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Social effect of the great depression on the American society essay
Puritans and literature
Social effect of the great depression on the American society essay
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Hemingway's Lost Generation
Before World War I and the Great Depression, the American dream consisted of the inherent optimism about the future, and a faith in individualism. However, Americans became skeptical of these beliefs and traditions. The country lost its innocence with the war, turning idealism to cynicism resulting in the questioning of the authority and tradition which had seemed to be the American bedrock (Anderson 519). The suffering of millions of Americans brought by the decade of economic depression also changed American's outlook (Phillips 213). Furthermore, traditional beliefs were bombarded by powerful new philosophies and movements such as Marxism and psychoanalysis. An alarming message, "I have seen the future and it works," was sent from Moscow by the American writer John Reed (Anderson 521). These disillusioned expatriate American writers, residing, primarily in Paris during the 1920s and '30s, are known as the "Lost Generation"(Phillips 213). The term was coined by the American writer Gertrude Stein, one of the many "lost" writers, but was borrowed by Hemingway in his novel theSun Also Rises in 1926 (Phillips 213). It was Ernest Hemingway, the most influential of all these post-war writers, who labeled himself and his generation the "Lost Generation."
Hemingway was most famous for his literary style, which affected the American prose fiction for several generations. Like Puritan writers, he reduced the flamboyance of literary language to a minimum. Also, he is well remembered for adding to American fiction the Hemingway hero, which is embraced as a protagonist and a role mode. This hero is a man of action, a man of war, and a tough competitor; he had a code of honor, courage, and e...
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...s skeptical of tradition
A Lost innocence in war
B. Economic depression changed American's outlook
C. Changed by powerful new philosophies
II. Hemingway was most famous for his literary style
A. Reduced the flamboyance of literary language
B. Contributed the Hemingway hero
C. Hero exemplified through novel
D. Hero code living life for the present
E. Hemingway left an impression on American literature
III. Other writers responsible for literary shift to disillusionment
A. Sigmund Freud's psychoanalysis
B. William Faulkner contribute stream of consciousness
C. Prohibition ushered further rebellion
D. F. Scott Fitzgerald recorded 1920s
E. Sinclair Lewis captured major theme of fiction 1920s
F. Theodore Dreiser landmark in An American Tragedy
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Shakespeare used the image of blood to portray the central idea of Macbeth, King Duncan’s murder. The crime is foreshadowed in the second scene of the first act. The king shouts, “ What bloody man is that?” (I,ii,1) He is referring to a soldier coming in from battle. The soldier then explains to King Duncan of Macbeth’s heroics in battle. One assumes that Macbeth is bloody just like the soldier. The soldier describes Macbeth in action “Disdaining Fortune, with his brandished steel, / Which smoked with bloody execution.” (I,ii,17-18) This line connects Macbeth with killing, and hints at the future.
In the beginning of this play blood resembles honor, bravery, and maybe even victory. Macbeth's blood saturated sword after the war portrays him as a brave hero because of the enemy he killed. He is known as "Brave Macbeth" to everyone including Duncan, the King. His bravery is rewarded by the title of Thane of Cawdor, with the help of the current one being executed for treason. I feel that the word blood at the beginning of this play earns Macbeth’s respect from not only the characters, but also the audience.
Blood is mentioned throughout the play and mainly in reference to murder or treason. The first reference to blood is in MacBeth's soliloquy in Act 2, Scene 1, Lines 33-61, when Macbeth sees the bloody dagger floating in the air before him. Also in this soliloquy on line 46 he sees "on thy blade and dudgeon gouts of blood", this means that there is blood on the handle and spots of blood on the handle. This is implying that the dagger was viciously and maliciously used on someone. Shakespeare most likely put this in as premonition of murder and death to come later in the story.
Thomas W. Lippman gives an introduction to the Muslim world in the book Understanding Islam. He has traveled throughout the Islamic world as Washington Post bureau chief for the Middle East, and as a correspondent in Indochina. This gave him, in his own words, "sharp insight into the complexities of that turbulent region." However, the purpose of the book is not to produce a critical or controversial interpretation of Islamic scripture. It is instead to give the American layman an broad understanding of a religion that is highly misunderstood by many Americans. In this way he dispels many myths about "Muslim militants," and the otherwise untrue perception of Islamic violence. In this way the American reader will become more knowledgeable about an otherwise unfamiliar topic. However, the most significant element of Lippman’s book is that it presents Islam in a simple way that makes the reader feels his awareness rise after each chapter. This encourages him to continue learning about the world’s youngest major religion. Understanding Islam dispels many misconceptions about the Muslim world, and presents the subject in a way that urges his reader to further his understanding of Islam through continued study.
Every human being on earth accumulates scars of this nature. From errors made in the past come forth blemishes on the soul that serve as permanent reminders of one’s mistakes, and the scars provide maps to roads not to be taken again.
Americans in the 1920s were fresh off of World War I and freshly into the Prohibition Era. The American Dream was well defined- a life of wealth, comfort, and exuberance. After a World War I victory, the Dream was thought to be in the near future for every American. The country was seen as a world superpower, wealthy after the devastation of a war fought entirely overseas and brimming with hope and possibility- at least on the surface. Despite the highs experienced by much of the country, it wasn't without its problems. Crime violence was benevolently running the streets and the Speakeasies beyond the reach of full Prohibition, the world was being set-up for The Great Depression, and America was brimming with members of the "Lost Generation." This generation and the hypocrisies and idiosyncracies of the "American Dream" inspired a rising and influential set of artists, poets and writers, and a list of best-selling books that both reflected and inspired the generation that devoured them. Authors such as Ernest Hemingway, Edith Wharton, Anita Loos, F. Scott Fitzgerald, and Sinclair Lewis were some of the popular fiction authors of the 1920s who both entertained and delighted their readers, while also offering an intelligent reality check about the limits and realities of the American Dream.
A missionary character and mandate birthed Islam. From Mecca to Indonesia and in between all over in previous 1400 years, it has spread its cultural values, beliefs, material wealth, worldview, spiritual aspirations and practices. Jihad, its “sixth pillar” of faith has constantly been a tool of religious struggles, violent wars and struggles on Allah and His prophet’s behalf
Along with America's help, the ISI had assistance from a striking and very wealthy, young man named Osama bin Laden. He joined the ISI, as a favor to the head of Saudi intelligence and his good friend, Prince Turki. Bin Laden quickly assumed the important role includ...
Shakespeare employs the powerful symbol of blood to augment the tragic nature of Macbeth, while dually adding dramatic effect to the play. Blood’s recurring symbolism throughout the play constantly reminds the audience of the Macbeth’s irreconcilable guilt. Blood’s symbolism in the murder of Duncan transforms an act of treachery into a ghastly betrayal. The symbolic appearance of blood throughout the intermediate parts of the play maintains the depth of the Macbeth’s unforgiveable guilt. The use of blood as a symbol in the conclusion of the play asserts the perpetuity of the Macbeth’s guilt. Shakespeare’s inclusion of blood as a major symbol in Macbeth creates a compelling tragedy in which the audience is able to comprehend the magnitude of the Macbeth’s irreconcilable guilt.
Blood shows many things in this play, such a thing like honor. Malcom the heir to the throne has made his way to England to escape the treacherous acts of the tyrant Macbeth. While there Macduff comes to call on him for an army to take back their mainland. Malcolm suggests his lack of honor for the new King of Scotland in his statement to Macduff, “It weeps, it bleeds, and each new day a gash/ Is added to her wounds.” Then later in this dialogue continues with “More suffer and more sundry ways than ever,/ By him that shall succeed”(4.3.40-49). Here Malcom is explaining how his country is as living as the people that inhabit it. He does not want to be tricked by Macduff and have his country in bits and pieces by the likes of Macbeth. Towards the beginning of the play when Macbeth returns the Sergeant shows his respect for the brave fighter who returned from a valiant battle for his country, in this next passage, the Sergeant says, "Which smoked with bloody execution"(1.2.18), he is referring to Macbeth's braveness in which his sword is covered in the hot blood of the enemy. The worthy heir to the throne Malcolm is graced by Macduff as he holds the head of Macbeth to all the people and sa...
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Frequently throughout Hemingway's use of heroes there are two behaviors or types of heroes that he uses, these are the "Hemingway Hero" and the "Code Hero". The Hemingway hero is usually a masculine man who drinks, loves hunts and bullfights, and has war injuries.
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...
In this book , Esposito provides a succinct, up-to-date survey of the Islamic experience, an introduction to the faith, belief, and practice of Islam from its origins to its contemporary resurgence. He traces the emergence and development of this dynamic faith and its impact on world history and politics. He discusses the formation of Islamic belief and practice (law, theology, philosophy, and mysticism), chronicling the struggle of Muslims to define and adhere to their Islamic way of life. Equally important is the essential information Esposito provides on the contemporary world of Islam, from Muslim responses to the challenges of colonialism and modernization to the reassertion of Islam in politics and society.