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The house of mango street analysis
The house on mango street setting analysis
The house of mango street analysis
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Who are you? Do you ever wonder who you truly are and what your purpose is? Many might still be in the process of understanding and developing themselves, just like Esperanza. A person's identity highly depends on one’s influences throughout their lives. Just like Esperanza's identity is sculpted by her genial friends and notorious neighbors. A person's identity is also revealed by one’s desires or goals. Lastly, a person’s personality is constructed by the vicissitudes of life or incidents that take place throughout their lifetime, just like Esperanza who encounters vast multifarious incidents. Overall, a person's identity is assembled by influences, their goals and incidents that occur to them in their existence. Influences have an immense impact on a person's identity because they show one how to act. Esperanza was surrounded by numerous influences both stupendous and atrocious. One of Esperanza's …show more content…
They show a person's intentions and desires. Esperanza’s goals are clear and express a lot about her. One of her biggest goals was to have a phantasmagorical house, a real house. She states this when she mentions “I want a house on a hill like the ones with the gardens where Papa works” (Cisneros 86). This particular goal has made Esperanza dreamy and still containing hope, but also fear humiliation. A more humble goal was to have a boyfriend, notwithstanding this wasn't such a colossal goal, it was still important as it expressed her desires and her maturity. This is shown when she says “I want to sit out bad at night, a boy around my neck and the wind under my skirt” (Cisneros 73). Esperanza also develops a substantial goal throughout her time on Mango Street, she plans to help all the citizens of Mango Street accomplish their goals or at least have a better future, but she understands that first she must be the one to leave Mango Street so that one day she will be able to come back to make a
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
Esperanza is the heart and soul of this story. She changes and develops new habits over the course of the book. Because of how the book is written, she’s also the main character who gives the story it’s unity. Everything in the story is told in her perspective anyway so she could be the narrator and the protagonist. Even the stories about other characters have some sort of connection with Esperanza. She is The House On Mango Street, she is Esperanza.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Every person thinks about a certain question at least once in the lifetime. The question that is most thought about is, ¨Who am I?¨ Many people would respond with their name, their parents, or where they live. Others use their reputation, their occupation, and their looks. At last, a few others identify themselves by their significant actions they have done. In some stories, characters try to find out who they really are. In the short stories ¨Fish Cheeks¨ by Amy Tan, ¨Two Kinds¨ by Amy Tan, and ¨Papa´s Parrot¨ by Cynthia Rylant,the characters learn about their identities through significant moments.
Everyone has specific characteristics and qualities that make them the way they present themselves. Young, middle-aged, and old people are constantly forming the essentials that affect their self-awareness through their daily activities. Forming one’s identity is an ongoing process, because every person in the world can change people one way or another. In The House on Mango Street, the experiences young Esperanza faced day to day develop her true individuality.
Esperanza is the type of person who easily trusts others which makes her susceptible to betrayal. Her naïveté and inexperience is a common recurrence throughout the book as she begins to mature. Esperanza finds a friend in Sally, whose promiscuity often make Esperanza uncomfortable and what ultimately puts her in danger. It is presumed that she gets raped by a group of boys while waiting for Sally at a carnival. Esperanza encounter was not what she had thought it would be. She feels betrayed by how the storybooks and movies depict it (sex) but most importantly she feels betrayed by Sally whom she trusted the most in to come and save her.
Esperanza builds her strength off the mishaps that occur while living on Mango Street. In the vignettes, Esperanza describes some very interesting things that take place on Mango Street. She recalls a time when Sally befriended her and told Esperanza to leave her alone with the boys. Esperanza felt out of place and was very uncomfortable and very ashamed to be in that situation. She wanted more from life than that, so she left the scene.
Esperanza dreams of someday having a satisfying life. She doesn't want her path of freedom to be cleared by having a baby or finding a husband. She has no desires to fall into the trap of dependency. As the author writes, "Her power is her own. She will not give it away" (Cisneros 89).
I have chosen to do my final project on the fiction novel, Esperanza Rising written by Pam Muñoz Ryan. The novel, Esperanza Rising was published in the year 2000 by Scholastic Inc., in New York, New York.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
A person’s identity is shaped by many different aspects. Family, culture, friends, personal interests and surrounding environments are all factors that tend to help shape a person’s identity. Some factors may have more of an influence than others and some may not have any influence at all. As a person grows up in a family, they are influenced by many aspects of their life. Family and culture may influence a person’s sense of responsibilities, ethics and morals, tastes in music, humor and sports, and many other aspects of life. Friends and surrounding environments may influence a person’s taste in clothing, music, speech, and social activities. Personal interests are what truly set individuals apart. An individual is not a puppet on the string of their puppet-master, nor a chess piece on their master’s game board, individuals choose their own paths in life. They accomplish, or strive to accomplish, goals that they have set for themselves throughout their lifetime. Individuals are different from any other individual in the world because they live their own life rather than following a crowd of puppets. A person’s identity is defined by what shaped it in the first place, why they chose to be who they are, and what makes them different from everybody else in the world. I feel that I have developed most of my identity from my own dreams, fantasies, friends, and idols.
The philosophical problem of personal identity pertains to questions that arise about ourselves by virtue of our being persons. There is no single question that will sum up the problem, but rather a multitude of questions that are loosely connected to each other. Within this essay, the four most prominent problems will be explained and addressed. One of the most familiar is the question of “Who am I?” This regards to what makes one a unique individual. Another familiar question is, “What is it to be a person?” This concerns the necessary criteria for something to count as a person as opposed to a non-person. There is also the problem of persistence, relating to personal identity over time. An example of this would be to glance upon an old photograph of a childhood class, point and say, “That's me.” The questions arises of, “What makes you that one instead of one of the others?” The last problem to be explained is the one of evidence. How do we find out who is who? There are two separate sources of evidence used often in philosophy: first-person memory, pertaining to one remembering an action or event and therefore being the person who did such, and physical continuity, where if the one who performed the action or witnessed the event looks like you, then it is you.