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Racism in literature
Literature as a reflection of society pdf
Literature as a reflection of society pdf
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Equality and Social Class in Pygmalion
The idea of ranking individuals based upon their wealth and behaviors has endured through all cultures, countries, and times. George Benard Shaw's Pygmalion addresses an individual's capability to advance through society, an idea as old as social distinction. Shaw does so through the social parable of a young English flower girl named Eliza Dolittle, who after receiving linguistic training assumes the role of a duchess. She receives instruction, as a bet, by a self-absorbed language professor named Henry Higgens. However, Eliza does not take her social ascension alone, as she is joined by her drunken father Alfred P. Dolittle. The manner in which they rise from poverty demonstrates their equality as humans. As illustrated through Shaw's Pygmalion, the innate equality of individuals necessitates their ability to rise from their social class.
An individual's humanity necessitates social equality. The shared human experience imposes innate equality. A person's equality or often inequality in a social setting is often "extrinsic and subjective" (Mugglestone 379). Also, Shaw uses Eliza's character and feeling of self worth to demonstrate the distinctions between the "undeniable facts of innate equality, and the social... fallacies" that prevent its recognition (Mugglestone 377). The rebirth of Eliza from a flower girl to a lady implies that the trivial issue as an accent is the main distinction between classes (Tindall 44). Social constraints prove ineffective at diminishing an inner sense of equality. Eliza, refusing to recognize the demeaning social expectations imposed upon her class, rebukes Higgens rudeness with the declaration of equality ",I've a right to b...
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...e Art and Mind of Shaw. New York: St. Martin's, 1983.
Goldberg, Michael. "Shaw's Pygmalion: The Reworking of Great Expectations." The Shaw Review 22 (1979): 114-22.
Lerner, Alan Jay. "Pygmalion and My Fair Lady." The Shaw Review 1.10 (1951-56): 4-7.
Lorichs, Sonja. The Unwomanly Woman in Bernard Shaw's Drama and Her Social and Political Background. Rotobeckman, Stockholm: UPPSALA, 1973.
Mugglestone, Lynda. "Shaw, Subjective Inequality, and the Social Meanings of Language in Pygmalion." Review of English Studies 44.175 (1993): 373-85.
Reynolds, Jean. Pygmalion's Wordplay: The Postmodern Shaw. Tampa: UP of Florida, 1999.
Shaw, George Bernard. Pygmalion. New York: Washington Square P, 1916.
Tindall, William York. Forces in Modern British Literature. London: Knopf, 1947. Mills, John A. Language and Laughter. Tucson: U of Arizona P, 1969.
Fordyce, William. "Tennessee William's Tom Wingfield" Papers on Language and Literature 34.3 (Summer 1998): 250-272. ProQuest. Jacobs Library, Oglesby, IL.
The Norton Anthology of English Literature, Volume 1c. New York: W.W. Norton & Co, 2006. Print. The.
The main characters of this novel are Ralph, Jack, Simon, and Piggy. Ralph, who represents civilizing instinct, is elected as the leader of the group of the boys and tries to promote harmony among themselves. Even though he seeks to lead the group and defeats Jack in the election, he doesn’t try to dominate people. Rather, he focuses on the group’s common interest of being rescued. For example, he gives responsibility to the hunters to keep a signal fire while he tries to make a shelter. Unlike Ralph, Jack would like to dominate people. This is especially evident once he becomes the leader of the hunters on the island. He tends to show the other boys how strong and brave he is while expressing his dominance over them. By the end of the novel, Jack usurps Ralph to become the general leader, in which position he shows how barbaric and cruel he can be.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Reference 9 and 10- "The life of Van Gogh" Steven Naifeh and Gregory White Smith, pages 760 and 746. Published in 2011.
Van Gogh, being the son of a Lutheran minister, was very much drawn toward religion. Van Gogh decided to prepare himself for ministry by training in the study of theology. He failed at the courses and could not be the minister he hoped to become. Even though he failed the courses, he still had the desire to be a minister. His superiors sent him as a lay missionary to Belgium instead. There he wanted to be like his father and help out the unfortunates as a preacher. He tried to fight poverty through the teachings of Christ. Van Gogh's mission had to be discontinued. His approach to fighting poverty did not make his superiors happy. In 1879, he moved to his father's home in Ettan and stayed a while. He then left Ettan and went to The Hague.
Vincent was the first born child out of six, and the son of a Methodist preacher in Holland. Vincent was named after their other first child who was didn’t survive birth. As a child, Vincent spent little attention to the art that he would forever be known for and was instead quiet and kept to himself. Vincent’s best friend and favorite family member was his younger brother, Theo, whom supported him heavily through life. Vincent had many occupations in his early life before becoming an artist, which included being a bookstore clerk, an art salesman, and a
Van Gogh was born on March 30, 1853, in the rectory of Zundert in Barbant (Burra). His father was a soft-spoken Dutch clergyman. The only thing Van Gogh got from his father, was the desire to be involved in the family church. Even at an early age, Vincent showed artistic talent but neither he nor his parents imagined that painting would take him where it did later in life. One of his first jobs came at the age of sixteen, as an art dealer’s assistant. He went to work for Goupil and Company, an art gallery where an uncle had been working for some time. Three of his father’s brothers were art dealers, and he was christened after the most distinguished of his uncles, who was manager of the Hague branch of the famous Goupil Galleries (Meier-Graefe). His parents were poor, so his rich uncle offered to take him ...
Abrams, M. H. et al. The Norton Anthology of English Literature. Vol. 1. Sixth Edition. New York: W.W. Norton, & Co. 1993. 200-254.
Anorexia nervosa, bulimia nervosa, and compulsive over-eating are extremely serious illnesses that must be recognized before they can be treated. The media is blamed for so many distorted images of the body. People are beginning to refuse the idea, however, that thinner is better. Body shapes are known to go in and out of style. In the 1800s, plumpness was a sign of wealth and class. Thinness became a sign of beauty in the 1970s with the British super-model Twiggy. There are many treatments for eating disorders today. One of the hopes of many psychologists is that humans will begin to feel happy about the way they are, even if it is a little bigger than the media portrays as ideal.
Moore, Andrew. "Studying Relationships in Great Expectations." . N.p., 2000. Web. 15 Mar 2012. .
Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets, then when she is still at a low level of poverty in her life.
Abrams, M. H., ed. The Norton Anthology of English Literature. Vol I. 5th Ed. New York: W.W. Norton, 1986.
“I dream of painting and then I paint my dream” said Vincent Van Gogh. Van Gogh was a famous Dutch post-impressionist painter whose thick brush strokes, color, emotion, and a way to escape from life was what he was best known for in his paintings. He was not a wealthy man because he was only able to sell one painting in his whole lifetime. Later in his adult life, he suffered from anxiety and had bursts of mental illness, which would cause him to be in and out of psychiatric wards and resulted in lengthy pauses in his ability to create beautiful paintings. The last two years of his life, he created the most amazing artwork in his career, even though he was interned. A great man whose mental illness got the best of him and eventually caused
After months of meticulous research, Van Gogh attended his first art school in the fall of 1880. Here he learned more about the technical sides of art, such as perspective and anatomy. In 1882 after practicing the techniques he learned at his first school, Van Gogh attended another famous art school called the Hague. Van Gogh was influenced and motivated by his teacher, Anton Mauve, a great...