nature, which the speaker longs to be a part of. The speaker describes himself as a lost soul in search of satisfaction in conventional America, a place where he does no...
Allen Ginsberg was considered one of the leading poets of his time in the 1950’s during a period known as the “beat” generation. The beat generation was considered the turning point of literature as many writers deterred from the status quo of standard writing narratives leaning towards religious quests and materialism. Ginsberg's works represents the rejection of these narratives in poems such “Howl”, where vulgar language and the incorporation of alcoholism, drugs and violence are quite apparent. While most of Ginsberg’s poems consist of this use of symbolism and imagery, his poem “A Supermarket in California” is written in admiration of fellow poet, Walt Whitman.
Independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity and intelligence are just a few of the many elements that exemplify Allen Ginsberg as an American poet, philosopher, and writer. He is considered to be one of the leading figures of both the Beat Generation during the 1950s and the counterculture that soon followed. Ginsberg is well known for his rejection of materialism, experimentation with drugs, openness of sexuality, and use of language which show how he as a poet and philosopher, explored and influenced American culture in a variety of ways. During the 1950’s, Ginsberg’s work was classified in the category of a Beat Generation writer.
Ginsberg juxtaposes sanity and insanity through the description of the madness that befallen “the best minds of his generation”,
The 1950’s beatniks gather around coffeeshops, writing and grumbling about the unfairness of the government and society’s closed mind. Today, youth gather around their laptops and type away, despairing over the unfairness of the government and society’s closed mind. Allen Ginsberg’s poetry embodies those angry youth. His unique choices in diction, symbolism and imagery artfully conveys his criticism against the wrongdoings of Uncle Sam and his subjects. Through his poem America, Ginsberg reaches out to all generations of people and exposes the ethical mistakes that both the government and society as a whole make, and these mistakes are classic in the sense that it is always a mistake that everyone keeps repeating.
Ginsberg offers an artistic perspective to events that happen all around the world and some exoticism events. In return it allows the viewers of the art to connect more with the artist and interpret ate the main point with
Is his poem’s most renowned line “I saw the best mind of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix” (1), the best minds are the people within Ginsberg’s orbit at the time and he explained with an overemotional tone stating that they were destroyed by madness, starving hysterical naked, in which he further relates it to Moloch in part II. Part II focuses mainly on the destruction of the American society in which Ginsberg is associating all these destruction with the Canaanite God, Moloch. He makes quite an attention by calling Moloch in almost the start of every line, awarding the importance of this character in his poem to his