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Literary devices
Literary devices quizlet
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The Bible is the most known story across the world. It has been translated into many languages, just so that other people can read it. Jorge Luis Borges in his short story, “The Gospel According to Mark,” the reader can clearly see that his story involves the bible. If the reader though were to read it a couple of times, they can see more of Borges theme. At the point of writing this book many people will say he is the protagonist Espinosa, going without a purpose and trying to find something about himself that he doesn’t know about himself. He uses the bible as an archetypal symbol for his story, comparing the 33-year-old Baltsar Espinosa, to Jesus and how insane Christians can be. In the story by Borges, he writes about Espinosa trying to make conversation with the family by using the Bible. In the end, the family treats him like Jesus crucifying him in the …show more content…
Somerset Maugham. There are many hidden themes in every story, especially in religious stories. In “A Very Old Man and Angle Wings,” “A short time afterward the child woke up without a fever and with a desire to eat.” (Paragraph 4, Marquez) The people in both stories accept the idea this is an angel, just because of their religion. In Borges story the family believed that Espinosa was Jesus because of the resemblance, just like the people in Marquez’s story. Also in “Appointment in Samarra.” By W. Somerset Maugham’s story, “Now, lend me your horse, and I will ride away from this city and avoid my fate.” (paragraph 2, Maugham.) However, while he tries to escape his death he is not able to because that is where he will die. Just like in Borges story, he walks to his death knowing he cannot outrun it. The stories are different in plots but they can all be used as an archetypal for a story, Borges story just has
The author tells us that every litterateur work is somewhat related to or referring to the Bible. The author tells us that writers often refer to the Bible because nearly everyone knows at least some of the stories from Bible. Works that relate to the Bible often involve themes of denial, betrayal, temptation, and etcetera.
Esperanza Rising, by Pam Munoz Ryan, is a book about a wealthy girl, Esperanza, who must flee to the United States and serve as a farm worker after her house is burned and her father killed. Throughout her journey Esperanza meets many new people, most of them peasants, and is forced out of her comfortable life. Esperanza’s confrontations with class differences in Mexico, during her train journey, and in California, symbolize stages in her transformation from a privileged young girl to skilled and hard working young woman.
Both Walker’s “Everyday Use” and Kafka’s “The Metamorphosis” shows a relationship between siblings and parents. The siblings in “Everyday Use”, Maggie and Dee, have a strained relationship because of their difference and that does not change throughout the story. The siblings in “The Metamorphosis”, Gregor and Grete, have a loving relationship in the beginning that does however turn sour throughout the story. Mama in “Everyday Use” loves her daughter’s equally but has a closer relationship with Maggie. The parents in “The Metamorphosis” however turn abusive towards their son after his transformation and loving and caring towards Grete.
Central Character: A very old man with enormous wings that they call an angel and that was found in a stormy night in the rear of Pelayo's courtyard. Other characters: Pelayo, Elisenda, a neighbor woman who knew every thing about life and death, Father Gonzaga, a woman that had turned into a spider, the whole neighborhood and other people that came from everywhere to watch the angel.
In Gabriel Garcia Marquez's "A Very Old Man with Enormous Wings" an angel symbolizes the unfamiliar. The angel is not just a celestial body, but a foreign body-someone who stands out as being different from the rest of society. Consequently, the angel draws attention to civilized society's reaction, ergo the community's reaction within the story when it confronts him. Using the angel as a symbol, Marquez shows how ignorance reveals the vulnerability of human nature often leading to uncivilized behaviour.
James Baldwin uses Bible stories as a foundation for his own stories. Baldwin once stated, "I was born in the church" ("Notes" 14). He intimately knew and loved the Bible. The King James Bible became his literary text during his Harlem childhood. This is solely because of the fact that he could analyze the text and relate it to his own stories.
This particular introduction, unlike most other works contains the climax to the story. This paper will show the importance of these introductory lines. “When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed into a monstrous vermin.” This line greatly moves the plot, more so than any other line. It is the climax of the novel, and everything following it helps build the conclusion of the story. The juxtaposition of “unsettling” and “dreams” is ironic, as dreams are peaceful and never unsettling, only nightmares are unsettling. Gregor has transformed into a “monstrous vermin.” The remainder of the first paragraph gives details of exactly what the monstrous vermin is.
In the novella The Metamorphosis by Franz Kafka, the author analyzes change and its repercussions in its entirety. Kafka offers a unique perspective as he follows the transformation of the main character, Gregor Samsa. The transformation from human to insect, as exemplified by Gregor, helps the reader understand Kafka's portrayal of Samsa as a character. The reaction of Gregor's family and their own transformation throughout the progression of the story also provides readers with Kafka's thoughts on change and alienation as well as other key themes. One may argue that the two most prominent transformations were that of Gregor and his sister Grete. Although Gregor's personality remains relatively consistent throughout, his physical transformation serves as the basis of the plot which strengthens its prominence. Grete goes through several changes throughout the novella as well. Grete's transformation from girl to woman holds nearly as much significance as Gregor's. Ultimately, each member of the Samsa family undergoes transformations of various degrees. Throughout the novella, the relationships between the Samsa family emphasizes the common practice of completely disregarding someone once they have changed in a way that doesn't abide by the standards society has deemed as acceptable. Through the use of Gregor Samsa as well as other characters, Kafka expresses his ideas on change and the stigma that is, at times, associated with it which can lead to alienation; each character can also serves as a metaphor by representing society and our tendency to reject people based on their flaws physically or personality-wise.
The Hebrew Bible, better known as the Old Testament, is a collection of tomes that form part of the Biblical canon. Many scholars around the world do not think that a single author wrote the books contained in the Hebrew Bible, but rather that it represents centuries of stories frequently compiled after the events they describe . The stories were created with visions for the future, in order to allow audiences insight into communities and beliefs that were common thought during their era. The stories responded to the issues and problems of their time, but also addressed contemporary climates. While the stories themselves may not be true, they convey truth without needing literal readings. For example, the creation stories in Genesis, portray God as creating the universe, and while this is considered as not ‘literally true’; the stories communicate theological truths about mankind’s relationship with God through the eyes of Hebrew writers .
Borges often contemplated life and where man should find himself suitable in its situations. In “Death and the Compass”, detective Lonnrot works to solve a labyrinth that has been created for him through a series of murders. The labyrinth is considered the biggest secret in the short story. In the end the labyrinth proves to be worthless to Lonnrot. Borges strategically uses symbolism to prove his philosophy that, it is pointless to spend life endlessly searching through a “labyrinth” to find our purpose. Borges specified, “Man’s search for meaning in the world is a fruitless effort” (Borges). The idea of someone creating a series of murders that form a triangle with equidistant vertices is completely imaginary. It is a clear portrayal of Borges’ manipulation of fantasy to create alternate realisms. Borges’ varied literary methods in a single story help communicate his two life theories. Labyrinths and identity are consistent topics that transpire in Borges’ short stories. “In Death and the Compass”, as well as several other short stories, Borges depicts characters that use reason to create and solve labyrinths. This symbolizes that people create their own paths in life. The labyrinth in Borges’ stories plays many roles. It examines the idea that life is a riddle and at times can seem endless. In “Death and the Compass” Red Scharlach, a criminal ...
realizes that his entire existence has been controlled by others and he is now on a journey to
Spanning fifteen hundred years with over 30,700 manuscripts, extensive archaeological evidence and 2000 prophecies that have been fulfilled, the Bible is God 's word to us. (Yohn, 2013). In the Bible, the Father is essentially giving us a picture of the history of the world and is also leading us to a place where we must make a decision that involves whether we choose to accept his son or reject him and remain guilty. Additionally, the Word of God tells us what happened that caused this breach between us and God, the result of this and how God has rectified it through the blood of his son. In fact, from the beginning of the Bible (written 1400 B.C.) to the last book (A.D. 96), God is showing us why we need Jesus and how to find him. Just as a plant’s root system propagates and occupies the pot that encloses it, Jesus permeates the entire Bible. Therefore, the motif of the Bible is the story of the redemption of mankind and it all points to Jesus as the messiah and savior who secures this for all.
...He is forced to see that the new hedonism he embraces with open arms is not without price to himself and those around him. It leads him deeper and deeper into sin and depravity until he cannot be redeemed for his faults. In a fit of madness he decides he no longer wants to have his own faults, the results of his impulsive, narcissistic, and selfish behavior visible to him. He takes a knife to the canvass and, in doing so, ends his own life. A life devoted to following his impulses without tempering them with reason, a life of thinking only of his own selfish desires and disregarding the hurt caused to the people around him. The legacy begotten by new hedonism.
The biblical narrative is one that is still going on to this day. The biblical narrative tells the story of God and how he reveals himself to us. Rhodes points out that “God comes to each through a historical event or series of events” (2). It is in this way that God reveals himself to us and this maintains the relevance of the biblical narrative in our lives. God reveals himself through formative stories in the bible such as Creation, Adam and Eve, the Fall of Man, The Flood, God’s Covenant with Noah, and the Tower of Babel. From the very beginning of the biblical narrative we see that God relates to us on a personal level. He created us, he formed us, he created the world in which we live, and he has been an active participant in the narrative since before it began.
Existentialism is a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining their own development through acts of the will. Existentialism is used to emphasize individual existence along with freedom and choice. Soren Kierkegaard is the “father of existentialism.” Soren believed that individual choices determines essence. Humans define their own meaning in life, and try to make logical choices in a unreasonable universe.