“They sleep not, except they have done mischief
And their sleep is taken away, unless they cause some to fall
For they eat the bread of wickedness
And drink the wine of violence.”
-Proverbs 4:16-17
At the beginning of some novels, there are quotes that may be presented before the story or prologue begins. These quotes, called epigraphs, are used to suggest a literary piece’s theme and plot, to the reader. In the book Something Wicked This Way Comes by Ray Bradbury, there are three epigraphs presented to the reader, yet only one accurately describes the book and its themes. The quote stated above, Proverbs 4:16-17, is the accurate quote presented in Something Wicked This Way Comes, due to its message or wickedness, mischief, and violence
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that plague Green Town, Illinois; the setting of the novel. Two boys, Will Hallow ay and Jim Nightshade, encounter a mysterious carnival that arrives in their town. The carnival owners Mr. Dark and Mr. Cooger hold several secrets of the carnival, which Will and Jim find out. Mr. Dark and his carnival freaks try to capture the boys because they know too much, and they succeed. But in the end, Will’s father (Mr. Halloway) saves the boys and defeats the carnival once and for all. The wickedness of the Carnival and Mr. Dark, the boys’ mischief, and the acts of violence that occur throughout the book support Proverbs 4:16-17 in being the accurate and well-supported epigraph of the three presented in Something Wicked This Way Comes by Ray Bradbury. “For they eat the bread of wickedness…” (Proverbs 4:16-17).
Wickedness is a key trait that is expressed in Something Wicked This Way Comes by Ray Bradbury. At several points in the novel, wickedness and wicked people are prevalent. One instance where wickedness is blatantly shown is when Mr. Halloway, a janitor at a library and father to Will Halloway, analyzes the events presented throughout the book, until that point. “By the pricking of my thumbs, Something wicked this way comes. So vague, yet so immense. He did not want to live with it.” (Bradbury 137) Mr. Halloway was burdened with the overwhelming pressure and overall obscurities that the carnival presented to the town. Obscurities such as Mr. Dark and his age-defying carousel, Mr. Cooger and his electric chair, and the carnival freaks who obey Mr. Dark and Mr. Cooger’s every order project this bone-chilling wickedness that defines Something Wicked This Way Comes. An example was when Mr. Dark ordered the Dust Witch to cause physical pain but metaphorically sew up Will and Jim’s eyes, mouths, and ears. “Darning needle-dragonfly, sew up these mouths so they not speak… Darning needle-dragonfly, sew up these ears, so they not hear… Darning needle-dragonfly, sew up these eyes so they not see!” (Bradbury 165) The cruelty and inhumane torture that Mr. Dark presented to Will Halloway and Jim Nightshade was a clear sign of his twisted mind. Mr. Dark was able to control the boys’ actions when they were under the witch’s spell, which was part of his manipulation tactic. Mr. Dark’s wickedness prompted the cruelty shown to his carnival freaks and he people he
captured. “They sleep not, except they have done mischief… And drink the wine of violence.” (Proverbs 4:16-17). Violence and Mischief are another defining aspect of Something Wicked This Way Comes. Each of the characters has their own adventure that lands them in cruel and unusual situations that drive the novel forward. Mr. Halloway volunteered to do a bullet trick at the carnival’s parade, and requested that Will Halloway becomes his assistant because he could not hold the gun fully. “Serene, Will held breath, held weapon. Serene, his father said, ‘Now.’ And fired the rifle.” (Bradbury 185) Both father and son fired the gun and killed the Dust Witch. The violence that was exchanged throughout the novel was a prevalent factor, as well as the mischief that caused it. Will Halloway and Jim Nightshade were excited that the carnival was arriving in their town. They heard train noises in the middle of the night, and decided to go visit the carnival as it was being set up. “‘The flags! The cages! It’s the carnival!’… ‘Jim, don’t go alone!’ And followed after.” (Bradbury 35) The boys admired the carnival, unaware of its wickedness, which caused them to sneak out at three o’clock in the morning. Their mischief is what drove the story to its main plot and in the end, completely getting rid of the carnival all together. The mischief and violence in the novel were perfect examples that showed that the Proverbs 4:16-17 quote was the epigraph that best-suited Something Wicked This Way Comes. The other epigraphs that were in association with Something Wicked This Way Comes included: “Man is love, and loves what vanishes” –W.B. Yeats “I know not all that may be coming, but be what it will, I’ll go to it laughing.” –Stubb in Moby-Dick Compared to the Proverbs epigraph, these show inaccuracy and lesser support of the events in the book. When the carnival’s train first arrived in town, at three o’clock in the morning, the boys were awakened by its sound. The boys rushed off to see the train, not knowing what was coming or what may happen to them in the future. “Tears jumped into Will’s eyes. He lurched. He knelt. He pretended to lace one shoe. But then he saw Jim’s hands clap his ears, his eyes wet, too… Jim screamed against the scream… Will shrieked against the shriek.” (Bradbury 36) The arrive and face it, but rather than laughing, Will Halloway and Jim Nightshade faced the train crying, screaming, and shrieking; all of which are the opposite of laughing. This supports the statement that Stubb’s quote was an inaccurate candidate for an epigraph. On the other hand, Yeats’s quote was less supported by the novel, but it was not inaccurate or contradictory to the text. After encountering a stampede in the Mirror Maze of the carnival, Will and his father were in a frantic hurry to find Jim, before anything bad happened to him. Mr. Halloway started to doubt his abilities, but Will interrupted him to say that he did not care how old his father is and would always love him just the way he is. “‘Oh, Dad, Dad, I don’t care how old you are, ever! I don’t care what, I don’t care anything! Oh, Dad,’ he [Will] cried, weeping. ‘I love you!’” (Bradbury 190) Will disregarded his father’s age out of his love towards him. He did not care for anything, other than the bravery, strength, and willpower that he showing while defeating Mr. Dark and the carnival. This quote supports Yeats’s quote of love, and how man loves what vanishes (Will’s father’s personality had vanished, in this case), yet there are very few points in the book that can support this statement fully. Through inaccuracy and inadequacy, both Stubb’s and Yeats’s quotes do not support the novel as well as Proverbs 4:16-17. Epigraphs in the beginning of a book hint towards the novel’s themes and plot. Of all the epigraphs presented in Ray Bradbury’s Something Wicked This Way Comes, the Proverbs quote best supported the story and was clearly applicable throughout the novel. Proverbs 4:16-17 explains the wickedness, mischief, and violence that is demonstrated by the characters in the book. The other epigraphs had inaccuracy, conflicting details, and less support than Proverbs 4:16-17. All in all, Proverbs gave an accurate suggestion of theme and plot for Something Wicked This Way Comes.
In “Something Wicked This Way Comes” Ray Bradbury uses dramatic irony to explain Charles Halloway. Halloway says “I don't need… but someone inside me does.” (Bradbury 19) This is dramatic irony because Charles’ thoughts later explained what he meant by what he said. The author presents Charles’ past like this to add effect to the story to make it more captivating. He also did this to develop the character Charles. Another example of dramatic irony for Charles is “Charles Halloway suppressed… make the pack” (17). This example is dramatic irony because the audience knows Mr. Halloway despises being old as expressed throughout the book. However, on some occasions other characters do become aware of the this. It is most likely that he hates being old because it makes him
Friendship is defined as the emotion and conduct of two people who care deeply for one another in a platonic manner. Something Wicked This Way Comes, written by Ray Bradbury, explored the friendship between two childhood friends, Jim Nightshade and Will Halloway, as they defeated the danger in their city, Greentown. William F. Russell portrayed in his version of Damon and Pythias the friendship of Damon and Pythias as they learned the importance of time and death. Jim and Will truly embodied friendship compared to Damon and Pythias through their struggle and triumph, Damon and Pythias along with Jim and Will displayed the meaning of being a true friend.
One of the ways this is achieved is by using an exterior appearance to deceive ones true morals for an intriguing motive. This is seen through the character of Miss. Strangeworth the main character in "The Possibility of Evil" appearing to be a sweet old lady however, she is not what she seems. Her deceiving exterior is seen when the narrator states "Walking down Main street on a summer morning, Miss. Strangeworth had to stop every minute or so to say good morning to someone or to ask after someone 's health (Jackson 1). This quote illustrates Miss. Strangeworth uses her
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
In the novel "Something Wicked This Way Comes" by Ray Bradbury, Will is described, characterized by his behavior, and be his shift in attitude. This is shown through "bright, clear as drop of summer rain" (Bradbury, 6). Bradbury describes him this way to show that he has a positive and uncomplicated view on life. He does this by explaining that Will was the first one to answer lightening rod salesman right away instead of waiting and examining whether or not Will and Jim should talk to him. His behavior is characterized through "Will? Know what you are? A darn old dimwit Episcopal Baptist!" (29). This characterizes his behavior as always being the one who follows Jim and acts like Jim's conscience to keep him out of trouble. Bradbury does
In Gregory Maguire's novel, Wicked: the Life and Times of the Wicked Witch of the West happen before the novel by L. Frank Baum, The Wonderful Wizard of Oz. In Baum’s novel of The Wonderful Wizard of Oz, portrays the role of the Wicked Witch of the West being wicked. We have no background or personal preference to understand her life of the Wicked Witch of the West (as known as Elphaba). But in Maguire’s novel, Wicked: the Life and Times of the Wicked Witch of the West, shows how Elphaba traits of a monster are similar to a typical monster that portrays in people's eye. Elphaba is an ideal model of what we see in a monster would be like: abnormal, scary looking, and blunt behavior. She is a target of gossip to those who do not even know her. Typically in monster tale, usually, monsters characterize as: wicked, unstoppable, destructive, and evil. Surprisingly since birth to young adulthood, Elphaba did not portray a role of any wickedness of a monster expected to be, but a caring person and cares about what she thinks is righteous.
Evil is defined as being profoundly immoral of malevolent. Being faced with evil is can be challenging especially when the person is unaware that it is present. In the Play Othello by William Shakespeare and the novel Lord of the Flies by William Golding, Othello and Ralph are faced with the challenge of evil. Othello is an outsider of Venice coming from South Africa that is sometimes ridiculed based on the color of his skin; yet earned the title of respect with his intelligence, courage, and skills. Othello’s insecurities and him not knowing when evil is looking him straight in the eye, leads him to his down falling. Ralph... Both characters in the beginning act in a moral manner, until the end of the stories when both characters have been
There are two kinds of evil, moral and natural. Moral evil is things like murder, rape, stealing, terrorism, etc. Natural evil is things like suffering and unpleasantness typically as a result of moral evil. Evil is that which has no power of its own. Evil is darkness, a negation of light. Its power is in us, in our fear of it, in that we consider it a "something" worth responding to.
The evil nature of this individual is made manifest, and thus evil enters the story in a significant way.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
The meaning of evil has changed throughout history. In today’s world, evil has become a hazy term. What is evil? Who is evil? Men like Osama Bin Laden have been described as the term 'evil' for their atrocities against humanity. Now it seems evil has an exclusively human meaning; when a person violates the rights of others on a massive scale, he or she is evil. In Shakespeare's time, the Renaissance period, evil had a similar, but altered meaning for people. Evil was a being that violated Christian moral codes. Therefore, a man such as Claudius, from William Shakespeare's play Hamlet, a murderer and a ruthless manipulator, who uses "rank" deeds to usurp the thrown is in direct violation with the Elizabethan societal rules, and he is evil. Greed,
Shakespeare’s Macbeth introduces numerous characters whom possess traits of genuine humility and righteousness and genuine insanity and greed. Taking a closer look at the characters Macbeth and Lady Macbeth, there is a noticeable difference in each of these characters’ analysis of being wicked. Although both characters originally act together as deceitful, murderous, and heartless individuals, Macbeth continues to be overcome by this dark persona. Thus concluding, that Macbeth displays a more wicked character than Lady Macbeth does because he lacks emotional suffering, he becomes that which he originally suppressed, and because he carries a paranoia around him that is distinctively malicious.
Shakespeare introduces to us a character who is evil according to the moral judgement of the moment. He does not respect the social values and norms. For him social taboos such as incest and crimes such as murder cease to be wrong once they become instruments of power. He is Satan incarnated, cunning, greedy and destructive. He has no respect for those who observe social, norms, family ethics and political loyalty.
Evil is a destructive force; it causes harm to those who embrace it and their victims. In Shakespeare's Macbeth, the protagonist Macbeth and Lady Macbeth fall into the hands of evil. Evil is what drives people to commit unnatural actions of destruction. Macbeth succumbs to evil through his fatal flaw, greed, and it causes him to disrupt the chain of being. When Macbeth willingly murders, massacres, lies and deceives, he loses his heath and sanity. Evil corrupts everything it touches, and Macbeth decides to be evil's servant. But, when Macbeth embraces evil, it corrupts him, and it ultimately destroys him as well. Lady Macbeth is a victim of Macbeth's fatal flaw, since she is drawn in, and becomes greedy for power herself. She pushes Macbeth into destruction when she adds the small touch that plunges Macbeth into a chain of murder, destruction, and lying followed by the loss of their sanity and health. After Macbeth and Lady Macbeth are well into the depths of corruption and greed, it is clearly seen that their guilt will haunt them for the rest of their lives. The harm they have caused others will be returned to them as revenge and they have lost their sanity in order to gain power. The fate of Macbeth and Lady Macbeth clearly illustrates that to embrace evil is to negate our own need for order and well being.
Proverbs are not promises (as Ecclesiastes and Job emphasize) but are a call to action…wise living.